Club 7 Casino Queen - exposingamerica.info

I think we're all aware by now of the conspiracy that's building in the background of 2077. Most of us know about the mysterious Blue Eyes who appears in The Sun ending to the game. He operates as The Stinger of sorts for (that) ending of the game; He and V discuss a job vaguely alluded to through out the ending sequence and then the ending cuts to V in space charging off towards The Crystal Palace. Cue DLC Hook and credits.
But, let's go back here. This is only the tail end of the conspiracy and where it actually intersects with V's story. Blue Eyes (and some connections to him) crop up multiple times through out the game and, when pieced together, start building a larger picture that runs deeper into Night City than the pockets of most corporats.
I've finished my second playthrough of the game and I've been drafting this post as I play and find more clues. I doubt I'll find everything or might completely dismiss some, but I want to be on the front lines of uncovering this mystery, especially if this will be our Gaunter O'Dim for Cyberpunk 2077. I apologize for the length of this post ahead of time, but I need to summarize a bunch of lore and at least 4 major side-quests; "I Fought The Law", "Dream On", "Full Disclosure", and "The Prophet's Song".
Here's a long essay incoming, but I hope you chooms enjoy and I hope you read through to the end because, oh boy, I uncovered some cool shit!
So, who is Blue Eyes? Who are his contacts? What is his role in the ecosystem of this city?
"I FOUGHT THE LAW"
Let's start with where he most appears in the game; Jefferson and Elizabeth Peralez, political family in the running for Night City's first family. Which I kinda have to summarize their questlines, including the first one which Blue Eyes never appears in. But I'd prefer to go in chronological order and not jump around, so stick with me.
Elizabeth first contacts you for the job "I Fought The Law". It's fairly basic, but the quest tells us she convinced her husband to hire V to look into the recent death of Mayor Rhyne. We get a BD of a cyberpsycho attack by Peter Horvath on Mayor Rhyne. Weldon Holt leaves the room before the attack and then the security gate crashes right before Peter walks in with billions of eddies worth of chrome. The attack is unsuccessful and stopped by Detective River Ward, who was only there because Peter went missing internally at the NCPD and he knew where Peter would go.
When investigating Peter Horvath, his previous boss describes him as paranoid that "probably thought Mayor Rhyne talked to him through the TV" and that the world was out to fuck him. She then mentions that someone "finally saw what he was worth" which cues into how Peter was thrown into this attack in the first place; he had a patron who funded his chrome and the attempt on Rhyne's life. Tellingly, River than goes into a little talk about how clues rarely make sense until put into the larger context, much like we're doing right now.
V goes to the club Rhyne died in; The Red Queen's Race. V sneaks through, takes out some Animals, and can investigate what actually happened to Rhyne. If we read the emails on the office terminal, we know that Weldon Holt arranged for Rhyne to be there. He initially mentioned this to Rhyne during the first BD; Rhyne asked Holt directly to arrange his usual room at the club. So, this doesn't inherently look too suspicious on it's own, but Holt knew where Rhyne would be. We also find out via the Animals Boss there that Weldon Holt is the one who hired them to smash up the club and they're currently waiting around for payment. Further, you can go to the room Rhyne died in, find the BD headset, and put it on... which INSTANTLY knocks V out and they need to be rescued by River (who, btw, takes out any Animals on the property you didn't get to! Ty bro!). They surmise that Rhyne was killed by a virus in the headset. Lastly, we find footage of Detective Han (River's partner) covering up the death of Rhyne. They confront Han, V goes off to the Peralezs, and quest ends.
Of note, finding the BD set is a hidden dialogue option with the Peralezes suggesting, yes, that's the correct deduction to make. You don't get that option otherwise. And V never actually comes to any real conclusion to what happened to Rhyne.
So, let's summarize what we know about the death of our Mayor. Peter Horvath was hired by an unknown Patron who spent a ton of money to turn him into a suicide bomb against Rhyne. They have connections internally to the corrupt NCPD which allowed Horvath to get access to Rhyne, both from escaping NCPD custody and for the security to give him access to Rhyne's conference room. That fails so our mastermind instead assassinates Rhyne at his usual sex club, one that we know for sure Holt knew about. Rhyne is assassinated via malware in a BD porno headset, NCPD comes in an Detective Han cleans it up. Later, Holt hires the Animals to take claim to the club and fuck it up.
Holt is looking suspicious AF rn, but we also don't have any direct evidence and V says as much if you accuse him. Personally, I think it's a little too clumsy if it's him. Holt leaves the room just as an assassination attempt goes down, sets up a sex club appointment for the Mayor where he's successfully assassinated, NCPD covers it up... and then he hires a gang to cover it up more? Something doesn't fit here.
My theory is Holt is innocent. He's a scum bag, but not the culprit here. Why would you EVER give your identity to the Animals you hired to cover up an assassination? The big dumb brutes of the underworld? A name they give up with almost no fight? No, I think someone hired them under Holt's name. And I think they hired them because they KNEW the BD Headset was left behind; Han dismissed it entirely as Rhyne dying of a heart attack brought on during sex. They needed that destroyed to cover the final footprints. It's the only piece of evidence that doesn't have Holt or NCPD's name on it and doesn't fit the narrative that both are pushing. If they're covering NCPD or Holt's tracks, why not delete the emails or footage of Han? And if Holt or Han were trying to push this false narrative, why leave the headset right there the first time?
And, while I have no evidence of this assertion, the Animals are only still there because they're waiting for payment to come in... I think our employer never intended to pay them and left them in the path of V, who is likely to shoot them and tie up the loose end for our mysterious entity. Animals destroy the BD set, V shoots the animals, no trace. And, even if he doesn't, Animals will point V to the wrong person.
No, we've got a third party here. But let's continue so we can finally let our lead actor take center stage.
"DREAM ON"
"Dream On" starts when Jefferson calls V and asks them to help in another case. Long and Short; Jefferson woke up in the night and found a man in a mask (or an implant) standing over him. Jefferson shot the man, only for his head to fry and knock him out. Coming to, he's back in bed with no evidence it ever happened. SSI, their private security, insists that there was nothing on the cameras, no evidence, and nothing happened. Elizabeth claims she slept through the whole thing event.
V investigates the apartment, with Elizabeth giving the tour, and finds a lot of evidence. Elizabeth is kinda dismissive at first thinking V won't find much. First small stuff leading into larger reveals. Let's start small and work our way up.
First room Liz takes us to is the campaign room. She talks about running the campaign entirely out of pocket and having to keep most of their supplies at the Penthouse; "It's cheaper that way". You find a picture of their daughter on the wall and Liz explains that she's off at university in Europe while Jefferson is running for office; "It's easier that way" she says. That phrasing again.
EDIT: A redditor in the comments pointed out that the Peralez are being controlled via drugs in their food as part of the tech. They mention they've been eating fast food lately, explaining why Jefferson was lucid enough to catch the agent and shoot him.
V can look at Jefferson's emails (which Liz slightly discourages them, saying there's nothing there) which reveals a bit more about their campaign. There's a video of the iconic commercial and poster of Jefferson pulling out a gun and shooting a bunch of paperwork. In the email, Jefferson HATES this commercial, but his assistant, Lea Patel, insists on it as it will air in television time slots with action-drama series and catch the attention of voters. Further emails have Eric Boucher, Jefferson's Campaign Partner (Manager?), saying Jefferson has been acting unpredictably lately; presumably referencing one of the next emails. Boucher is confused because they fired Lea Patel together, only for her to continue working and sent him a new ad for approval. When emailed, Jefferson is confused about Lea being fired at all and doesn't remember the event ever happening, even telling Boucher to be honest if he has some issue with her. A final email is from SSI Chief of Security, Wallace, discussing Jefferson's intent to hire a merc to look into Rhyne's death ("Dream On") and they suggest Jefferson drop it or have NCPD or themselves look into it. Private Security just... offering to investigate the former mayor's death? Huh... sounds more like they want to squash the issue to me.
We should now talk about the Peralez's campaign. As you explore the apartment, Liz explains that they're running on a corp free campaign; they want to get Night City out of the control of the corps and do so without ever owing any favors to them. She specifically cites "Night Corp, Militech, and Petrochem" as ones they've denied. Militech and Petrochem come up a few times in other quests but Night Corp is relatively obscure. And they choose that corp to be the first one she mentions? Stands out to me. It also isn't lost on me that we're talking about running a campaign out of pocket and refusing corp assistance... while walking on the fancy ass balcony of a penthouse in Charter Hill- North Oak.
Next room, we find Jefferson's office. Elizabeth and Jefferson both graduated with law degrees from Asukaga University in Berkley. V points out it would be extremely expensive for them both, but Elizabeth says that both got full ride scholarships from the Richard Night Foundation, run by Night Corp. To further fucking cement this moment, there's a Richard Night biography shard on the desk. But we'll drop this for now because I want to get to Night Corp a bit later.
The computer on the office desk has some emails on it sent by Elizabeth. One is between her and Judy where she's asking Judy for help on the original "I Fought The Law" quest and Judy is the one who gave her your contact in the first place. Another is from their daughter kinda asserting the same thing earlier; safer for her in Europe so she's not a target on the campaign trail. And here's the interesting one; Boucher emailed Elizabeth asking why Jefferson changed his mind on Lea Patel. Elizabth says Jefferson explained it to her that it "slipped his mind" and "circumstances changed in Lea's favor" and she asks him to drop the whole thing. She's dismissive and gives extremely vague details.
Next room, Bedroom. Elziabeth's gun is on the table. It's the one Jefferson claimed he fired and scanning it tells us that it has been fired recently. We also find the wedding photo of Jefferson and Elizabeth where she fondly talks about having blue roses because she loves them so much... except the photo's roses are red and V says as much. Elizabeth quietly corrects herself that they only had red roses instead and moves on.
In the hall, we find the blood trail and gun shots in the wall; both covered up hastily. Following the trail, we enter a tv room. The Smart Glass isn't working and Elizabeth says it stopped working recently; not like they use it much anyway. Passing a Tech Check lets us try and fix it... only to be quickly blacked out by it so hard Johnny felt it too. V asks Elizabeth about it but she doesn't know what V is talking about despite having been standing right there. We also find a hidden door in the wall. Unlike earlier, Liz is actually confused by the door but demands V try and open it.
Downstairs we have the security room. Liz says that it used to be her place but "Security had to set up somewhere" and that she had to make sacrifices for this campaign; "it wasn't the first nor will it be the last". One computer has a Welcome email from SSI to new recruits. It details that they have access to all areas except Section Zero, which is reserved for Blue or Black agents and that, should the encounter a Blue or Black Agent (SPECIFICALLY "in the night"), do not interact or acknowledge them. The next email from Wallace mentions an accident where there was a "behavioral anomaly" and "ALPHA" injured a Blue Agent (BLUE-66M) who is in critical and the SSI head is requesting access to Sector Zero to give medical aid. SSI gives Wallace the code to Sector Zero and sends a team to aid. SSI knew about the accident and lied. You go to the second computer, unlock it, and can unlock the upstairs door. On that terminal is a bunch of deleted files (presumably the security footage from that night) and emails discussing "normal maintenance procedure" and further informing security that ALPHA (Jefferson) hired a merc (V) and, should security encounter them, do not interact with them.
Small thing I found interesting, a shard called "You Are What You Slot" is found down here too. It details a fictional assassin who kills and then steals the identity of her victims. Small and doesn't mean much on it's own, but the shards are hinting at the story here; one of false identities and manipulation.
Now, let's get to the main event; the secret room. Inside is a control center. Elizabeth is horrified and feels violated. She shouts that she's not letting SSI anywhere near them, only for her head to start hurting and she tells V to do what he needs to do. She leaves him. Inside the control room is a box of bloody medical supplies. The computer discusses "behavioral norms" for ALPHA (Jefferson) and suggests amplifying "neural dampening". It discusses things similar to Wallace's terminal, but from the other side; ALPHA is displaying odd behavior by hiring a merc, the SSI teams avoided meeting the merc, and then the actual accident that occurred injuring BLUE-66M during regular 'maintenance'. The other side of the room also has another data shard, "Rewriting Synaptic Pathways", basically talking about using tech to rewire the brain a bit.
Following some wires from the control room to the roof, we find a signal dish. Johnny (replacing Elizabeth for conversation now that she's gone), joins in that the tech looks prehistoric but functional and that Militech used it in the war; it requires line of sight to transmit data but otherwise can't be intercepted. We can see the tower and go to investigate. V tells Liz the whole deal; V can suggest that the Van near the tower could be SSIs or that it might not be due to unconventional tech. Liz then itterates twice that it's a stressful campaign time for Jefferson and V should talk to her, NOT him. "Sure, whatever" V and the player dismiss.
(I SWEAR WE'RE ALMOST DONE WITH THE SUMMARIZING FOR DREAM ON, I'M SO SORRY.)
We drive after the van, Johnny is suddenly excited for smashing a corpo conspiracy and iterates that citizens do not choose their representatives, instead they're chosen by "key players" who watch the Peralezes for weaknesses or blackmail material. We arrive at the facility patrolled by Maelstrom and the occupants of our van park, get out, and climb ladders to the roof where they get into an AV that is cloaked to be near invisible (as shown in a couple of vids on YouTube and this subreddit).
At the place, Maelstom is explained; "UNKNOWN USER" contacted them while driving the van for protection to take care of V and then destroy the van. Van's data makes it pretty clear; the Peralezs' minds are being manipulated, new neural pathways are being created, and their memories are being created, changed, or erased. There are also a couple of other names of other test subjects. The data is then erased. We do see an almost flower like symbol before the data is destroyed.
The agents on the cloaked AV CAN be killed and do drop a shard, thought it doesn’t have many more details, merely that they’re contacting HQ to arrange extraction and that the Van’s data should be destroyed and echoing the arrangement with Maelstrom mentioned earlier in their shards.
V calls Liz, Liz wants to meet in person instead of over holo and send him to a Japantown Raman shop (same one that used to be Rainbow Cadenza, coincidentally). Odd choice for an upstanding congresswoman. She says her nerves are shot, the ramen shop is a quieter place to meet than the apartment, and she needs a moment to gather herself since she last saw V, with V even asking if something has happened since they last saw each other. Of note, Liz is stress smoking the entire scene, something she hasn't done until now. She then explains, no, it's been over a longer period of time. She's been watching her husband change and act differently for awhile; he stopped reading, his taste changed, and he even insisted he was an only child and never had a bother when Liz asks about visiting the grave. Of note, yes, Antonio Peralez has a Columbarium Vault, which proves Liz is correct on this. She confesses that she herself has been told by others she's been acting strangely. V says she knew what V would find and she asserts that she doesn't know the who, how, or why, but "they're changing us". Jefferson apparently went on in great detail about a trip she swears they never went on, but she doesn't know if the vacation is a fake memory or if she's the one that doesn't remember.
She saw a stranger in their apartment tinkering with a monitor, only for him to be missing when it was reported to SSI and they looked at the feeds. The next day, she got a phone call from a stranger (whom she refers to by "he") saying that she's walking on thin ice and Jefferson could have an accident. They later erased all data that the phone call had happened. Elizabeth claims she's terrified for herself and her husband's safety and doesn't want V to reveal the truth. V points out "they" could be telling her to say that but it doesn't really change how she feels since she just wants Jefferson to be safe. She tells V to tell Jefferson it was SSI spying for Holt. She asserts she wants SSI out of her roof if they're spying on their sleep. She will take responsibility for firing SSI, but wants Jefferson to be safe and out of that fight. She adds a meeting with Jefferson to his calendar at Reconciliation Park. But, ultimately it's V's choice (especially since she has no idea if she'll remember the conversation) and leaves. Johnny jumps and and talks and mentions that there were talks like this back in his day and worrying about the damage a puppet mayor could do.
V heads to Reconciliation Park to meet with Jefferson. Entering, V is called by an Unknown Number which blacks out V's optics. They claim to know who V is, *what* V is, and what V wants. It doesn't matter what V tells Jefferson, but "don't dare cross that line" and "you're playing with fire". Its a garbled male robo voice, so safe to say it's irrelevant to the owner.
Enter Stage Right, our missing lead; Mr. Blue Eyes. He is standing on a balcony watching the place where we meet Jefferson. In the Scanner, he is labeled "Mr. Blue Eyes", has no known affiliation, is wanted for "SC 370", and is wanted for "Classified". His eyes are electronically glowing blue you can even see from several yards away. You cannot injure him as grenades do nothing and you can't aim at him. Of small note, and I don't know if this ACTUALLY means anything, but his hair style asset is referred to as Morgan Blackhand in the files, but could mean nothing if this hair is actually used by other NPCs. MOST LIKELY THIS IS NOTHING UNLESS SOMEONE HAS FURTHER INFO.
(Plot twist: It meant something. But we'll get there.)
V sits with Jefferson and can reveal the truth; "SSI is on the take from an unknown group to control your lives". V can even point out the absurdity of Peralez being as successful of a politician as he is without any corp sponsors. "They want you to be *their* mayor. Molding you like clay". You can tell Jefferson how to proceed and additional details, but it doesn't matter. Later, Jefferson will send a text and delete your number and so will Elizabeth, who will call you out for telling Jeff. In the end credits voicemails, Jefferson has decended into paranoia about some vitamins Liz gave him which he didn't trust so he sent them to the lab, only to then not trust the lab results saying they're fine. Jefferson Peralez is confirmed the new mayor during Late Act 2 and the major difference is his state of mind at the end game; either hiring V to be on his security staff or descending into absolute paranoia over everything in his life.
Lastly, Johnny appears and cryptically talks about back in his day when they'd talk about rogue AIs. Personally... I kinda completely dismiss this? It comes out of nowhere, Johnny cites NOTHING for why he'd bring this up in relation to the case, and I can't fathom a motive. I’d also point out that this isn’t the only time Johnny is outright wrong. In fact, he’s wrong A LOT in the game. For example, he criticizes V for listening to the Netwatch Agent and that he’s bullshitting you. Except, the agent is 100% correct that VDB did spike V as a suicide virus and Johnny is actually wrong. He also claims he doesn’t know what happened with Thompson after Never Fade Away, but this is a lie because Thompson is flying the AV Johnny takes to Arasaka in 2023. The only connection I can find is "Who is controlling Blue-Eyes" which might make Johnny correct, if just not in the way 'Rogue AIs' initially implies.
So, what actually has happened?
The Peralez family has been molded for a very long time into being the perfect political couple. They got scholarships from the Night Foundation for two fancy law degrees, have successful political careers, and Jefferson is running for Mayor on an anti-corp platform, an insanity for Night City. And he's actually successful at it. During a maintenance service at night on the Peralez's apartment, Jefferson woke up and shot an SSI/Unknown agent making repairs. The Control Booth knocked Jefferson out and they pulled the agent out of the apartment into the secret room. SSI put the Peralezes back into bed and hastily cleaned up everything, but the damage was done and Peralez hired V who uncovered mostly everything.
Elizabeth seems to be initially very upset by the discovery, but wants V off the trail when we meet her next. However, she's not in on it as she's equally a victim to the brainwashing/gaslighting and that's for certain. I think she's a pawn who is either too scared or too programmed to break the rules of movement on this chessboard. It's worth noting that, while the unknown entity threatens Jefferson's life and V's well being, they do not make due on either of these threats. I call their bluff. They have put too much work into Jefferson to abandon or kill him.
But, where else have we heard of this gaslighting brainwash process before?
"FULL DISCLOSURE"
Ok, we're on the shorter end so I don't have to actually explain this quest in full. Sandra Dorsett is a netrunner and a very skilled on at that, actually collecting data from Night Corp. She was kidnapped by the savs we rescued her from at the beginning of the game shortly AFTER she stole this data, suggesting Night Corp was behind it. This data is on the shard she asks you to collect during the aforementioned quest. V has full ability to NOT read it, but let's look at it; "Operation Carpe Noctem" ("Seize The Night" in Latin)
Described in it is an experiment on Night Corp's own employees where they are quietly brainwashing them and getting them to do whatever they want. They specifically cite an empathetic and calm employee who they got to fight a co-worker and then jump from a 16th floor window. The shard ends on mentioning that they're ready to install CN-07 on "our actual target".
I think multiple quests discussing brainwashing and gaslighting is too coincidental to be utterly unrelated to each other. I think Night Corp's actual target mentioned here is Peralez.
So, what is Night Corp?
Night Corp is the most mysterious of the corps in Night City. It currently operates to better Night City via philanthropic ventures, fundraising, community support, and city infrastructure. Basically, while Militech and Arasaka and the others operate in the city, Night Corp basically RUNS the actual city. They're also noteworthy for the level of security they have that even the best netrunners can't get much from them and, since they keep to themselves and seemingly just do city infrastructure stuff, no one really super bothers them. It has been run by Miriam Night, wife of late-Richard Night, until recently and we currently don’t actually know who runs NightCorp.
Originally, they were the Night Foundation, but that requires explaining Richard Night... oh boy, Lore Drop. I'll make it quick as possible.
Richard Night is the founder of Night City. He started as a partner of a firm, but his ambitions grew beyond that to founding "Night International" to build his dream; a city that would be so grand it would make all other cities pale by comparison, Coronado City. A capitalist mecha of opportunity, Night City would be run by corporations and have next to no anti-business policies on the books. Arasaka, EMB, and Petrochem were his first backers and he came into claim of land on the central-California coast; Del Coronado Bay and Morro Bay would be the location of his dream city.
(BTW, irl, Morro Bay, California is a real place. Been there, have family there, go there regularly, kinda cool!).
Despite being a capitalist mecca city and run by corps, Richard Night also dreamed it to be "A sprawling metropolis, free of crime, of poverty, of debt. A place where people could live safely, peacefully, without having to worry about the dire situations that were growing around the world at the time".
However, due to the design plans, Night didn't employ local contractors and instead got expensive architects and builders from all over the world. Local builders didn't like that, they had mob connections, bloodshed started. And soon Richard Night was murdered by an unknown assassin, presumably a mob hitman. The city was renamed Night City in his honor and his dream utopia became to embody everything that was destroying the world. Mob took control and corps didn't give a fuck since it didn't hurt them any until they eventually had to take out the mob gangs, but not in any favor to Night’s dream either.
Miriam Night, Richard's Widow, founded the Night Foundation (later Night Corp) to stick to Richard's Ideal dreams of what he wanted the city to be. They invest heavily in ecological research, alt power sources, civic infrastructure, public works, and charities and scholarships for Night City youth. "They've even managed to stay out of the normal corporate power struggles which tend to plague every other corporation, both inside the city and out. Even the shadowy corporate rumors about them, like having underwater bases in the bay or access to orbital satellites, remain unsubstantiated despite extensive investigation."
So, where does this put us now? We have ONE last quest...
"THE PROPHET'S SONG"
Garry The Prophet is our local crazy man. He spouts off insanities to anyone who will listen near Misty's Esoterica in Kabuki. However, some of his ideas aren't quite as much off the mark as one might think. There ain't no technonecromancers from Alpha Centuri (or Spanish Inquisition) nor is Saburo Arasaka an immortal vampire, but he was correct that Saburo wasn't dead and in fact immortal; via Mikoshi and The Relic.
He send you on a quest to investigate a meeting; he says that his ripper mistuned some cyberware in his head and he can hear their communications. You show up to a meeting between corps and Maelstrom. They say some nonsense phrases and transfer a data shard. Reading it ("Destroy After Reading") it seems like nonsense. But does include the line "The cages of men melt as night descends". You can decode it via a Null Cipher; first letter of every line: “Project Oracle Command Execute Plans”.
We don’t know what Project Oracle is. In real life, secret project or operation names actually tend to be chosen at random and are unrelated to the actual project (you can google funny stories about names that ended up awkward to the actual project), so this could mean nothing. But, narratives tend to give meaning to everything. Oracles are mythical in references and could predict the future or see the unseen. Perhaps perfect prediction via behind the scenes manipulations? Not sure we’ll get answers on this one for now.
Going back to Garry, he's been kidnapped. His protoge is screaming he's been kidnapped "Black suits came by - blue eyes and all". Blue Eyes huh? Further, she claims that they threw him into an invisible AV... Huh, like the one we saw back during "Dream On"? "Night's comin... The eternal night"
So, it’s time to jump us to the final step in our Fool’s Journey: The Sun.
“THE SUN”
The Sun ending has V wake up in their new penthouse apartment (with their love interest if they have one). Checking the computer, we see emails from our dear Mr. Blue Eyes. He wants an answer from V as to the job to the Crystal Palace he has planned and that they’re on a tight schedule for “obvious reasons”. We meet with him at the Afterlife and he talks about the job; Casino security is going into maintenance and V mentions giving him the casino client list. V also asks him to “hold up your end of the bargain”. They never discuss eddies or payment. It’s all in such vague terms. “Your end” or “Obvious reasons”. Smaller point but an email from Vik on the space shuttle also tells us that he’s asked around about Blue Eyes and has nothing; either he works with people WAY above Vik’s paygrade or he’s shady as hell… or both.
I think Blue Eyes knows V is dying (the obvious reasons) and I think the unspecified payment is V’s survival. V always says that they want to come back to their love interest so it’s not a mindless suicide run and I don’t think V would risk it all for nothing but eddies; especially not after Reaper (both versions) paint suicide runs as a horrible terrible thing. To then glorify it in another ending… no, the game is smarter than that.
Your love interest doesn’t seem to be too upset about the situation either. Panam and Judy leave V in The Sun due to their lives taking different directions, but it seems mostly amicable and understanding. They even express desire to see V again because they know V needs to do this job. Kerry, who stays with V in The Sun and expresses worry and also a desire to settle down with V, also seems mostly understanding that V needs to go on this quest. I don’t think they’d be so calm and loving and understanding if this were a suicide run. They know more than the player does.
Further, I think Blue Eyes isn’t after the casino aspect of the Crystal Palace at all. While that’s the major commercial aspect of the station as marketed to the citizen world, the station also has embassies from every nation on earth, facilities from all the major corporations, and is pretty much THE place where all the dark corporate espionage goes down. There’s so much more to this location than ‘casino resort’. *EVERY* corp has space stations and hideaways in space because the Crystal Palace offers it’s own legalities and opportunities that are not allowed within Earth’s terms and conditions. If they want to do some research that would be frowned upon elsewhere and get up to some Top Secret shit, it’ll be in outer space. Night City is controlled by corps and has lax laws, but outer space’s are even more so.
I think the cure V wants is not only on the station, I think it’s what Blue Eyes himself is after, but I’ll get there when it’s time to theory craft about the future.
I think it’s worth noting; Blue Eyes IS IN THE TRAILER FOR THE GAME. Yeah, anyone remember that shot on a shuttle with a guy being burned out from the inside? Yeah, he’s there. In the foreground. *Smirking*. The shuttle also seems like they’re in space.
These events leading to the Crystal Palace and the conspiracy with Blue Eyes are blatant DLC Hooks for the future and suggest a post-game DLC. This isn’t the first CDPR has done so either; Blood and Wine takes place after the story of Witcher 3 and is explicitly incompatible with the worst endings of that game. I think, conceivably, other endings where V is still alive could be roped into this adventure; Blue Eyes merely needs to hire them with the same offer of survival. While The Star takes V to Arizona and away from Night City, I think that choice of location is appropriate as, to even get to space for The Crystal Palace, citizens go from LAX to Arizona for a space port to launch them off Earth’s surface. They could have chosen anywhere else to send Panam and V, but they choose Arizona, huh. I do think Reaper, Temperance, and Devil will be locked out of this future, however, as all make any point of Blue Eyes hiring V irrelevant; there’s no V left to hire/save. MAYBE a rejected Devil ending, but I wouldn’t blame them for not continuing that conclusion either as Devil is one of the bad endings.
So, it’s finally time to really compile a lot of this information into where I think this is going in the next comment below

The black nobility is the base of the global crime syndicate that controls this planet. The black nobility or black aristocracy are the aristocratic families that sided with the papacy under Pope Pius IX after the army of the Kingdom of Italy led by the Savoy family entered Rome on September 20, 1870, overthrew the pope . and the Papal States, and took over the Quirinal Palace, and the nobles later ennobled by the Pope prior to the Lateran Treaty of 1929. Any family that produced popes for the Vatican is royalty. Most of the black nobility are Vatican royalty. The black nobility consider themselves sovereign princes. These families earned the title of "black" nobility for their relentless unscrupulousness. They used murder, rape, kidnapping, robbery and all kinds of deception on a large scale, without resisting the achievement of their objectives. The black nobility were the families that financed and created the holy corporation of the Vatican with the aim of imposing world slavery as a necessary institution, with the sole belief that some are born to rule and others to be ruled. The idea that certain families were born to rule as an arbitrary elite, while the vast majority of a given population is condemned to oppression, servitude, or slavery became the theological position of this elite. The "New World Order" is an attempt to take control of society by these fascist families with the purpose of the total slavery of humanity.
The Vatican is an imperial nation and is the largest empire in this world. The Vatican City, or the Holy Vatican Corporation, officially the Vatican City State, is a nation that operates as the largest intelligence network in the world. The Holy See is the "All-Seeing Eye" in society and a corporate entity connected to many other corporations and governments through papal and royal statutes. Archbishops and high-level bishops are the overseers of society within their districts and oversee politics, police, business, and organized crime. The same year that the professor of ecclesiastical law and practical philosophy at the University of Ingolstadt, Adam Weishaupt, created the Order of the Illuminati, was the same year that they created the United States as a corporation to run it as their private army and lead I dig the agenda of a "New World Order" for the elites, mainly, thanks to the infiltrated Freemasonry and directed by the Jesuits.
The New World Order is a conspiracy of lineage at the top. They are ancient and evil bloodlines that build and destroy empires for control through an order out of chaos. Royal and noble houses are corporate entities and claim to rule and own land, resources, and people. Landlords have always been the dominant owners of gold and precious metals. They empower and finance bankers and entrepreneurs to work for them through their corporate homes. They authorize and issue the creation of laws, agencies, the military, companies, and universities. They create and run religions and secret societies. They also finance and organize organized crime syndicates as if they were commercial enterprises. Some of the major royal bloodlines include Savoy, Bourbon, Medici, Glücksburg, Wittelsbach, Nassau-Weilberg, Saxe-Coburg and Gotha, Romanov, Grimaldi, Orleans, Braganza, Habsburg, Hannover, Windsor, Saud, Thani, Khalifa, Alouwite , Zogu, Hohenzollern, Orange-Nassau, Bonaparte and Bernadotte. Many royal bloodlines still rule their nations as heads of state such as the United Kingdom, Belgium, the Netherlands, Denmark, Monaco, Spain, Saudi Arabia, Bahrain, Morocco, Sweden, Norway, and Luxembourg. The Vatican City State is also a kingdom with the Pope of Rome as its monarch. The Black Nobility are the ancient bloodlines of the Papal States and they own the Holy See and the Vatican. They produced the first popes of Rome and held leadership positions in the Vatican from its inception. The Colonna and Torlonia still hold the hereditary positions of the Assistant Princes to the Papal Throne. The black nobility consider themselves sovereign princes. The Vatican is used as a central point of control and the Holy See is one of the oldest and most criminal corporate entities in existence. The Spanish Catholic Church is immensely rich, it has not suffered the crisis and also enjoys a true tax haven, being free to pay taxes, such as the IBI, works, companies, etc. The vast majority of the assets in their possession and on their accounts are completely opaque. This situation is illegitimate, unfair and presumably illegal, and this occurs with the complicity and consent of the public powers.
The Erlach and Brandi families are Swiss tax advisers who enable corruption, bribery, criminal financing, and money laundering. The Swiss Guard is the one that protects the Vatican City State. The Swiss cantons have been in contract with the Vatican for centuries and Switzerland is basically a papal state with the noble Roman saints claiming partial ownership. The German house of Baden-Zahringen founded Bern, in Switzerland. The House of Savoy ruled the regions of Switzerland for hundreds of years. Some of the most important bloodlines of the Black Nobility are: Massimo, Colonna, Pallavicini, Odescalchi, Ruspoli, Orsini, Aldobrandini, Sforza-Cesarini, Boncompagni-Ludovisi, Chigi-Albani-Della Rovere, Doria-Pamphilj, Rospigliosi, Giustiniani , Torlonia, Corsini, Borghese, Del Drago, Lucchesi-Palli, and Gaetani. The Pecci and Pacelli families are more recent bloodlines of the Black Nobility. The black nobility share ownership over the Holy See, which is a corporate entity based in the Vatican City State that was established as a nation in 1929 under Benito Mussolini, who was put in power by the House of Savoy. The Mussolini and Franco families became nobles after their fascist regimes. The Black Nobility also owns the Knights of Malta, the Jesuits, and the Cosa Nostra. The Black Nobility established branches in southern Italy and married Sicilian-Campanian nobles such as the Lanza di Scalea, Adragna, Sanseverino, Tomasi di Lampedusa, Paterno, Cattaneo, Serena di Lapigio and Rocco di Torrepadula families. Many Italian crime families were Sicilian nobles like the Bonanno and Bellomo families. Both the mafia bosses and the Italian and Spanish nobles call themselves Dons, which is the equivalent of Boos (boss) of crime. The Savoy, Savoy-Aosta, Medici, Borbon-Dos Sicilias, and Borbon-Parma families are members of Italian royalty and are married to various European royal bloodlines and Black Nobility. Most of the monarchs are members of the Sovereign Military Order of Malta. Prince Carlo Massimo has been overseeing the Sovereign Military Order of Malta as President of the Italian Association of SMOM. The Knights of Malta have an undercover operation at the Jesuit School of Foreign Service in Georgetown, run by Joel Hellman. The Jesuits and the Knights of Malta basically run the Defense Department alongside British Crown agents and high-level Freemasons. Prince Carlo de Borbón-Dos Sicilias is a high commander of the Society of Jesus through his Sacred Constantinian Military Order of Saint George. The Jesuits were authorized by Pope Paul III of the Farnese family. The Bourbon-Dos Sicilias and Borbon-Parma families are the continuation of the Farnese family, the name Farnesivs is engraved in the Jesuit headquarters called the Church of Gesu in Rome. The Farnese family lived in a pentagonal fortress called Farnese Villa Caprarola, which is the basis for the design of the American Pentagon. Jesuits are involved in education, politics, banking, science, law, and especially military intelligence. The Italian Bourbons have established residences all over the world, including Florida. Jesuits need to be investigated and banned, they have rightly been expelled from almost every country in the world, but they always end up coming back. In Spain three times, his last return was at the hands of General Franco.
The Holy See is a corporate body that issues laws and bills, such as the Golden Bull, which claims ownership of the Kingdom of England and identifies the emperor as the sovereign of the only legitimate universal empire, directly chosen by God. The Pope claims temporal power or ownership over the Earth and also claims Papal Supremacy or Papal Rule and Papal Infallibility. Infallibility means incapable of being wrong. The Roman Curia or Papal Court is the highest organized council in society and is directly supervised by the two “Assistants of the Prince to the Pontifical Throne”, these two positions are held by the princes of the Colonna and Torlonia families. They work with a higher level princely council of the Italian nobility that works with another council made up of the Roman nobility. The Italian and Austrian nobility are married to each other and work closely together leading the Sovereign Military Order of Malta, which is a sovereign entity equivalent to that of a sovereign nation. The Italian Nobility, La Cosa Nostra and the German and Austrian Nobles, run the Jewish Mafia. Royalty and nobles have massive amounts of wealth in private bank accounts in Switzerland. They use the Nazi-founded Bank for International Settlements to steal wealth from central banks through fraudulent tax contracts and then launder and hide the wealth in private bank accounts in Switzerland. The main Italian lineages still active include the Massimo, Colonna, Pallavicini, Torlonia, Aldobrandini, Ruspoli, Orsini, Gaetani-D'Aragona, Borbón-Parma, Odescalchi, Borghese, Adragni, Chigi, Medici, Borromeo, Doria-Pamphilj, Sacchetti, Savoy, Grimaldi and Bourbon. These bloodlines oversee the various specters of society. Outside of this power structure is the Committee of 300 with an inner circle made up of the leading monarchs and princes of Europe and the former Holy Roman Empire with members from Windsor, Spencer, Cecil, Percy, Hohenlohe-Langenburg, Habsburg, Bonaparte, Orleans, Bernadotte, Lagergren, Glucksburg, Hannover, Furstenberg, Austria-East, Hohenberg, Hesse, Nassau-Weilberg, Habsburg-Lorraine, Saxe Coburg and Gotha, Saxony-Weimar-Eisenach, Saxony-Meiningen, Braganza, Orange-Nassau, Hohenzollern , Hohenzollern-Sigmaringen, Liechtenstein, Rothschild, FitzJames, Lobkowicz, Ligne, Merode, Romanov, Thurn and Taxis, Schwarzenberg, Orsini-Rosenberg, Windisch-Graetz, Esterhazy and other families. Many members who do not have noble status on the Committee of 300 are representatives of the royal families.
These families are all enemies of humanity and have conspired to enslave the world for centuries. They authorize and create corporations and billionaires, run religions, states, secret societies, the mafia, and organized crime syndicates. Royal families in Europe are mainly divided into two factions, and this dates back to the Guelph merchants and Ghibelline landowners. All other groups like Bilderberg, CFR, and the Trilateral Commission are lower-level organizations. All roads lead to Rome, which is the basis of its control system. The European Constitutional Monarchies are branches of the corporate empire of Rome. Constitutional Monarchies are ruled by blood-appointed heads of state and serve Rome through the Sovereign Military Order of Malta. The Pope claims temporary or physical ownership of the Earth. The Pope claims to be infallible of error. The Pope claims ownership over all souls through the papal doctrine of "Papal Supremacy." The Pope is a leader for the Black Nobility of Italy.
The Jesuits are a military priesthood officially established by Pope Paul III A.K. to Alessandro Farnese of the Farnese family. The Jesuits were officially established under the Papal Bull called Regimini Militantis Ecclesiae, which means Military Regiment of the Church as the continuation of the Templars. The Black Nobles are the true owners and controllers of the Vatican and maintain their control throughout the centuries by installing their relatives as high-level popes and bishops. At present the Torlonia and Colonna families who have the hereditary positions of Prince Assistants to the Papal Throne are those who supervise the pope. In turn Pope Francis supervises all members of the Catholic Church and also supervises the various secret societies that are connected with the Church.
The Jesuits are also a Masonic order and were the continuation of the Templar orders when they were banned. The Roman Catholic Church mocks Christians by performing rituals where they pretend to drink blood and eat human flesh known as the Eucharist, also called Holy Sacrifice. The New Testament did not exist until about 1600 and the Old Testament is even more recent than the new. It was the Vatican and European monarchs who created both the New and the Old Testaments. The last official version of the bible was published in 1777.
The bishops and priests operate as supervisors and the Jesuits function as spies trained in deception and are infiltrated everywhere. The Pope claims temporal power or ownership over the Earth and also claims Papal Supremacy or Papal Rule and Papal Infallibility. Infallibility means incapable of being wrong. Archbishops are the overseers of society within their districts and oversee politics, police, business, and organized crime. The Latin phrase Novus Ordo Seclorum means New Order of Ages (or Ages), or also "New World Order", and is on the US dollar bill and Great Seal of the United States.
The Vatican uses Latin as an official language and for documents. America is named after the Italian Americo Vespucci who worked for the Medici family of Florence and Rome. Vespucci created the term New World for America. The Bank of America was originally called the Bank of Italy and was founded by Amadeo Giannini, who was financed by Italians. Nations were formed as companies or corporations to exploit their citizens as merchandise. Corporations are fraudulent constructions because they are considered a person with rights under the law, and because the owners and controllers of the corporations can disregard responsibility for crimes committed by the corporation. That is fraudulent. Corporations are not people and therefore cannot have rights. Corporations are also monopolies that use subsidiaries to hide their dominance over industry. Private companies cannot compete fairly with corporations. Citizens are also classified as legal persons (companies), robbing them of all their human rights. Corporations shouldn't exist.
Royalty and nobles issue charters establishing representative covert property agents controlled by corporate households or crowns of royalty and nobles. They claim to own foreign governments in this way. Royalty and nobles claim to own the United States as a continuation of the Virginia Company. Roman royalty such as the Hanover, Hesses, Wurttembergs, Hohenzollerns, Glucksburgs, Orange-Nassaus and Saxe-Coburg and Gothas claim a share of ownership over the British Crown. This is why the British royal family has so much German ancestry. The United States is defined as a federal corporation under US code 3002. Section 15. Most of the founding fathers were Freemasons and worked for the British Crown and German royalty. American political families, such as the Bushs, Clintons, Romneys, and Kennedys, take their names from European noble families that still exist. The Von Dem Bussche family are German nobles and relatives of the Bush family. The Clintons and Romneys are also British nobles. The Kennedys are Scottish-Irish nobles and an American political family involved with the Democratic Party. Mars, Walton, Rockefeller, Guggenheim, Getty, Hearst, Sackler, Lauder, Sachs, Busche, Johnson, McMahon, Forbes, and Cox are some of the billionaire American families that work with royalty and nobles in Europe. The Mars family is worth about 70 billion and works with the Windsor, Savoy, Thurn and Taxis families. The Waltons are worth around 130 billion and work with German nobles like the Württemberg, Baden, Hohenzollern and Isenberg families. The various Johnson families in the United States are collectively worth tens of billions and serve as agents for the House of Hannover. They own Johnson and Johnson and Fidelity Investments. The Hanovers are powerful royals and merchants who established the Hanseatic League. The Hearst family is worth more than 25 billion and several members were educated at Harvard University of the British Crown. The McMahon family is a billionaire and owner of the WWE and works under the Bonapartes and Savoys as their noble ancestors who were served militarily by the MacMahons during the Second Italian War of Independence. Today there are MacMahons in France with Italian and French titles of nobility. The Lauder family works for the House of Esterhazy in Austria and the House of East in Austria and Italy. The Guggenheims have assets worth hundreds of billions and are married to the House of Stuart. The Getty family are billionaire American oil merchants and are married to the Italian House of Ruspoli. The Forbes family are billionaires and American descendants of Scottish nobles who still exist.
All gang stalking and cult organizations are owned and controlled by members of royalty and nobility. Criminal organizations such as Royalty itself, Royal Institutions, The Company of Jesus, The Black Monks, The Hellfire Club, The Templar Orders, Freemasonry, The Grand Orient of France, The York Rite, The Scottish Rite, Prince Masonry of Prince Hall, Shriners International, The Royal Order of Jesters, The Cabal Society, Chabad, Scientology, Skull & Bones, The Boulé Society, The 5% Nation, The Nation of Islam, Black Israelites, The Ordo Templi Orientis ( OTO), The Temple of Set, The Church of Satan, Rosicrucian, Golden Dawn, Opus Dei, Mormons, Knights of Columbus, The Bohemian Club, Knights of Phintias, Ancient Order of Druids, Wicca, Santeria, Obeah, Voodoo, Sufism , Greek Fraternities and Brotherhoods, New Age and Gnostic Cults, Nazi Cults, KKK, Mafias, Prison Gangs, Biker Gangs and Street Gangs. The Rockefeller family uses their charitable foundations to fund harassment gangs and bribery in the United States, as well as globalization agendas and vaccination programs. The Rockefeller Foundation funded Almighty Vice Lord Nation, which is an organized crime group, and also funded the Tavistock Institute.
Hollywood, the Church of Scientology, and Silicon Valley are military operations like the US DARPA agency and run by European royalty and nobles like the Oettingen-Spielbergs, Schaumburg-Lippes, Anhalts, Hanovers, Windsors, Passi di Preposulos, Ruspolis, Torlonias and Odescalchis. The Ferragamo family is also involved in the management and financing of corruption in Hollywood. The House of Nassau-Weilberg, which is married to the Torlonias, funds human trafficking and human sacrifice in Hollywood. Idols in the entertainment industry are a dangerous cult with leaders who have access to electronic weapons. Most of modern electronics is being broadcast covertly with GENISIS and NEURON bio-piracy software controlled by Kabbalists and Scientologists. European monarchies function as extensions of Rome and run secret societies that infiltrate government agencies and run corporations for monarchs. The Sovereign Military Order of Malta is the main military council and works closely with the Orders of St. John administered by Protestant royalty such as the Windsors and the Hohenzollerns. The Order of Malta and the Order of Saint John are Masonic organizations with grand masters and titles for initiation. The royal and noble bloodlines are all working together as a global crime syndicate and part of a modernized Roman corporate empire. They also have several competing factions that create the illusion of division. The British crown and Scottish nobles such as the Bruce, Stewart, Sinclair, Campbell, Montagu, Scott, Hamilton, Percy, Boyle, Bowes-Lyon and Sutherland families administer a large part of Freemasonry. All of these families produced Grand Masters of the Grand Lodge of England. There are thousands of Masonic lodges in Europe and in the United States. Freemasonry must be investigated and outlawed. The Greek-German Royal House of Glucksburg directs the Greek fraternities and brotherhoods and uses initiates as its agents. Glucksburg nobles and Italians run the Boule Society, Boule is a Greek fraternal society for African Americans. Martin Luther King and Jesse Jackson have been members of Boule, among many other high-profile, successful, and wealthy blacks, including Barack Obama, Bill Cosby, Al Sharpton, and Thurgood Marshall. The Glucksburg family rules Denmark and Norway and recently ruled Greece. Among its members are the ex-queen Sofía of Spain and Duke Felipe de Edimburgo. Former Greek nobility and royal merchants such as the Mavroleon, Onassis, and Niarchos families are billionaires who have a monopoly in the shipping industry and work with British nobles. The Greek royal family currently lives in London from where many Greek consignment merchants operate. The British Crown authorized and controls universities such as Yale and Harvard which are used to recruit Crown agents through fraternal orders such as Skull & Bones and Book and Snake. Royal and noble families also do undercover business in the City of London Corporation, which dominates global markets. Some of the major London merchant families include the Goldsmith, Stuart, Rothschild, Grosvenor, Sassoon, Barclay, Sutherland, Montagu, Bailey and Guinness families. The Sutherland family created the HSBC bank that has a long history of financial scandals around the world (Emilio Botín, Fernando Alonso, Mohamed VI, Jorge Trías and Jordi Pujol Jr. had accounts at HSBC when it was chaired by Stephen Green, Baron Green of Hurstpierpoint). The Bailey family is co-founder of Janus Henderson through a merger. Janus Henderson manages around 190 billion in assets. The Stuart family owns the Hudson Bay Company and has an alliance with the Bavarian House of Wittelsbach, which is the covert owner of some of the Hudson's Bay Company subsidiaries, which were founded by Bavarian merchants. HBC has approximately $ 12 billion in assets and has had fiscal contracts with the United States through the Organic Law of the District of Columbia of 1871.
The Orange-Nassau family are influential traders through the Netherlands Trading Society and have a large number of shares in Royal Dutch Shell, Philips Electronics and ABN AMRO Bank. The Orange-Nassaus and their Dreyfus agents run the Rand Corporation, which has a contract with the US military. Rand's founder was a Dutch gentleman. The Orange-Nassau family also runs the Loyal Orange Institution in Ireland, which has infiltrated the police, justice and politics. The Luxembourg Nassau-Weilburg family are international bankers connected to the World Bank and the International Monetary Fund. The royal families of Luxembourg, Belgium and the Netherlands have shares in the European Investment Bank and all of these royals are recently married to Italian nobles. The Ligne family from Belgium are wealthy diamond and gold merchants. The Belgian Crown and its nobles are stealing wealth from the United States through fraudulent tax contracts established through the Organic Law of the District of Columbia of 1871 and continue to do so through the Bank for International Settlements. The Barons Strange heads the Masonic Order of Oddfellow. The Russell family are the Marquesses of Tavistock and they run the Tavistock Institute, which is an organization involved in mass mind control. The Russell family also co-founded the Yale University and Russell Trust Association, which is named after the New Haven, Connecticut company based on the Skull & Bones secret society.
Skull & Bones is a death cult military complex run by the Bush family from the USA who are like a European royal family in the USA. The Furstenberg family runs the Royal Order of Jesters who wear a jester on their coat of arms. The Clintons work closely with the House of Furstenberg, who have residences in the United States. The Italian Orsini family and the Holy Roman Rosenberg family lead the Rosicrucian Order of alchemists who infiltrate food and drug companies for chemical warfare. The Medici family, who have a statue of Hermes (Mercury) in their palace in Rome, administer the Hermetic Order of the Golden Dawn, an alchemical secret society. The Medici were architects of modern banking. The Pierleoni family of Rome and the Spanish House of Bourbon-Anjou run the Kabbalah Society, which uses the Spanish lion for its logo. The Pacelli family of Rome and the Crescenzi family of Italy administer the Wiccan witchcraft cults. The Bavarian Wittelsbach family from Bavaria created the Bavarian Illuminati and administers the Benedictine Monks and is also part of the Jewish Mafia in the United States who are white collar criminals. The Pecci family of Italy also owns the Jewish mafia in the United States through their marriage to the Blumenthal family. The House of Wittelsbach is involved with Zionism, Nazism, Freemasonry, and the Society of Jesus. The Jesuits function as Roman intelligence and infiltrators and use their universities to recruit and train agents for Rome. Jesuit agents dominate leadership positions in the United States military and intelligence and especially in the CIA. The Knights of Columbus are owned by the Casa de Colonna. Christopher Columbus was Pedro Madruga, the Count of Caminha, a relative of the Colonnas who settled in Pontevedra at the time of the Romans. Many Knights of Columbus are police officers, mayors, lawyers, and judges, protecting the Italian mob while targeting free-thinking people. The Knights of Columbus are heavily involved in gang harassment.
Court Jews such as the Rothschild, Warburg, Goldsmith, Oppenheimer, Walton, Sassoon, Kadoorie, Lewis, Javal, Lauder, Sackler and Dreyfus families work through the Roman Curia or royal courtrooms such as Buckingham Palace. The French Rothschilds work for the Black Nobility of Rome and the French House of Orleans. The British Rothschilds work for the British Crown. The Sassoon and Kadoorie families work for the British Crown and oversee banking and business in China and India. The Swiss Rothschilds work for the House of Habsburg and the House of Hesse. The Oppenheimers work for the German House of Wurttemberg and the Cologne Oppenheim branch. the Austrian House of Habsburg granted them titles of nobility. The Warburgs work for the Italian House of Borghese and the German House of Hesse and the House of Hannover. Warburg Pincus had a contract with Unicredit that merged with the Borghese Family's Bank of the Holy Spirit. The Warburgs were Venetian bankers and the Borghese family now hold Venetian titles of nobility. The Warburgs financed the Nazis. The Dreyfus family works for the Dutch House of Orange-Nassau and the French House of Bonaparte. Jewish banking families work for Christian nobles and royalty. These billionaire Jewish bloodlines run many rabbis who run a criminal intelligence network that works with Mossad. The French House of Bonaparte and the Swedish House of Bernadotte control many of the main European companies through their knights of the Order of Seraphim and the Legion of Honor, who are also members of the Round Table of Industrialists of Europe, which it has a great economic influence on the markets. The Wallenbergs run corporations worth hundreds of billions and work for the Swedish House of Bernadotte. The Wallenbergs and the Swedish Crown also work with the Jesuits and the Vatican. The Black Nobility and other royal families have been hiding billions in private banks in Luxembourg, Liechtenstein and Switzerland. The royal families of Luxembourg and Liechtenstein own and run their own national and private banks. Austrian and Eastern European royalty and nobles, such as the Habsburgs, Esterhazys and Schonberg, use private banks in Liechtenstein and also own Israeli and Jewish mafias. The Esterhazy family together with the Lucchesi-Palli family run a faction of the Russian mafia through the mob boss Semion Mogilevich from Budapest. The Torlonia family owns the Fucino Bank in Rome and functions as Vatican bankers and treasurers. The Torlonia family of Rome and the Hohenzollern family of Germany are the main owners and controllers of the Bank for International Settlements which was founded and administered by the Nazis during World War II. The Torlonias are architects of fascism and the Hohenzollerns are architects of Nazism.
The East, Rothschild and Hottinger families are some of the leading Swiss bankers. The Romanian Sturdza family also owns a private bank in Switzerland. The Casanova family of Italy and Spain is one of the leading political families in Switzerland. The East and Savoy families run the Bank for International Settlements, which has a contract with most of the major central banks and is embezzling the wealth of nations through fraudulent loans and contracts. The Savoys live in Switzerland and Prince Lorenz of Austria-Este works at the Gutzwiller bank. The Bank for International Settlements must be investigated and closed. The Gutzwiller family is one of the leading banking families in Switzerland, owning its own private bank and managing 35 other Swiss banks. The Swiss Guard is a military body in charge of the security of the Pope and the Holy See. The ceremonial head of the Swiss Guard is the Pope, sovereign of Vatican City. Italian mafias are Rome's enforcers involved in extortion, money laundering, murder and drug trafficking, and they pay their dues to the Sicilian mafia, which in turn pays them to the black nobility. The mafia channels its earnings and tributes to the Black Nobility through the Vatican charitable foundations and then from the Vatican bank they are transferred to the private accounts of the Swiss Bank. The Savoy’s Genovese crime family specializes in extorting Wall Street. The mafia is rigging professional sports for gambling and they also launder their criminal winnings through the casinos. The Torlonia family owns the Kansas City crime family and shares ownership of the Pittsburgh crime family with the Borghese family of Rome and the Rocco di Torrepadula family of Sicily. The French House of Orleans owns the New Orleans crime family and the Franco-British Beaufort family oversees and owns the Dixie Mafia factions along with other British peers who have French ancestry. Cox's billionaire family is involved in multimedia communications and is part of the owners of the Dixie mob, which is involved in tobacco and ginseng sales as well as arms, drug and human trafficking. The Goldsmith and Sassoon families own Pakistani and Hindu human trafficking networks operating in the United Kingdom. The Imperial House of Brazil, Orleans-Braganza and the Belgian House of Ligne are married and have shares in the Brazilian companies AmBev and Belgian Anheuser-Busch InBev. The House of Orleans-Braganza owns Brazilian drug cartels that are also involved in human trafficking. The Sforza family owns the Stidda Mafia clans operating in the Sforza-Visconti territory in Milan and the Sforza and Visconti families have greater control over the Italian Stock Exchange or the Milan Stock Exchange. Milanese billionaire Silvio Berlusconi works for the Sforza and Visconti families and has a monopoly on Italian media and politics. Berlusconi founded the Forza political party in Italy named after the Sforzas. Some northern Italian nobles such as the Visconti, Borromeo, Este, Gonzaga, Valenti, D’Adda, and Passi di Preposulo families are closely related to billionaire families such as the Rothschilds, Agnellis, Benettons, Armanis, and Ferreros. The Sforza and Visconti families own the Seattle crime family with the Gaetani family as partial owners. The Seattle crime family controls billionaires Bill Gates and Jeff Bezos through blackmail. In 2017, Microsoft and Amazon employees were caught in a sex trafficking scandal.
The Colonna family owns the Knights of Columbus and also owns the Colombo crime family and partially owns the Chicago Outfit along with the Capponi and Roselli families of the Florence Turk. Al Capone was an agent of the House of Capponi and John Roselli was an agent of the Roselli del Turco family. Roselli also worked for the CIA. Colonna means column like Colombo and Colón. The Knights of Columbus infiltrate police departments and work with the Italian mafia. The Massimo and Gaetani families own and run the Gambino crime family and the Philadelphia crime family. The Massimo-Brancaccio family also owns and runs the Magliana or Roman Mafia and the Armed Revolutionary Nuclei, as well as the Graviano de Brancaccio crime family in Palermo, Sicily, which is part of the Corleonisi mafia clan. The Massimo family receives tribute from most of the Italian crime families and even from the Russian mafia and Eastern European mafias. The Massimo de Roccasecca family, who live in London, own the Clerkenwell crime syndicate, also known as the Adams Family or the London A-team and are part owners of the Irish Mafia, including the Rathkeale Rovers. The Borghese family is also the main owner of the Sicilian Mafia and the Mafia Magliana. The Lucchesi-Palli and Pallavicini families own the Lucchese crime family to which the Russian mafia in Brighton Beach pays tribute. The Pallavicini family owns the Armenian mafia that operates in Hollywood and works closely with the Kardashian family. The Romanovs are partial owners of the Russian mafia and have established several residences in the United States. The Giustiniani family oversee the Philadelphia Greek Mafia along with some Greek merchants. Royal and noble families finance organized crime. The Jewish Mafia reorganized into a white collar crime and worked with the black hand of the Italian Mafia. The head of the Jewish mafia in the United States is billionaire Michael Bloomberg. Leon Black is another one of the leading Jewish mobsters in New York. The Jewish Mafia participates in professional sports with white-collar mobsters such as Daniel Gilbert, Robert Kraft, Joshua Harris, Tom Werner, Jerry Reinsdorf, George Kaiser, Peter Guber, Joe Lacob, Mark Cuban, and Micky Arison. The European Union is based on the Treaty of Rome that was signed at the Capitol in Rome. The president of the European Central Bank is Mario Draghi, born in Rome and educated by the Jesuits at the Massimo Institute. Mario Draghi is an undercover relative of the Borghese and Del Drago families. The Erba-Odescalchi family with ancestry from Cernobbio, Italy, runs CERN with the Roman Fabiola Gianotti as CERN Director General that is used to generate pressure in the lower atmosphere in order to oppress society. CERN, HAARP, The Church of Scientology, Chemtrails and electronic devices are being used to covertly oppress society. The US military administers a HAARP electronic harassment system in Puerto Rico that is controlled from Guantanamo Bay in Cuba, which is under the command of Captain David Culpepper. The CIA and the Italian Mafia have a large criminal operation in Cuba. The CIA and Cosa Nostra work closely to this day.
Islamic royal families were named after European royalty in the 19th and 20th centuries and especially after the First World War. Middle Eastern royalty run the oil industry and use their massive wealth to fund globalist agendas that allow them to rule their nations. The house of Saud is worth at least a billion. The House of Thani and the House of Al Khalifa work with the House of Saud and are also wealthy oil traders. Royals from the Middle East run the Muslim Brotherhood and the Five Percent and the Nation of Islam, which are violent mobs of cult and harassment. These organizations need to be investigated and banned. They also own an Arab mob that is based in New Jersey and Detroit. The royal family of Morocco are wealthy merchants and owners of the Abergil crime family of Israel and Morocco. The House of Bourbon and Spanish nobility such as the Osorio, Fitz James, Alvarez (Alba), Pignatelli, Arteaga, Borja, Zuniga, Ruspoli, and Aragon-Escobar families own the majority of the Mexican and South American drug cartels. The Osorio and Borja families own MS-13. The Borgia and Borja families are also partial owners of the Mongels motorcycle gang. The Bourbons own the Gulf Cartel and the Lating Kings. The Ruspolis are partial owners of the Sinaloa Cartel and the Primeiro Comando da Capital in Sao Paulo, where their Matarazzo cousins ​​reside. The FitzJames and Alvarez families own the Los Zetas Cartel. The Álvarez and Osorio families also own the Bandidos motorcycle gang. The House of Bourbons are the founders and owners of Banco Santander. The King of Spain has the official right to the throne as King of Jerusalem.

1. Bruce Banner and Black Widow (Marvel)
2. John Bender and Claire Standish (The Breakfast Club)
3. Hiccup and Astrid (How to Train your Dragon)
4. Fix it Felix and Sgt. Calhoun (Wreck it Ralph)
5. Jean Grey and Cyclops (X-Men)
6. Buttercup and Wesley (the Princess Bride)
7. Marty and Jennifer (Back to the Future)
8. Jake and Amy (Brooklyn Nine-Nine)
9. Daredevil and Elektra (Daredevil)
10. Ian and Mickey (Shameless)
11. Cole and Cassie (12 Monkeys)
12. Jim and Pam (The Office)
13. Walter and Skyler White (Breaking Bad)
14. Jane Eyre and Mr. Rochester
15. Peter and Lois (Family Guy)
16. Luke Skywalker and Mara Jade (Star Wars)
17. Dexter and Rita Morgan (Dexter)
18. John Murphy and Emori kom Trikru (The 100)
19. Buzz Lightyear and Jessie (Toy Story)
20. Anakin and Padme (Star Wars)
21. Thor and Jane (Thor)
22. Harry and Ginny (Harry Potter)
23. Shrek and Fiona (Shrek)
24. Phil and Claire Dunphey (Modern Family)
25. Wash and Zoë (Firefly)
26. The Narrator and Marla (Fight Club)
27. Scooby-Doo and Amber (Scooby-Doo)
28. Khal Drogo & Daenerys Targaryen (Game of Thrones)
29. Homer and Marge Simpson (The Simpsons)
30. Todd and Viola (Chaos Walking)
31. Ezra and Sabine Wren (Star Wars Rebels)
32. Mario and Peach (Super Mario)
33. Tom and Summer (500 Days of Summer)
34. Jack and Rose (Titanic)
35. Eleanor and Chidi (The Good Place)
36. Jimmy and Sabrina (Raising Hope)
37. Quentin and Alice (The Magicians)
38. Cosima & Delphine (Orphan Black)
39. Andrew and Allison (The Breakfast Club)
40. Parzival and Art3mis (Ready Player One)
41. Emma Swann & Hook (Once Upon A Time)
42. Jacob and Queenie (Fantastic Beasts)
43. E and Sloan (Entourage)
44. Kitty Pryde and Iceman (Marvel)
45. Sam and Diane (Cheers)
46. Scott and Allison (Teen Wolf)
47. Chuck and Sarah (Chuck)
48. Roxas and Xion (Kingdom Hearts)
49. Kat Stratford & Patrick Verona (10 Things I Hate About You)
50. Nick and Amy Dunn (Gone Girl)
51. Santa and Mrs. Claus
52. Sam & Gilly (Game of Thrones)
53. Nick Miller & Jessica Day (New Girl)
54. Gus and Selene (Psych)
55. Will and Elizabeth (Pirates of the Caribbean)
56. Korra and Asami (The Legend of Korra)
57. Evelyn and Rick O'Connell (The Mummy)
58. Kate Beckett & Richard Castle (Castle)
59. Jesse and Jane (Breaking Bad)
60. Beauty and Beast (Beauty and the Beast)
61. Archer and Lana (Archer)
62. Batman and Catwoman (Batman)
63. Nancy and Jonathan (Stranger Things)
64. Phineas and Isabella (Phineas and Ferb)
65. Darth Revan and Bastilla Shan (Star Wars: KOTOR)
66. Peter Venknan and Dana Barrett (Ghostbusters)
67. Miguel & Sam (Cobra Kai)
68. Cosmo and Wanda (Fairly Odd Parents)
69. Fitz and Simmons (Agents of SHIELD)
70. Link and Zelda (Legend of Zelda)
71. Beast Boy and Raven (Teen Titans)
72. Tommy Shelby and Grace Burgess (Peaky Blinders)
73. Elizabeth and Mr. Darcy (Pride and Prejudice)
74. Ross and Rachel (Friends)
75. Poe and Zorii (Star Wars)
76. Stiles and Lydia (Teen Wolf)
77. Cal and Merrin (Jedi: Fallen Order)
78. Dipper Pines and Wendy Corduroy (Gravity Falls)
79. Jessie and James (Pokemon)
80. Ken Kaneki and Touka Kirishima (Tokyo Ghoul)
81. Han Solo and Leia Organa (Star Wars)
82. Katniss and Peeta (Hunger Games)
83. Ron and Hermione (Harry Potter)
84. Mickey and Minnie (Mickey Mouse Club)
85. Kurt Hummel and Blaine Anderson (Glee)
86. Anna and Kristoff (Frozen)
87. Juno and Bleeker (Juno)
88. Steve and Peggy (Captain America)
89. Hughie and Starlight (The Boys)
90. Flynn and Rapunzel (Tangled)
91. Tony and Pepper (Iron Man)
92. Ted and Tracy (How I Met your Mother)
93. Aragorn and Arwen (The Lord of the Rings)
94. Mordecai and Margaret (Regular Show)
95. Gumball and Penny (The Amazing World of Gumball)
96. Sokka and Suki (Avatar: The Last Airbender)
97. Lucy and Mercy (My Days of Mercy)
98. Gabrielle Solis and Carlos Solis (Desperate Housewives)
99. Princess Bubblegum and Marceline (Adventure Time)
100. Mal and Inara (Firefly)
101. Walter and Paige (Scorpion)
102. Jack Skellington and Sally (The Nightmare Before Christmas)
103. Liara and Commander Shepard (Mass Effect)
104. Gomez and Morticia Addams (The Addams Family)
105. Allison and Raymond (Umbrella Academy)
106. Percy Jackson and Annabeth Chase (Percy Jackson)
107. Kevin Cozner and Raymond Holt (Brooklyn 99)
108. Dwight and Angela (The Office)
109. Gamora and Star-Lord (Guardians of the Galaxy)
110. Gwen Stacy and Miles Morales (Spider-Man)
111. Jackie and Kelso (That 70s Show)
112. Fry and Leela (Futurama)
113. Klaus and Dave from (Umbrella Academy)
114. Melinda May and Agent Coulson (Agents of SHIELD)
115. Woody and Kelly (Cheers)
116. Mulder & Scully (The X-Files)
117. Adrian and Trudy (Monk)
118. Kanan Jarrus and Hera Syndulla (Star Wars Rebels)
119. Dick Grayson and Starfire (DC)
120. Root and Shaw (Person of Interest)
121. Naruto and Hinata (Naruto)
122. Donald and Daisy (Mickey Mouse Club)
123. Bella and Edward (Twilight)
124. Scott and Boof (Teen Wolf 1985)
125. Rogue and Gambit (X-Men)
126. Ferris and Sloan (Ferris Bueller's Day Off)
127. Nathan Drake and Elena Fisher (Uncharted)
128. Spider-Man and Mary Jane and Spider-Man and Gwen Stacy (Spider-Man)
129. James and Alyssa (The End of the F***ing World)
130. Remus Lupin and Nymphadora Tonks (Harry Potter)
131. Superman and Lois Lane (DC)
132. Simon and Kaylee (Firefly)
133. Newt and Tina (Fantastic Beasts)
134. Kim and Saul (Better Call Saul)
135. Cloak and Dagger (Cloak and Dagger)
136. Temperance “Bones” Brennan & Seeley Booth (Bones)
137. Barry and Iris (The Flash)
138. Lucy & Andy (Twin Peaks)
139. Mia and Sebastian (La La Land)
140. The Doctor and River Song (Dr. Who)
141. WALL-E and EVE (WALL-E)
142. Fred and Daphne (Scooby-Doo)
143. Mr. Fantastic and Invisible Woman (Marvel)
144. Derek Shepherd and Meredith Grey (Grey's Anatomy)
145. Rigby and Eileen (Regular Show)
146. Christian and Satine (Moulin Rouge)
147. Lightning McQueen and Sally (Cars)
148. Niles and Daphne (Frasier)
149. Woody and Bopeep (Toy Story)
150. Hal Jordan and Carol Ferris (Green Lantern)
151. Fleabag and The Priest (Fleabag)
152. Mike and Phoebe (Friends)
153. Chris and Ann (Parks and Rec)
154. Tandy and Carol (Last Man on Earth)
155. JD and Elliot (Scrubs)
156. Donna and Harvey (Suits)
157. David and Patrick (Schitts creek)
158. Trevor and Sypha (Castlevania)
159. Ant-Man and The Wasp (Ant-Man)
160. Michael and Holly (The Office)
161. Barry B. Benson & Vanessa Bloome (The Bee Movie)
162. Aang and Katara (Avatar: The Last Airbender)
163. Rick and Andrea (TWD comics)
164. Stan and Wendy (South Park)
165. Lucy and Ricky (I Love Lucy)
166. Turk and Carla (Scrubs)
167. Wonder Woman and Steve Trevor (Wonder Woman)
168. Lux and Ahsoka (The Clone Wars)
169. Mickey and Gus (Love)
170. Lady and the Tramp (Lady and the Tramp)
171. Victor and Emily (The Corpse Bride)
172. Eric and Donna (That 70’s Show)
173. Five and Dolores (Umbrella Academy)
174. Kim Possible & Ron Stoppable (Kim Possible)
175. Rey Skywalker and Ben Solo (Star Wars)
176. Jason Mendoza and Janet (The Good Place)
177. Leslie and Ben (Parks and Rec)
178. Shaggy and Velma (Scooby-Doo)
179. Patrick and Theresa (The Mentalist)
180. The Amphibian Man and Elisa (Shape Of Water)
181. James Bond and Vesper Lynd (Casino Royale)
182. Carl and Ellie (Up)
183. Monica and Chandler (Friends)
184. Barbie and Ken (Toy Story)
185. Shawn and Juliet (Psych)
186. Black Panther and Storm (Marvel)
187. April and Andy (Parks and Rec)
188. Eleven and Mike Wheeler (Stranger Things)
189. Scarlet Witch and Vision (Marvel)
190. Black Canary and Green Arrow (DC)
191. Deadpool and Vanessa (Deadpool)
192. Harley Quinn and Joker and Harley Quinn and Poison Ivy (DC)

Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.

Ranking	Title	Overall Score	Critics	Domestic	International	Year	Director
1	The Godfather	93.89	97.73	90.50	89.36	1972	Francis Ford Coppola
2	The Godfather: Part II	91.93	93.30	89.04	88.06	1974	Francis Ford Coppola
3	Seven Samurai	91.05	97.38	87.63	85.90	1954	Akira Kurosawa
4	12 Angry Men	90.45	95.45	88.74	88.62	1957	Sidney Lumet
5	City Lights	89.94	96.75	85.67	85.93	1931	Charlie Chaplin
6	The Good, the Bad and the Ugly	89.45	91.20	87.81	86.59	1966	Sergio Leone
7	The Shawshank Redemption	89.41	82.95	89.49	89.18	1994	Frank Darabont
8	Psycho	89.29	95.23	85.70	85.01	1960	Alfred Hitchcock
9	Modern Times	89.28	95.55	85.21	85.37	1936	Charlie Chaplin
10	Schindler's List	89.08	93.80	87.22	87.29	1993	Steven Spielberg
11	Pulp Fiction	88.85	92.60	87.69	86.42	1994	Quentin Tarantino
12	Rear Window	88.63	97.65	85.40	83.33	1954	Alfred Hitchcock
13	One Flew Over the Cuckoo's Nest	88.55	87.38	86.28	86.97	1975	Miloš Forman
14	Apocalypse Now	88.54	93.85	85.24	83.48	1979	Francis Ford Coppola
15	Tokyo Story	88.49	98.30	85.16	83.76	1953	Yasujirō Ozu
16	Spirited Away	88.34	93.78	86.80	85.91	2001	Hayao Miyazaki
17	GoodFellas	88.03	91.48	87.00	84.03	1990	Martin Scorsese
18	Vertigo	88.02	95.60	84.05	82.76	1958	Alfred Hitchcock
19	Singin' in the Rain	88.01	97.65	83.95	83.13	1952	Gene Kelly, Stanley Donen
20	Sunset Boulevard	88.00	95.45	85.44	84.22	1950	Billy Wilder
21	Citizen Kane	87.83	99.03	83.06	82.22	1941	Orson Welles
22	Harakiri	87.79	85.83	88.00	86.29	1962	Masaki Kobayashi
23	Rashomon	87.74	96.55	83.52	82.73	1950	Akira Kurosawa
24	Once Upon a Time in the West	87.71	86.65	85.48	84.62	1968	Sergio Leone
25	Fanny and Alexander	87.54	97.30	83.15	83.00	1982	Ingmar Bergman
26	The Lord of the Rings: The Return of the King	87.40	92.59	86.06	85.38	2003	Peter Jackson
27	Andrei Rublev	87.39	91.90	83.80	83.94	1966	Andrei Tarkovsky
28	The Passion of Joan of Arc	87.39	94.65	83.88	83.57	1928	Carl Theodor Dreyer
29	Sherlock Jr.	87.36	96.45	83.64	85.60	1924	Buster Keaton
30	Bicycle Thieves	87.35	94.70	83.91	83.46	1948	Vittorio De Sica
31	Casablanca	87.35	98.00	85.25	82.62	1942	Michael Curtiz
32	Some Like It Hot	87.28	95.30	82.11	83.73	1959	Billy Wilder
33	Persona	87.22	88.20	84.28	83.07	1966	Ingmar Bergman
34	Children of Paradise	87.21	95.33	84.81	83.27	1945	Marcel Carné
35	Taxi Driver	87.14	93.88	83.60	82.06	1976	Martin Scorsese
36	The Dark Knight	87.08	88.81	86.96	84.80	2008	Christopher Nolan
37	Metropolis	87.03	96.00	82.92	84.01	1927	Fritz Lang
38	Sunrise: A Song of Two Humans	87.02	93.95	82.23	84.02	1927	F. W. Murnau
39	Stalker	87.02	92.30	83.86	83.29	1979	Andrei Tarkovsky
40	Pather Panchali	86.96	94.35	84.40	82.80	1955	Satyajit Ray
41	Lawrence of Arabia	86.95	97.65	83.76	81.49	1962	David Lean
42	M	86.91	96.20	84.34	82.92	1931	Fritz Lang
43	Ordet	86.82	98.10	83.08	82.55	1955	Carl Theodor Dreyer
44	It's a Wonderful Life	86.77	90.45	85.17	84.90	1946	Frank Capra
45	Satantango	86.76	90.45	84.58	84.21	1994	Béla Tarr
46	Parasite	86.72	96.34	86.55	83.15	2019	Bong Joon-ho
47	The 400 Blows	86.70	96.70	83.14	82.60	1959	François Truffaut
48	Ikiru	86.56	93.80	85.48	84.29	1952	Akira Kurosawa
49	Mirror	86.50	95.60	82.75	82.34	1975	Andrei Tarkovsky
50	Come and See	86.50	90.50	85.22	83.13	1985	Elem Klimov
51	The Apartment	86.48	92.00	84.09	82.99	1960	Billy Wilder
52	The General	86.45	91.45	82.59	83.87	1926	Buster Keaton, Clyde Bruckman
53	Grave of the Fireflies	86.43	95.13	85.85	82.97	1988	Isao Takahata
54	Le Trou	86.41	89.95	85.46	85.14	1960	Jacques Becker
55	The Battle of Algiers	86.37	95.40	82.64	81.24	1966	Gillo Pontecorvo
56	A Man Escaped	86.34	96.50	83.67	82.03	1956	Robert Bresson
57	Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb	86.34	95.85	84.37	83.03	1964	Stanley Kubrick
58	Paths of Glory	86.25	92.30	84.97	84.48	1957	Stanley Kubrick
59	The Lord of the Rings: The Fellowship of the Ring	86.24	88.75	85.61	84.31	2001	Peter Jackson
60	All About Eve	86.23	96.95	83.69	83.20	1950	Joseph L. Mankiewicz
61	Star Wars: The Empire Strikes Back	86.21	86.93	87.05	83.29	1980	Irvin Kershner
62	High and Low	86.16	86.55	86.08	84.26	1963	Akira Kurosawa
63	The Great Dictator	86.15	91.10	84.25	85.03	1940	Charlie Chaplin
64	The Silence of the Lambs	86.12	88.68	85.29	84.17	1991	Jonathan Demme
65	2001: A Space Odyssey	86.06	88.35	82.93	81.54	1968	Stanley Kubrick
66	North by Northwest	86.03	96.38	83.17	81.74	1959	Alfred Hitchcock
67	Double Indemnity	85.91	94.38	83.84	83.12	1944	Billy Wilder
68	Ugetsu	85.91	97.25	82.69	81.91	1953	Kenji Mizoguchi
69	Woman in the Dunes	85.91	93.95	84.71	83.77	1964	Hiroshi Teshigahara
70	Sansho the Bailiff	85.88	95.50	84.24	82.21	1954	Kenji Mizoguchi
71	Once Upon a Time in America	85.87	86.10	83.84	85.53	1984	Sergio Leone
72	City of God	85.86	84.08	86.39	84.00	2002	Fernando Meirelles, Kátia Lund
73	Late Spring	85.81	94.75	83.74	82.27	1949	Yasujirō Ozu
74	Barry Lyndon	85.80	87.95	82.44	82.30	1975	Stanley Kubrick
75	The Lord of the Rings: The Two Towers	85.78	88.78	85.00	84.29	2002	Peter Jackson
76	Raging Bull	85.77	90.48	82.01	81.80	1980	Martin Scorsese
77	Chinatown	85.72	94.08	83.32	80.69	1974	Roman Polanski
78	Alien	85.69	91.73	84.76	82.62	1979	Ridley Scott
79	Ran	85.68	94.70	83.93	82.52	1985	Akira Kurosawa
80	The Seventh Seal	85.67	92.10	83.52	82.13	1957	Ingmar Bergman
81	The Kid	85.61	92.85	82.91	84.94	1921	Charlie Chaplin
82	Wild Strawberries	85.51	90.05	83.38	82.24	1957	Ingmar Bergman
83	A Brighter Summer Day	85.50	93.38	84.07	81.01	1991	Edward Yang
84	8½	85.48	91.20	82.59	81.09	1963	Federico Fellini
85	The Pianist	85.38	88.69	83.31	84.80	2002	Roman Polanski
86	The World of Apu	85.38	93.20	84.38	83.09	1959	Satyajit Ray
87	La Dolce Vita	85.37	94.38	81.40	80.48	1960	Federico Fellini
88	Star Wars	85.33	90.03	85.22	81.92	1977	George Lucas
89	The Best of Youth	85.31	88.78	85.31	83.64	2003	Marco Tullio Giordana
90	The Gold Rush	85.29	94.55	81.93	83.59	1925	Charlie Chaplin
91	The Third Man	85.26	96.50	82.91	80.21	1949	Carol Reed
92	The Treasure of the Sierra Madre	85.20	96.68	82.77	81.81	1948	John Huston
93	I Am Cuba	85.18	93.60	82.00	83.44	1964	Mikhail Kalatozov
94	The Lives of Others	85.14	89.03	84.12	82.73	2006	Florian Henckel von Donnersmarck
95	Witness for the Prosecution	85.13	92.65	83.67	84.99	1957	Billy Wilder
96	Touch of Evil	85.11	95.70	81.36	79.65	1958	Orson Welles
97	WALL-E	85.10	92.09	82.82	82.64	2008	Andrew Stanton
98	Scenes from a Marriage	85.02	86.85	84.80	83.06	1974	Ingmar Bergman
99	To Be or Not to Be	84.99	89.58	82.52	83.39	1942	Ernst Lubitsch
100	A Separation	84.92	94.24	83.34	80.90	2011	Asghar Farhadi
101	The Night of the Hunter	84.91	96.93	81.17	79.06	1955	Charles Laughton
102	Three Colors: Red	84.87	96.78	83.32	80.78	1994	Krzysztof Kieślowski
103	Yojimbo	84.87	91.55	83.85	82.99	1961	Akira Kurosawa
104	Back to the Future	84.85	89.38	84.47	81.94	1985	Robert Zemeckis
105	My Neighbor Totoro	84.84	87.53	83.44	83.17	1988	Hayao Miyazaki
106	In the Mood for Love	84.84	83.87	82.55	81.20	2000	Wong Kar-wai
107	Princess Mononoke	84.83	81.18	85.02	84.24	1999	Hayao Miyazaki
108	Saving Private Ryan	84.82	90.35	83.94	82.50	1998	Steven Spielberg
109	Cinema Paradiso	84.78	82.30	84.73	83.43	1988	Giuseppe Tornatore
110	La Jetée	84.75	89.25	83.27	81.80	1962	Chris Marker
111	The Wages of Fear	84.71	94.60	82.99	82.80	1953	Henri-Georges Clouzot
112	Das Boot	84.68	90.13	83.62	82.71	1981	Wolfgang Petersen
113	Fight Club	84.65	71.18	86.39	84.95	1999	David Fincher
114	Nights of Cabiria	84.64	92.25	82.72	83.13	1957	Federico Fellini
115	La Strada	84.61	92.60	80.79	82.78	1954	Federico Fellini
116	Amadeus	84.53	89.55	82.88	82.59	1984	Miloš Forman
117	Forrest Gump	84.50	76.90	83.06	86.12	1994	Robert Zemeckis
118	Spider-Man: Into the Spider-Verse	84.49	90.41	85.03	81.69	2018	Peter Ramsey, Rodney Rothman, Bob Persichetti
119	The Lion King	84.45	88.28	77.22	84.09	1994	Rob Minkoff, Roger Allers
120	Inception	84.43	82.07	84.18	84.17	2010	Christopher Nolan
121	Whiplash	84.42	89.53	84.87	81.96	2014	Damien Chazelle
122	The Shop Around the Corner	84.40	94.43	80.85	82.37	1940	Ernst Lubitsch
123	Rififi	84.38	92.00	83.03	81.58	1955	Jules Dassin
124	Umberto D.	84.38	92.63	82.20	81.75	1952	Vittorio De Sica
125	Army of Shadows	84.37	95.30	82.98	80.50	1969	Jean-Pierre Melville
126	Blade Runner	84.34	85.85	82.57	80.29	1982	Ridley Scott
127	Samurai Rebellion	84.33	89.05	82.85	83.84	1967	Masaki Kobayashi
128	Close-Up	84.31	85.70	81.99	80.69	1990	Abbas Kiarostami
129	The Circus	84.29	90.35	81.69	83.14	1928	Charlie Chaplin
130	Raiders of the Lost Ark	84.19	89.33	84.31	80.57	1981	Steven Spielberg
131	Grand Illusion	84.18	95.35	81.85	79.78	1937	Jean Renoir
132	A Clockwork Orange	84.18	82.78	82.37	82.51	1971	Stanley Kubrick
133	Eternal Sunshine of the Spotless Mind	84.07	89.37	83.36	80.57	2004	Michel Gondry
134	A Woman Under the Influence	84.01	87.40	82.51	80.40	1974	John Cassavetes
135	The Cranes Are Flying	84.00	89.30	82.76	82.40	1957	Mikhail Kalatozov
136	Yi Yi	83.91	91.25	82.48	79.64	2000	Edward Yang
137	To Kill a Mockingbird	83.91	89.13	81.98	82.20	1962	Robert Mulligan
138	The Matrix	83.90	77.78	84.54	83.06	1999	Wachowski Sisters
139	The Sting	83.90	85.73	82.71	83.36	1973	George Roy Hill
140	The Mother and the Whore	83.87	94.55	81.24	79.82	1973	Jean Eustache
141	Se7en	83.86	72.15	84.91	84.48	1995	David Fincher
142	Early Summer	83.85	94.45	82.19	82.01	1951	Yasujirō Ozu
143	Werckmeister Harmonies	83.80	91.73	80.89	81.93	2000	Béla Tarr, Ágnes Hranitzky
144	Coco	83.80	86.21	82.73	83.66	2017	Adrian Molina, Lee Unkrich
145	Toy Story	83.76	95.03	82.30	80.15	1995	John Lasseter
146	It Happened One Night	83.76	90.83	81.46	81.76	1934	Frank Capra
147	Reservoir Dogs	83.74	84.68	83.12	81.99	1992	Quentin Tarantino
148	Unforgiven	83.73	88.55	82.24	81.59	1992	Clint Eastwood
149	The Deer Hunter	83.73	87.68	80.57	82.06	1978	Michael Cimino
150	The Young and the Damned	83.72	87.10	82.58	80.82	1950	Luis Buñuel
151	The Best Years of Our Lives	83.68	92.63	81.19	81.20	1946	William Wyler
152	The Leopard	83.66	97.30	79.56	79.57	1963	Luchino Visconti
153	Time of the Gypsies	83.65	86.05	83.31	82.29	1988	Emir Kusturica
154	Ali: Fear Eats the Soul	83.61	96.70	80.51	79.97	1974	Rainer Werner Fassbinder
155	Raise the Red Lantern	83.57	90.25	82.37	81.81	1991	Zhang Yimou
156	Terminator 2: Judgment Day	83.57	82.00	84.11	81.83	1991	James Cameron
157	The Shining	83.55	75.35	84.08	81.80	1980	Stanley Kubrick
158	Viridiana	83.54	92.95	80.68	80.81	1961	Luis Buñuel
159	Portrait of a Lady on Fire	83.52	93.59	83.08	80.02	2019	Céline Sciamma
160	Greed	83.51	97.05	80.65	80.64	1924	Erich von Stroheim
161	Gone with the Wind	83.48	92.90	80.01	81.68	1939	Victor Fleming
162	There Will Be Blood	83.48	89.65	81.91	79.02	2007	Paul Thomas Anderson
163	L.A. Confidential	83.46	91.63	82.08	80.81	1997	Curtis Hanson
164	Paris, Texas	83.46	83.95	82.89	81.66	1984	Wim Wenders
165	Throne of Blood	83.45	91.30	82.18	81.49	1957	Akira Kurosawa
166	Toy Story 3	83.43	93.55	81.61	80.32	2010	Lee Unkrich
167	Memento	83.43	85.20	83.78	80.76	2000	Christopher Nolan
168	On the Waterfront	83.37	93.00	82.23	79.52	1954	Elia Kazan
169	Trip to the Moon	83.37	94.70	79.96	82.83	1902	Georges Méliès
170	The Rules of the Game	83.33	96.55	80.45	78.02	1939	Jean Renoir
171	Red Beard	83.32	74.15	83.41	83.27	1965	Akira Kurosawa
172	The Grapes of Wrath	83.32	95.45	80.42	80.34	1940	John Ford
173	Au Hasard Balthazar	83.29	98.08	77.93	77.54	1966	Robert Bresson
174	Autumn Sonata	83.29	84.85	83.09	82.66	1978	Ingmar Bergman
175	Annie Hall	83.28	93.18	80.58	80.58	1977	Woody Allen
176	The Conformist	83.27	96.68	79.92	78.58	1970	Bernardo Bertolucci
177	Rocco and His Brothers	83.24	84.73	81.95	81.68	1960	Luchino Visconti
178	Dersu Uzala	83.23	74.75	82.35	83.37	1975	Akira Kurosawa
179	Cool Hand Luke	83.21	93.05	82.22	79.83	1967	Stuart Rosenberg
180	Monty Python and the Holy Grail	83.18	91.98	82.96	79.30	1975	Terry Gilliam, Terry Jones
181	Le Samouraï	83.18	92.35	82.45	79.40	1967	Jean-Pierre Melville
182	Aliens	83.18	88.73	83.29	79.61	1986	James Cameron
183	PlayTime	83.16	93.50	80.22	78.80	1967	Jacques Tati
184	The Bridge on the River Kwai	83.14	90.58	81.93	80.24	1957	David Lean
185	The Red Shoes	83.13	93.15	82.82	79.96	1948	Michael Powell, Emeric Pressburger
186	American Beauty	83.10	87.15	81.93	81.13	1999	Sam Mendes
187	To Live	83.10	84.00	82.16	82.46	1994	Zhang Yimou
188	Battleship Potemkin	83.10	95.85	77.81	80.41	1925	Sergei Eisenstein
189	Day of Wrath	83.09	93.40	81.07	81.29	1943	Carl Theodor Dreyer
190	All Quiet on the Western Front	83.07	92.85	80.05	81.48	1930	Lewis Milestone
191	It's Such a Beautiful Day	83.07	91.25	83.62	79.77	2012	Don Hertzfeldt
192	Full Metal Jacket	83.06	81.53	82.21	82.54	1987	Stanley Kubrick
193	The Cabinet of Dr. Caligari	83.05	96.40	79.84	81.83	1920	Robert Wiene
194	Kes	83.03	97.80	79.59	80.55	1969	Ken Loach
195	The Usual Suspects	83.02	80.23	84.08	81.48	1995	Bryan Singer
196	The Cameraman	83.00	93.90	80.77	81.57	1928	Edward Segdwick, Buster Keaton
197	Aparajito	83.00	90.90	81.81	81.20	1956	Satyajit Ray
198	The Elephant Man	83.00	83.00	82.10	81.87	1980	David Lynch
199	Rebecca	82.98	90.08	81.08	80.93	1940	Alfred Hitchcock
200	Make Way for Tomorrow	82.97	95.80	81.72	80.14	1937	Leo McCarey
201	The Great Escape	82.97	87.68	82.29	80.66	1963	John Sturges
202	Your Name	82.97	84.55	84.07	81.29	2016	Makoto Shinkai
203	Limelight	82.92	88.00	79.85	83.02	1952	Charlie Chaplin
204	Breathless	82.92	91.95	78.88	79.10	1960	Jean-Luc Godard
205	Underground	82.91	80.75	81.26	82.64	1995	Emir Kusturica
206	The Man Who Shot Liberty Valance	82.88	91.90	81.08	79.53	1962	John Ford
207	Aguirre: The Wrath of God	82.87	94.55	80.46	78.62	1972	Werner Herzog
208	Oldboy	82.86	78.98	84.00	81.27	2003	Park Chan-wook
209	Up	82.84	90.28	81.32	80.86	2009	Pete Docter
210	Anatomy of a Murder	82.84	94.00	80.57	80.02	1959	Otto Preminger
211	The Wild Bunch	82.84	90.35	79.45	80.12	1969	Sam Peckinpah
212	The Hunt	82.75	82.08	82.79	82.62	2012	Thomas Vinterberg
213	Il Sorpasso	82.74	95.75	82.84	79.57	1962	Dino Risi
214	The Last Laugh	82.74	95.25	79.47	81.61	1924	F. W. Murnau
215	A Streetcar Named Desire	82.73	94.60	79.89	80.26	1951	Elia Kazan
216	Life Is Beautiful	82.73	68.45	83.60	85.57	1997	Roberto Benigni
217	A Short Film About Love	82.71	87.10	81.90	81.89	1988	Krzysztof Kieślowski
218	The Shop on Main Street	82.71	94.45	82.15	80.43	1965	Ján Kadár, Elmar Klos
219	Rio Bravo	82.71	92.10	80.46	79.80	1959	Howard Hawks
220	Roman Holiday	82.70	84.55	80.74	82.42	1953	William Wyler
221	Ivan's Childhood	82.69	94.80	81.25	80.37	1962	Andrei Tarkovsky
222	The Exterminating Angel	82.68	91.10	81.66	80.17	1962	Luis Buñuel
223	Trainspotting	82.68	85.20	81.57	81.21	1996	Danny Boyle
224	The Last Picture Show	82.67	94.15	79.90	79.56	1971	Peter Bogdanovich
225	The Truman Show	82.64	89.63	79.70	82.15	1998	Peter Weir
226	Memories of Murder	82.64	82.88	82.68	80.94	2003	Bong Joon-ho
227	Faust	82.62	89.70	80.23	81.94	1926	F. W. Murnau
228	Sans Soleil	82.62	83.90	79.45	80.51	1983	Chris Marker
229	Song of the Sea	82.57	87.63	80.59	82.23	2014	Tomm Moore
230	Léon: The Professional	82.55	67.38	84.05	84.07	1994	Luc Besson
231	Fargo	82.54	87.45	82.36	79.19	1996	Coen Brothers
232	Solaris	82.54	89.95	80.91	79.69	1972	Andrei Tarkovsky
233	Sweet Smell of Success	82.52	96.53	80.81	77.62	1957	Alexander Mackendrick
234	For a Few Dollars More	82.52	79.28	82.38	83.15	1965	Sergio Leone
235	White Heat	82.51	90.65	80.77	81.24	1949	Raoul Walsh
236	Brief Encounter	82.50	88.35	80.81	81.03	1945	David Lean
237	Wings of Desire	82.49	85.70	81.30	80.42	1987	Wim Wenders
238	Diabolique	82.47	90.70	81.27	80.73	1955	Henri-Georges Clouzot
239	An Autumn Afternoon	82.45	91.95	81.68	79.85	1962	Yasujirō Ozu
240	The Tale of the Princess Kaguya	82.44	90.63	81.16	80.43	2013	Isao Takahata
241	Amarcord	82.41	85.95	79.26	80.73	1973	Federico Fellini
242	Heat	82.40	79.08	82.03	81.73	1995	Michael Mann
243	L'Atalante	82.40	95.60	78.32	78.10	1934	Jean Vigo
244	Django Unchained	82.39	83.44	82.23	81.94	2012	Quentin Tarantino
245	Jeanne Dielman, 23 Commerce Quay, 1080 Brussels	82.38	95.50	78.73	79.69	1975	Chantal Akerman
246	Kind Hearts and Coronets	82.38	95.60	80.80	79.72	1949	Robert Hamer
247	Dog Day Afternoon	82.37	88.40	81.11	79.80	1975	Sidney Lumet
248	Forbidden Games	82.37	93.75	80.36	80.99	1952	René Clément
249	The Crowd	82.35	93.35	79.21	81.23	1928	King Vidor
250	Notorious	82.35	96.78	79.96	78.21	1946	Alfred Hitchcock
251	Mary and Max	82.35	88.05	80.95	82.42	2009	Adam Elliot
252	Persepolis	82.34	88.95	80.09	80.77	2007	Marjane Satrapi, Vincent Paronnaud
253	Howl's Moving Castle	82.33	78.71	82.63	83.10	2004	Hayao Miyazaki
254	Nausicaä of the Valley of the Wind	82.33	85.10	81.54	82.03	1984	Hayao Miyazaki
255	Safety Last!	82.33	92.25	80.95	81.10	1923	Fred C. Newmeyer, Sam Taylor
256	Rosemary's Baby	82.32	94.78	79.99	78.69	1968	Roman Polanski
257	L'Avventura	82.32	92.10	79.08	78.03	1960	Michelangelo Antonioni
258	The Searchers	82.32	93.90	78.16	76.66	1956	John Ford
259	La Haine	82.30	90.60	82.38	79.56	1995	Mathieu Kassovitz
260	Three Colors: Blue	82.30	88.28	81.55	79.23	1993	Krzysztof Kieślowski
261	Chungking Express	82.30	79.95	82.29	80.73	1994	Wong Kar-wai
262	Inside Out	82.29	93.66	80.27	79.85	2015	Pete Docter
263	Where is the Friend's Home?	82.28	89.25	81.22	80.21	1987	Abbas Kiarostami
264	Cries and Whispers	82.27	85.45	81.02	80.80	1972	Ingmar Bergman
265	Napoleon	82.22	93.25	81.89	78.99	1927	Abel Gance
266	Paper Moon	82.19	83.08	81.37	81.29	1973	Peter Bogdanovich
267	The Spirit of the Beehive	82.17	89.83	79.31	78.91	1973	Víctor Erice
268	A Special Day	82.16	90.20	81.11	81.25	1977	Ettore Scola
269	Nostalghia	82.15	83.00	80.91	81.23	1983	Andrei Tarkovsky
270	Network	82.13	85.45	82.36	79.08	1976	Sidney Lumet
271	L'Eclisse	82.11	84.70	79.78	78.81	1962	Michelangelo Antonioni
272	Mr. Smith Goes to Washington	82.09	80.83	81.78	81.15	1939	Frank Capra
273	Sanjuro	82.09	91.90	81.67	80.85	1962	Akira Kurosawa
274	Badlands	82.06	93.38	79.77	77.21	1973	Terrence Malick
275	Vivre Sa Vie	82.06	85.20	80.12	79.83	1962	Jean-Luc Godard
276	Nobody Knows	82.06	87.18	81.12	81.15	2004	Hirokazu Koreeda
277	No Country for Old Men	82.05	90.68	80.56	78.47	2007	Coen Brothers
278	Spring, Summer, Fall, Winter... and Spring	82.05	86.05	80.76	80.62	2003	Kim Ki-duk
279	La Notte	82.04	78.35	81.45	81.11	1961	Michelangelo Antonioni
280	The Celebration	82.04	84.23	81.34	80.08	1998	Thomas Vinterberg
281	In the Name of the Father	82.04	84.90	81.14	81.85	1993	Jim Sheridan
282	I Am a Fugitive from a Chain Gang	82.02	89.55	80.18	81.56	1932	Mervyn LeRoy
283	Shoplifters	82.01	92.39	80.60	79.31	2018	Hirokazu Koreeda
284	Finding Nemo	82.01	92.60	80.13	78.76	2003	Andrew Stanton, Lee Unkrich
285	Z	81.98	87.55	82.21	79.59	1969	Costa-Gavras
286	The Phantom Carriage	81.96	95.00	80.01	80.32	1921	Victor Sjöström
287	Manhattan	81.95	86.23	80.50	79.81	1979	Woody Allen
288	Rome, Open City	81.94	95.40	80.45	79.27	1945	Robert Rossellini
289	Children of Heaven	81.93	80.15	81.24	82.01	1997	Majid Majidi
290	The Green Mile	81.92	71.93	82.95	84.38	1999	Frank Darabont
291	The Iron Giant	81.91	86.61	80.88	79.95	1999	Brad Bird
292	The Sacrifice	81.90	80.30	80.47	81.37	1986	Andrei Tarkovsky
293	The Philadelphia Story	81.90	94.95	79.79	77.86	1940	George Cukor
294	The Twilight Samurai	81.90	86.10	81.07	81.13	2002	Yôji Yamada
295	Before Sunset	81.88	87.79	81.42	78.41	2004	Richard Linklater
296	Before Sunrise	81.86	84.40	82.24	79.44	1995	Richard Linklater
297	Castle in the Sky	81.85	81.63	81.49	82.06	1986	Hayao Miyazaki
298	The Departed	81.84	86.92	82.82	79.04	2006	Martin Scorsese
299	Brazil	81.83	90.23	80.61	78.37	1985	Terry Gilliam
300	Incendies	81.81	83.85	81.88	80.74	2011	Denis Villenueve
301	The Maltese Falcon	81.81	95.65	80.24	77.28	1941	John Huston
302	The Wizard of Oz	81.77	98.03	79.38	77.17	1939	Victor Fleming
303	Le Cercle Rouge	81.76	90.03	80.81	78.54	1970	Jean-Pierre Melville
304	Monsieur Verdoux	81.76	89.80	78.55	81.34	1947	Charlie Chaplin
305	The Return	81.72	84.85	80.02	80.96	2003	Andrey Zvyagintsev
306	Secrets & Lies	81.71	90.73	80.29	78.66	1996	Mike Leigh
307	The Hidden Fortress	81.70	91.25	80.79	80.72	1958	Akira Kurosawa
308	Pan's Labyrinth	81.69	92.59	81.60	76.08	2006	Guillermo del Toro
309	Amélie	81.69	79.64	81.96	80.27	2004	Jean-Pierre Jeunet
310	Ben-Hur	81.67	86.93	79.86	80.22	1959	William Wyler
311	Fitzcarraldo	81.67	75.80	81.06	81.21	1982	Werner Herzog
312	American History X	81.63	70.13	83.58	83.00	1998	Tony Kaye
313	Ace in the Hole	81.62	79.10	80.88	81.36	1951	Billy Wilder
314	Capernaum	81.62	81.83	80.52	82.18	2018	Nadine Labaki
315	Still Walking	81.61	90.30	80.92	79.48	2008	Hirokazu Koreeda
316	All About My Mother	81.61	88.77	79.56	78.80	1999	Pedro Almodóvar
317	The Discreet Charm of the Bourgeoisie	81.60	92.28	78.82	78.83	1972	Luis Buñuel
318	Platoon	81.60	88.70	79.52	80.45	1986	Oliver Stone
319	Farewell My Concubine	81.60	80.50	80.49	81.04	1993	Chen Kaige
320	Letter from an Unknown Woman	81.59	93.10	79.84	79.31	1948	Max Ophüls
321	The Grand Budapest Hotel	81.58	87.64	80.72	79.19	2014	Wes Anderson
322	The Virgin Spring	81.58	82.45	80.70	80.66	1960	Ingmar Bergman
323	The Red Balloon	81.57	90.20	79.93	80.30	1956	Albert Lamorisse
324	Stagecoach	81.57	94.58	77.69	78.94	1939	John Ford
325	Mulholland Drive	81.56	80.61	79.60	77.87	2001	David Lynch
326	A Matter of Life and Death	81.49	92.60	81.91	76.27	1946	Michael Powell, Emeric Pressburger
327	High Noon	81.48	90.58	79.27	78.94	1952	Fred Zinnemann
328	Orpheus	81.48	96.20	79.88	78.90	1950	Jean Cocteau
329	Life of Brian	81.47	82.98	80.78	79.81	1979	Terry Jones
330	Casino	81.46	74.23	81.54	81.75	1995	Martin Scorsese
331	Kagemusha	81.44	82.93	80.01	80.43	1980	Akira Kurosawa
332	Butch Cassidy and the Sundance Kid	81.43	76.08	80.53	81.85	1969	George Roy Hill
333	In a Lonely Place	81.43	92.45	80.42	78.77	1950	Nicholas Ray
334	Scarface	81.43	71.30	81.97	82.18	1983	Brian De Palma
335	A Short Film About Killing	81.42	87.35	79.89	80.38	1988	Krzysztof Kieślowski
336	Beauty and the Beast	81.41	92.05	79.28	78.32	1946	Jean Cocteau
337	The Hustler	81.39	92.45	80.43	78.97	1961	Robert Rossen
338	Cléo from 5 to 7	81.38	91.65	80.03	79.11	1962	Agnès Varda
339	Fireworks	81.37	90.15	80.01	79.63	1997	Takeshi Kitano
340	Room	81.36	88.41	80.43	79.48	2015	Lenny Abrahamson
341	Mad Max: Fury Road	81.35	90.39	79.76	77.80	2015	George Miller
342	Steamboat Bill, Jr.	81.32	95.75	79.30	79.23	1928	Charles Reisner, Buster Keaton
343	Judgment at Nuremberg	81.31	71.58	82.24	83.03	1961	Stanley Kramer
344	The Straight Story	81.30	87.15	79.64	79.88	1999	David Lynch
345	Meshes of the Afternoon	81.29	96.25	77.91	79.99	1943	Maya Deren, Alexandr Hackenschmied
346	Alice in the Cities	81.28	86.70	79.60	80.20	1974	Wim Wenders
347	Akira	81.28	80.90	81.12	79.98	1988	Katsuhiro Otomo
348	Good Will Hunting	81.27	79.38	81.97	81.05	1997	Gus Van Sant
349	The Miracle Worker	81.25	85.15	78.88	81.55	1962	Arthur Penn
350	Talk to Her	81.25	87.48	79.33	78.71	2002	Pedro Almodóvar
351	The Graduate	81.24	85.58	78.91	79.97	1967	Mike Nichols
352	Beauty and the Beast	81.22	92.28	79.20	78.77	1991	Gary Trousdale, Kirk Wise
353	The Heiress	81.19	94.45	80.20	79.76	1949	William Wyler
354	Fantasia	81.18	93.03	76.76	79.95	1940	Samuel Armstrong, James Algar
355	Au Revoir les Enfants	81.18	94.25	80.14	78.92	1987	Louis Malle
356	Three Billboards Outside Ebbing, Missouri	81.18	88.62	79.36	79.90	2017	Martin McDonagh
357	Inglourious Basterds	81.17	79.05	81.06	80.51	2009	Quentin Tarantino
358	Elevator to the Gallows	81.16	90.45	79.31	78.56	1958	Louis Malle
359	Gladiator	81.16	75.39	81.69	81.52	2000	Ridley Scott
360	Through a Glass Darkly	81.15	93.60	81.11	78.86	1961	Ingmar Bergman
361	Million Dollar Baby	81.15	87.41	77.43	80.72	2004	Clint Eastwood
362	Days of Heaven	81.15	90.75	80.19	77.08	1978	Terrence Malick
363	Do the Right Thing	81.15	90.78	80.26	77.04	1989	Spike Lee
364	Out of the Past	81.14	91.40	80.73	77.92	1947	Jacques Tourneur
365	Strangers on a Train	81.11	93.30	80.01	78.68	1951	Alfred Hitchcock
366	Blue Velvet	81.11	83.48	78.98	77.09	1986	David Lynch
367	That Obscure Object of Desire	81.09	89.40	79.59	78.11	1977	Luis Buñuel
368	What Ever Happened to Baby Jane?	81.08	80.23	80.74	80.75	1962	Robert Aldrich
369	My Night at Maud's	81.07	88.15	79.51	79.42	1969	Éric Rohmer
370	The Earrings of Madame de…	81.07	92.15	80.36	77.05	1953	Max Ophüls
371	The Conversation	81.04	89.23	80.03	77.44	1974	Francis Ford Coppola
372	The Killing	81.03	91.50	79.51	79.21	1956	Stanley Kubrick
373	The Servant	81.03	87.83	79.45	78.57	1963	Joseph Losey
374	The Intouchables	81.03	67.15	82.13	84.70	2011	Olivier Nakache, Éric Toledano
375	The Life and Death of Colonel Blimp	81.01	94.15	81.57	75.44	1943	Michael Powell, Emeric Pressburger
376	Jaws	81.01	90.98	79.91	75.70	1975	Steven Spielberg
377	Winter Light	81.01	73.55	81.51	79.95	1963	Ingmar Bergman
378	Love Exposure	81.01	80.88	82.23	79.55	2008	Sion Sono
379	Hiroshima Mon Amour	81.00	92.95	80.13	77.99	1959	Alain Resnais
380	Day for Night	80.98	92.55	80.21	78.27	1973	François Truffaut
381	Ratatouille	80.97	92.73	78.72	78.68	2007	Brad Bird
382	Ghost in the Shell	80.97	81.43	79.98	81.15	1995	Mamoru Oshii
383	Germany Year Zero	80.95	92.00	77.80	80.03	1948	Roberto Rossellini
384	Spotlight	80.93	93.00	79.75	77.55	2015	Tom McCarthy
385	Die Hard	80.93	79.58	81.11	79.43	1988	John McTiernan
386	Laura	80.93	93.80	79.70	78.47	1944	Otto Preminger
387	Sleuth	80.93	89.95	79.16	80.87	1972	Joseph L. Mankiewicz
388	The Diving Bell and the Butterfly	80.92	88.64	79.69	77.84	2007	Julian Schnabel
389	The Handmaiden	80.92	85.99	82.55	77.41	2016	Park Chan-wook
390	Stand by Me	80.90	80.20	81.28	79.54	1986	Rob Reiner
391	Wolf Children	80.90	80.15	80.40	81.27	2012	Mamoru Hosoda
392	Marriage Story	80.88	92.86	79.40	77.75	2019	Noam Baumbach
393	Shoeshine	80.87	93.75	79.02	79.38	1946	Vittorio De Sica
394	Freaks	80.85	84.70	77.66	80.31	1932	Tod Browning
395	Nosferatu	80.85	93.75	78.29	79.14	1922	F. W. Murnau
396	Dial M for Murder	80.84	77.60	81.17	81.31	1954	Alfred Hitchcock
397	Amour	80.81	90.90	77.74	78.19	2012	Michael Haneke
398	12 Years a Slave	80.80	94.00	79.74	76.94	2013	Steve McQueen
399	The Nightmare Before Christmas	80.77	85.38	79.26	79.69	1993	Henry Selick
400	Cabaret	80.77	84.68	77.34	80.69	1972	Bob Fosse
401	Central Station	80.77	83.28	80.91	78.52	1998	Walter Salles
402	Landscape in the Mist	80.74	71.35	80.76	80.28	1988	Theo Angelopoulos
403	1917	80.73	84.37	80.65	79.33	2019	Sam Mendes
404	Intolerance: Love's Struggle Throughout the Ages	80.71	93.98	75.69	78.01	1916	D. W. Griffith
405	Call Me by Your Name	80.71	91.25	79.43	77.87	2017	Luca Guadagnino
406	Midnight Cowboy	80.71	82.98	79.10	79.50	1969	John Schlesinger
407	Shadow of a Doubt	80.70	94.38	79.31	76.04	1943	Alfred Hitchcock
408	Interstellar	80.70	74.16	81.30	82.25	2014	Christopher Nolan
409	Hannah and Her Sisters	80.69	88.95	79.15	77.98	1986	Woody Allen
410	Monsters, Inc.	80.68	85.29	79.37	80.08	2001	Pete Docter, David Silverman
411	The Testament of Dr. Mabuse	80.65	85.85	79.40	79.38	1933	Fritz Lang
412	Downfall	80.64	83.53	81.54	78.55	2004	Oliver Hirschbiegel
413	Being There	80.64	87.30	79.42	78.06	1979	Hal Ashby
414	The Killer	80.63	92.60	79.27	78.66	1989	John Woo
415	My Left Foot: The Story of Christy Brown	80.63	93.23	78.13	79.15	1989	Jim Sheridan
416	Jean de Florette	80.60	88.40	80.18	79.69	1986	Claude Berri
417	The Big Lebowski	80.57	74.80	82.28	78.57	1998	Coen Brothers
418	The King's Speech	80.57	90.86	78.50	78.59	2010	Tom Hooper
419	Whisper of the Heart	80.55	79.98	80.80	80.31	1995	Yoshifumi Kondō
420	E.T. the Extra-Terrestrial	80.54	93.08	77.22	77.82	1982	Steven Spielberg
421	Infernal Affairs	80.54	79.83	79.92	80.22	2002	Andrew Lau, Alan Mak
422	The Prestige	80.54	72.22	82.71	81.38	2006	Christopher Nolan
423	Our Hospitality	80.54	92.85	77.72	79.58	1923	Buster Keaton, John G. Blystone
424	Zootopia	80.53	85.22	78.84	80.18	2016	Byron Howard, Rich Moore
425	Toy Story 2	80.49	92.59	78.51	77.05	1999	John Lasseter, Ash Brannon, Lee Unkrich
426	Klaus	80.48	75.00	81.07	81.41	2019	Sergio Pablos
427	The Big Sleep	80.45	92.10	79.74	77.58	1946	Howard Hawks
428	Ford v Ferrari	80.45	83.94	79.37	80.01	2019	James Mangold
429	Dead Poets Society	80.44	78.70	79.43	80.75	1989	Peter Weir
430	The Terminator	80.43	89.08	78.26	78.13	1984	James Cameron
431	Naked	80.43	84.48	80.39	77.34	1993	Mike Leigh
432	Dangal	80.41	83.00	79.68	80.56	2016	Nitesh Tiwari
433	Kwaidan	80.40	81.80	79.75	79.42	1964	Masaki Kobayashi
434	The Man Who Would Be King	80.40	90.55	78.24	77.79	1975	John Huston
435	Wild Tales	80.38	82.57	80.48	79.22	2014	Damián Szifron
436	Groundhog Day	80.38	80.08	79.31	79.35	1993	Harold Ramis
437	Catch Me If You Can	80.38	83.44	78.74	80.57	2002	Steven Spielberg
438	I Vitelloni	80.36	90.28	77.64	78.06	1953	Federico Fellini
439	The Big Heat	80.35	92.90	79.27	77.87	1953	Fritz Lang
440	The Double Life of Véronique	80.35	82.63	80.19	77.87	1991	Krzysztof Kieślowski
441	Who's Afraid of Virginia Woolf?	80.35	82.58	80.19	78.43	1966	Mike Nichols
442	Requiem for a Dream	80.33	71.39	81.39	80.93	2000	Darren Aronofsky
443	Rope	80.33	79.20	80.31	79.30	1948	Alfred Hitchcock
444	Love and Death	80.33	89.83	77.55	78.50	1975	Woody Allen
445	The Remains of the Day	80.29	86.88	78.75	78.80	1993	James Ivory
446	Jules and Jim	80.28	93.70	78.30	77.94	1962	François Truffaut
447	The Gospel According to Matthew	80.28	88.30	76.50	78.52	1964	Pier Paolo Pasolini
448	How to Train Your Dragon	80.27	81.97	79.45	80.24	2010	Chris Sanders, Dean DeBlois
449	Harry Potter and the Deathly Hallows: Part 2	80.27	88.50	78.81	78.53	2011	David Yates
450	Cat on a Hot Tin Roof	80.26	87.05	79.46	79.79	1958	Richard Brooks
451	The French Connection	80.26	93.35	78.04	76.89	1971	William Friedkin
452	Opening Night	80.25	78.05	80.50	79.25	1977	John Cassavetes
453	Hotel Rwanda	80.24	84.54	79.34	79.40	2004	Terry George
454	4 Months, 3 Weeks and 2 Days	80.22	92.51	77.76	76.22	2007	Cristian Mungiu
455	Tampopo	80.22	92.40	81.20	77.01	1985	Juzo Itami
456	Scarface	80.22	93.50	76.43	79.55	1932	Howard Hawks, Howard Hughes
457	The Face of Another	80.21	87.50	79.61	79.34	1966	Hiroshi Teshigahara
458	The Roaring Twenties	80.21	86.20	77.79	80.68	1939	Raoul Walsh
459	Pickpocket	80.20	93.80	76.41	76.47	1959	Robert Bresson
460	Kiki's Delivery Service	80.20	85.45	79.87	78.84	1989	Hayao Miyazaki
461	A Prophet	80.19	89.61	79.53	76.14	2009	Jacques Audiard
462	Zelig	80.19	90.00	76.50	80.29	1983	Woody Allen
463	Trouble in Paradise	80.18	88.20	79.35	77.62	1932	Ernst Lubitsch
464	Gran Torino	80.17	76.27	78.57	82.36	2008	Clint Eastwood
465	Last Year at Marienbad	80.16	88.25	78.29	77.37	1961	Alain Resnais
466	All the President's Men	80.15	85.95	80.48	76.46	1976	Alan J. Pakula
467	Breaking the Waves	80.15	79.85	78.46	79.55	1996	Lars von Trier
468	Indiana Jones and the Last Crusade	80.14	74.28	81.44	80.57	1989	Steven Spielberg
469	Divorce Italian Style	80.12	91.00	79.28	78.26	1961	Pietro Germi
470	Edward Scissorhands	80.12	78.65	78.09	80.73	1990	Tim Burton
471	The Thing	80.12	67.98	82.60	79.34	1982	John Carpenter
472	Perfect Blue	80.11	74.05	80.91	80.09	1997	Satoshi Kon
473	Down by Law	80.10	79.03	78.98	79.61	1986	Jim Jarmusch
474	Bringing Up Baby	80.10	90.75	78.25	76.45	1938	Howard Hawks
475	The Phantom of Liberty	80.09	85.10	78.89	78.66	1974	Luis Buñuel
476	Bonnie and Clyde	80.07	85.38	78.16	78.23	1967	Arthur Penn
477	The Incredibles	80.07	89.69	79.77	75.78	2004	Brad Bird
478	Rocky	80.04	79.73	79.17	79.29	1976	John G. Avildsen
479	His Girl Friday	80.03	94.15	79.24	76.72	1940	Howard Hawks
480	Mommy	80.03	80.79	80.39	79.13	2014	Xavier Dolan
481	Mon Oncle	80.03	88.00	78.03	78.76	1958	Jacques Tati
482	My Fair Lady	79.99	91.85	77.53	78.00	1964	George Cukor
483	Charade	79.98	85.55	79.37	78.72	1963	Stanley Donen
484	Stalag 17	79.95	87.13	79.62	77.79	1953	Billy Wilder
485	Boyhood	79.95	97.08	76.08	75.95	2014	Richard Linklater
486	The Secret in Their Eyes	79.95	82.49	81.27	77.67	2009	Juan José Campanella
487	Ninotchka	79.95	90.15	77.99	78.50	1939	Ernst Lubitsch
488	Pierrot le Fou	79.94	81.75	77.84	76.65	1965	Jean-Luc Godard
489	The Enigma of Kaspar Hauser	79.94	89.10	78.30	78.27	1974	Werner Herzog
490	Stroszek	79.94	88.40	79.50	77.77	1977	Werner Herzog
491	A Hard Day's Night	79.93	93.73	76.82	77.08	1964	Richard Lester
492	Onibaba	79.90	74.75	79.42	79.96	1964	Kaneto Shindo
493	Repulsion	79.85	92.68	77.29	76.57	1965	Roman Polanski
494	Like Stars on Earth	79.85	80.50	79.54	79.86	2007	Aamir Khan, Amole Gupte
495	Duck Soup	79.84	92.33	79.01	74.92	1933	Leo McCarey
496	Carlito's Way	79.83	70.28	79.16	82.01	1993	Brian De Palma
497	Nashville	79.82	93.23	76.89	74.92	1975	Robert Altman
498	The Triplets of Belleville	79.82	88.97	76.57	78.66	2003	Sylvain Chomet
499	Dr. Mabuse the Gambler	79.81	85.10	76.88	79.98	1922	Fritz Lang
500	Gone Girl	79.79	83.03	79.32	78.87	2014	David Fincher

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