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What Happened to Mitrice Richardson?

What really happened to Mitrice Richardson the night she disappeared?
In the early morning hours of September 17th, 2009, a beautiful young woman named Mitrice Richardson was released into the night from police custody without a phone, or any way to get home. Her body was found almost a year later. The mysterious circumstances surrounding her death remain unsolved.
On the evening of September 16, 2009, The Los Angeles County Sheriff’s Department from the Malibu/Lost Hills Station received a call from the affluent, upscale restaurant of Geoffrey’s, with the employees of the establishment claiming a woman was acting erratically, bizarre, and was refusing to pay her bill.
Beginning otherwise as a typical Southern Los Angeles Wednesday afternoon, 24-year-old Mitrice Richardson graduate of Cal State Fullerton, who normally had dinner with her great grandmother on Wednesdays, decides to switch course. Feeling compelled to embrace the cool breeze of the ocean on her skin, she heads to Malibu and begins her 40-mile trek along the Pacific Coast highway.
As Mitrice ventures into the outskirts of Malibu, just as the sun begins to set, she is captivated by the luminescent beams of lights beating off the golden sign of Geoffrey’s and makes the decision to pull into the restaurant, a pivotal decision that would change the lives of many as they knew it.
Mitrice pulls into the parking lot of Geoffrey’s and is greeted by the Valet. He quickly lets her know it is valet parking only and rushes off to park another guest’s vehicle. When he returns he finds Mitrice no longer in her vehicle, but in his vehicle rummaging through his CDs and speaking in broken sentences. Startled and frazzled the Valet asks what Mitrice is doing in his vehicle and she responds “I’m here to avenge Michael Jackson's death”. The Valet removes Mitrice from his vehicle and ushers her in the direction of the restaurant.
The unusual behavior of Mitrice doesn’t end there. Mitrice orders a $65 steak and cocktail and notices a lively bunch enjoying their meal a few tables over, with a smile never leaving her face, she asks to join them. The group is intrigued by Mitrice’s abnormal behavior but welcomes her to their table. Mitrice goes on to talk about how she is from Mars, her mother was mother earth, and the ocean was calling her. Once the group settles their bill and exits the restaurant, Mitrice attempts to follow but is stopped by the manager as she has did not pay for her bill. Not appearing hostile or angry, the manager asks if there is anyone they can call to pay the bill for her after she claimed she didn't have any money.
At approximately 9:30 pm, 91-year-old Mildred Harris, Mitrice’s great-grandmother, receives a phone call from Geoffrey’s. She attempts to give her credit card information over the phone to settle the bill, but they could not accept it without a signature. With no way to pay her bill, the employees of Geoffrey’s contacted the Los Angeles County Sheriff’s Department about Mitrice.
60 miles away in Eastern Los Angeles, Mitrice’s mother, Latice, is made aware of the unusual situation occurring at that very moment. She calls Geoffrey’s directly and finds out Mitrice has just been taken into custody by the officers. They go on to tell her about the behavior Mitrice had displayed, and that Mitrice’s vehicle was about to towed to a location very close to the restaurant, but far from the Lost Hills Station where the police had taken Mitrice. Feeling helpless, and unsure what to do, Latice calls the Lost Hills station and confirms with the deputy a woman is en route to the station from Geoffrey’s. Unable to pick up her daughter from the station, Latice is worried about Mitrice’s well-being and doesn’t want her released in the middle of the night without a phone or vehicle. The Deputy assures Latice that she will be contacted once Mitrice arrives at the station, but that call never came.
As soon as Latice wakes up the following morning she calls the Lost Hills station hoping to figure out how to get Mitrice home. She is told that Mitrice was released 5 hours earlier at about 12:30 am. They claimed they had no reason to hold her because she had no criminal record and was not exhibiting signs of mental incapacitation, despite her unusual behavior. Mitrice was released into the dark gloomy night without any form of communication, transportation, or assistance from officers. According to Steven Whitmore of the Los Angeles County Sheriff’s Department, officers said, “You can stay here if you wish. You can stay in a cell, but you can stay here, but she declined that offer”.
Panic begins to set in as Latice becomes aware Mitrice has not spoken to anyone since being released from the station, and she realized the moment she had feared the most was here. Immediately sensing something was not right, Latice calls back the Sheriff’s Office and asks how long she would have to wait to file a missing person’s report. The Deputy, seeing Mitrice was released just hours ago, encourages her to wait 24 hours before reporting her missing. With nothing left to do but wait, Latice questions how Mitrice could have possibly been released without a mental evaluation?
At about 6:30 AM that Thursday morning, The Los Angeles Sheriff’s Department receives a call from a Monte Nido community resident, located about 7 miles from the station. The resident, a former news anchor, reported a young, strange woman was in his backyard. When asked if she was okay, she responded that she was just “resting.” Once he called the police, she was gone. It was later confirmed that young woman was Mitrice Richardson by cadaver dogs that were able to catch her scent in his backyard.
But how did Mitrice get 7 miles away without her vehicle?
Monte Nido is a vast landscape of mountains and terrain, a location that would be difficult to navigate for a non-local, especially in the dark hours of the night. According to Mitrice’s family members, Mitrice was known to be afraid of the dark.
On September 18th, Mitrice’s family members gather together to discuss Mitrice's bizarre behavior in the days leading up to her disappearance. They begin to see the warning signs that something with Mitrice was not right. Mitrice had been sending erratic text messages, that did not make sense, almost gibberish. The day before she disappeared she visited her aunt’s house and left business cards from her go-go dancing job scattered everywhere. The strangest occurrence being an unusual note left on Latices husband windshield with “black women scorned” written across it, a smiley face, and had been signed off with a kiss.
In the days before Mitrice disappeared, she was posting unusual things on Facebook, and Myspace. Posting at all hours of the night, investigators were unable to understand when she slept. A psychologist that works with the LAPD assessed Mitrice was exhibiting signs of a mental health condition, possibly bipolar disorder.
During the subsequent investigation, the family of Mitrice is made aware they found money and her wallet inside her car, with officers somehow overlooking it the night she was arrested.
Days pass with unanswered questions, repeated attempts to get Mitrice’s police report are overlooked. Mitrice’s family attempts to access police footage of Mitrice at the station that night, but their request is denied. LAPD cited “they need to follow proper protocol in order to release information to the family,” and they had no footage to even give to Mitrice’s family.
Feeling like their pleas to police were going unanswered. The family of Mitrice hired civil rights lawyer, Leo J. Terrell, who assembles a press conference gathered in front of the Lost Hills Station on Thursday, September 24th, 2009, demanding action of the Police Department. Terrell said at the press conference “If Mitrices name was Spears or Lohan, they would have never let her walkout by herself. They would have escorted her home.”
Months later, as the New year quickly rang in, tensions between Mitrice’s Family and the Los Angeles Police Department continue to grow, a meeting is called between the Sheriff and Captain of Lost Hills. Things quickly take a turn when it comes to light the Police Department did indeed have footage of Mitrice the night she was arrested. They claimed they misunderstood, thinking Mitrice’s family was asking for footage of Mitrice outside the station not a video of Mitrice in the station.
On January 9th, 2010 the Los Angeles County Sheriff’s Department organized one of the largest searches in the history of LAPD. An 18 square mile search in Malibu Canyon with over 300 trained volunteers participating in air and ground searches. Mitrice was still not found.
Just 3 weeks later, and almost 300 miles away in Las Vegas, Mitrice’s Father, Michael Richardson, alerts authorities that he believes he saw his daughter Mitrice in an area known for prostitution on the Las Vegas Strip. Michael called out to Mitrice but lost her in the crowd. Latice firmly believes that wasn’t her daughter and believes she never made it out of Malibu Canyon.
On June 26th, 2010, Latice and her lawyer file 6 lawsuits against the LA County Sheriff’s Department for negligence and wrongful death. Around the same time, there is another sighting of Mitrice, by a high school friend. At around 3 AM, in a Las Vegas casino, he claimed to have seen Mitrice. He called out to her, but the woman appeared nervous and ran off.
On August 9th, 2010 Malibu State Park Rangers are hiking along the area of Dark Canyon, a vastly remote area, just a few miles from where Mitrice was last seen, searching for any illegal marijuana growing in the area. This area is said to be a very difficult place to stumble upon and very hard to get through. Upon their quest, they discover the mummified naked remains of an African American curly haired woman. Ignoring the proper protocol, the woman was airlifted out of Dark Canyon. The woman was later confirmed to be Mitrice Richardson. A ranch known for producing pornography was adjacent to where Mitrice was found, but no connection has been determined.
Multiple residents in the area reported to have heard screams in the area several nights after Mitrice disappeared, but despite this, Mitrice’s death was deemed not to be a homicide, and no foul play occurred. The cause of death was ruled to be undetermined.
What happened to this beautiful, intellectual, talented woman? Why would police let her go in the middle of the night with no phone or vehicle? Why was she acting so strangely? How did Mitrice end up dead in that creek bed? Too many unanswered questions have consumed the Richardson Family. We need to find out what exactly happened to Mitrice Richardson.
More info:
https://www.murdersandcoffee.com/post/what-happened-to-mitrice-richardson
https://www.latimes.com/california/story/2019-09-17/mitrice-richardson-reward-malibu
https://www.nbclosangeles.com/news/local/sheriff-updates-mitrice-richardson-disappearance-decade-late1965858/
https://en.m.wikipedia.org/wiki/Death_of_Mitrice_Richardson
What do y’all think happened to Mitrice? Do you think she succumbed to the elements? Or something sinister occurred to her that night? Share your thoughts!
I also wanna add her clothes were found scattered around her body. It would be unusual for her to undress and try to maneuver through that creek bed.
submitted by jordancottle to UnresolvedMysteries [link] [comments]

LeoVegas Quartalsbericht mit guten Zahlen

Eine der wichtigsten Kennzahlen im vorletzten Quartal 2020 ist die Steigerung von Kunden, die in LeoVegas Casinos eine Einzahlung vorgenommen haben. Mehr als 26 Prozent einzahlende Kunden im Vergleichszeitraum Q3/2019 sind beeindruckend und verdeutlichen die starke Entwicklung des Glücksspielanbieters aus Schweden. Dabei wurde Ende April auch die neue LiveCasino Plattform ins Leben gerufen, die sich nicht zuletzt aufgrund der herausfordernden letzten Monate gut entwickelt. Die Umsatzerlöse sind hingegen nur minimal über alle Geschäftsbereiche hinweg gestiegen.
https://livecasinocentral.com/leovegas-quartalsbericht-mit-guten-zahlen-1019/
submitted by georgheinrich1 to u/georgheinrich1 [link] [comments]

What Happened to Mitrice Richardson?

What really happened to Mitrice Richardson the night she disappeared?
In the early morning hours of September 17th, 2009, a beautiful young woman named Mitrice Richardson was released into the night from police custody without a phone, or any way to get home. Her body was found almost a year later. The mysterious circumstances surrounding her death remain unsolved.
On the evening of September 16, 2009, The Los Angeles County Sheriff’s Department from the Malibu/Lost Hills Station received a call from the affluent, upscale restaurant of Geoffrey’s, with the employees of the establishment claiming a woman was acting erratically, bizarre, and was refusing to pay her bill.
Beginning otherwise as a typical Southern Los Angeles Wednesday afternoon, 24-year-old Mitrice Richardson graduate of Cal State Fullerton, who normally had dinner with her great grandmother on Wednesdays, decides to switch course. Feeling compelled to embrace the cool breeze of the ocean on her skin, she heads to Malibu and begins her 40-mile trek along the Pacific Coast highway.
As Mitrice ventures into the outskirts of Malibu, just as the sun begins to set, she is captivated by the luminescent beams of lights beating off the golden sign of Geoffrey’s and makes the decision to pull into the restaurant, a pivotal decision that would change the lives of many as they knew it.
Mitrice pulls into the parking lot of Geoffrey’s and is greeted by the Valet. He quickly lets her know it is valet parking only and rushes off to park another guest’s vehicle. When he returns he finds Mitrice no longer in her vehicle, but in his vehicle rummaging through his CDs and speaking in broken sentences. Startled and frazzled the Valet asks what Mitrice is doing in his vehicle and she responds “I’m here to avenge Michael Jackson's death”. The Valet removes Mitrice from his vehicle and ushers her in the direction of the restaurant.
The unusual behavior of Mitrice doesn’t end there. Mitrice orders a $65 steak and cocktail and notices a lively bunch enjoying their meal a few tables over, with a smile never leaving her face, she asks to join them. The group is intrigued by Mitrice’s abnormal behavior but welcomes her to their table. Mitrice goes on to talk about how she is from Mars, her mother was mother earth, and the ocean was calling her. Once the group settles their bill and exits the restaurant, Mitrice attempts to follow but is stopped by the manager as she has did not pay for her bill. Not appearing hostile or angry, the manager asks if there is anyone they can call to pay the bill for her after she claimed she didn't have any money.
At approximately 9:30 pm, 91-year-old Mildred Harris, Mitrice’s great-grandmother, receives a phone call from Geoffrey’s. She attempts to give her credit card information over the phone to settle the bill, but they could not accept it without a signature. With no way to pay her bill, the employees of Geoffrey’s contacted the Los Angeles County Sheriff’s Department about Mitrice.
60 miles away in Eastern Los Angeles, Mitrice’s mother, Latice, is made aware of the unusual situation occurring at that very moment. She calls Geoffrey’s directly and finds out Mitrice has just been taken into custody by the officers. They go on to tell her about the behavior Mitrice had displayed, and that Mitrice’s vehicle was about to towed to a location very close to the restaurant, but far from the Lost Hills Station where the police had taken Mitrice. Feeling helpless, and unsure what to do, Latice calls the Lost Hills station and confirms with the deputy a woman is en route to the station from Geoffrey’s. Unable to pick up her daughter from the station, Latice is worried about Mitrice’s well-being and doesn’t want her released in the middle of the night without a phone or vehicle. The Deputy assures Latice that she will be contacted once Mitrice arrives at the station, but that call never came.
As soon as Latice wakes up the following morning she calls the Lost Hills station hoping to figure out how to get Mitrice home. She is told that Mitrice was released 5 hours earlier at about 12:30 am. They claimed they had no reason to hold her because she had no criminal record and was not exhibiting signs of mental incapacitation, despite her unusual behavior. Mitrice was released into the dark gloomy night without any form of communication, transportation, or assistance from officers. According to Steven Whitmore of the Los Angeles County Sheriff’s Department, officers said, “You can stay here if you wish. You can stay in a cell, but you can stay here, but she declined that offer”.
Panic begins to set in as Latice becomes aware Mitrice has not spoken to anyone since being released from the station, and she realized the moment she had feared the most was here. Immediately sensing something was not right, Latice calls back the Sheriff’s Office and asks how long she would have to wait to file a missing person’s report. The Deputy, seeing Mitrice was released just hours ago, encourages her to wait 24 hours before reporting her missing. With nothing left to do but wait, Latice questions how Mitrice could have possibly been released without a mental evaluation?
At about 6:30 AM that Thursday morning, The Los Angeles Sheriff’s Department receives a call from a Monte Nido community resident, located about 7 miles from the station. The resident, a former news anchor, reported a young, strange woman was in his backyard. When asked if she was okay, she responded that she was just “resting.” Once he called the police, she was gone. It was later confirmed that young woman was Mitrice Richardson by cadaver dogs that were able to catch her scent in his backyard.
But how did Mitrice get 7 miles away without her vehicle?
Monte Nido is a vast landscape of mountains and terrain, a location that would be difficult to navigate for a non-local, especially in the dark hours of the night. According to Mitrice’s family members, Mitrice was known to be afraid of the dark.
On September 18th, Mitrice’s family members gather together to discuss Mitrice's bizarre behavior in the days leading up to her disappearance. They begin to see the warning signs that something with Mitrice was not right. Mitrice had been sending erratic text messages, that did not make sense, almost gibberish. The day before she disappeared she visited her aunt’s house and left business cards from her go-go dancing job scattered everywhere. The strangest occurrence being an unusual note left on Latices husband windshield with “black women scorned” written across it, a smiley face, and had been signed off with a kiss.
In the days before Mitrice disappeared, she was posting unusual things on Facebook, and Myspace. Posting at all hours of the night, investigators were unable to understand when she slept. A psychologist that works with the LAPD assessed Mitrice was exhibiting signs of a mental health condition, possibly bipolar disorder.
During the subsequent investigation, the family of Mitrice is made aware they found money and her wallet inside her car, with officers somehow overlooking it the night she was arrested.
Days pass with unanswered questions, repeated attempts to get Mitrice’s police report are overlooked. Mitrice’s family attempts to access police footage of Mitrice at the station that night, but their request is denied. LAPD cited “they need to follow proper protocol in order to release information to the family,” and they had no footage to even give to Mitrice’s family.
Feeling like their pleas to police were going unanswered. The family of Mitrice hired civil rights lawyer, Leo J. Terrell, who assembles a press conference gathered in front of the Lost Hills Station on Thursday, September 24th, 2009, demanding action of the Police Department. Terrell said at the press conference “If Mitrices name was Spears or Lohan, they would have never let her walkout by herself. They would have escorted her home.”
Months later, as the New year quickly rang in, tensions between Mitrice’s Family and the Los Angeles Police Department continue to grow, a meeting is called between the Sheriff and Captain of Lost Hills. Things quickly take a turn when it comes to light the Police Department did indeed have footage of Mitrice the night she was arrested. They claimed they misunderstood, thinking Mitrice’s family was asking for footage of Mitrice outside the station not a video of Mitrice in the station.
On January 9th, 2010 the Los Angeles County Sheriff’s Department organized one of the largest searches in the history of LAPD. An 18 square mile search in Malibu Canyon with over 300 trained volunteers participating in air and ground searches. Mitrice was still not found.
Just 3 weeks later, and almost 300 miles away in Las Vegas, Mitrice’s Father, Michael Richardson, alerts authorities that he believes he saw his daughter Mitrice in an area known for prostitution on the Las Vegas Strip. Michael called out to Mitrice but lost her in the crowd. Latice firmly believes that wasn’t her daughter and believes she never made it out of Malibu Canyon.
On June 26th, 2010, Latice and her lawyer file 6 lawsuits against the LA County Sheriff’s Department for negligence and wrongful death. Around the same time, there is another sighting of Mitrice, by a high school friend. At around 3 AM, in a Las Vegas casino, he claimed to have seen Mitrice. He called out to her, but the woman appeared nervous and ran off.
On August 9th, 2010 Malibu State Park Rangers are hiking along the area of Dark Canyon, a vastly remote area, just a few miles from where Mitrice was last seen, searching for any illegal marijuana growing in the area. This area is said to be a very difficult place to stumble upon and very hard to get through. Upon their quest, they discover the mummified naked remains of an African American curly haired woman. Ignoring the proper protocol, the woman was airlifted out of Dark Canyon. The woman was later confirmed to be Mitrice Richardson. A ranch known for producing pornography was adjacent to where Mitrice was found, but no connection has been determined.
Multiple residents in the area reported to have heard screams in the area several nights after Mitrice disappeared, but despite this, Mitrice’s death was deemed not to be a homicide, and no foul play occurred. The cause of death was ruled to be undetermined.
What happened to this beautiful, intellectual, talented woman? Why would police let her go in the middle of the night with no phone or vehicle? Why was she acting so strangely? How did Mitrice end up dead in that creek bed? Too many unanswered questions have consumed the Richardson Family. We need to find out what exactly happened to Mitrice Richardson.
More info:
https://www.murdersandcoffee.com/post/what-happened-to-mitrice-richardson
https://www.latimes.com/california/story/2019-09-17/mitrice-richardson-reward-malibu
https://www.nbclosangeles.com/news/local/sheriff-updates-mitrice-richardson-disappearance-decade-late1965858/
https://en.m.wikipedia.org/wiki/Death_of_Mitrice_Richardson
What do y’all think happened to Mitrice? Do you think she succumbed to the elements? Or something sinister occurred to her that night? Share your thoughts!
I also wanna add her clothes were found scattered around her body. It would be unusual for her to undress and try to maneuver through that creek bed.
submitted by jordancottle to TrueCrime [link] [comments]

[BB] Big Brother: House of Temptation - Season 23

The 23rd season of the Big Brother: House of Temptation series is here!
This season on BBHOT, 16 brand-new and unique strangers entered the game looking to either win the money, make a name for themselves, or get some publicity. Using the BB21 template, this season was full of twists and turns that rocked the player's games. What will go down in the BBHOT books, find out now!
Also, I apologize to all the supporters of this series. I have been very busy with school and a lot of assignments and other things, so my free time is much more limited. I hope you understand and I'll pick up the pace moving forward if I can! My apologies and thank you for making this series so great!
View the season down below and give your thoughts!
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View the season here - SEASON 23 LINK
View this seasons voting chart - S23 VOTING CHART
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THE CAST:
Michael Hale, 37, Secondary Teacher - u/Nahuelfire39
Alexa Station, 20, YouTuber - u/IAmWolfNinja
Michael Krumptone, 47, Band Director - u/swoldow
Sonia McDevitt, 18, Bartender - u/ParisGoldC
Mara D'Antonio, 34, Life Coach - u/ParisGoldC
Malcolm "Mac" Everett, 27, Basketball Coach - u/SilverOwl24
Jessa Blanchard, 29, Beauty Salon Owner - u/SilverOwl24
Douglas Chance, 29, ER Nurse - u/TDSwaggyBoy
Karl Pearson, 42, Gardener - u/TDSwaggyBoy
Georgia "Gigi" Seedrow, 21, Unemployed - u/AngolanDesert
Belinda "Bertha" Matthews, 43, Lunch Lady - u/AngolanDesert
Brett Herman, 28, Professional Poker Player - u/Twig7665
Giovanni "Dr. Moreno" Moreno, 52, Doctor - u/Twig7665
Leonardo Khan, 34, History Teacher - u/Malpa15
Sonja Bush, 22, Gymnast - u/Malpa15
Justin Tyung, 26, Bartender - u/asiansurvivorfan
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OVERVIEW AND THOUGHTS OF THE GAME AND HOUSEGUESTS (Obvious spoilers!)
Opening: 16 brand-new houseguests enter the house of temptation for our 23rd season! This season is not like others, there are an extreme amount of twists ready to shake up this game! The banishment and opening eviction are the first.
Camp Director Twist: Evicted: Justine | In this brand-new twist, Douglas, Dr. Moreno, and Michael plead to be the camp director. By a close vote, this power goes to Michael! He chooses to banish Michael H., Justine, Mac, and Sonja. Michael H, then Mac, then Sonja reenter the house. Justine is the first evictee of the season. This is so sad! She may get the chance to come back in! ;)
Week 1: Evicted: Mac | After the opening eviction, Michael H. is the new HOH after being banished! He targets Brett and Mac in his nominations, but Brett pulls out the first veto! This forces Michael to put someone up, and he nominates Gigi. The house votes out Mac, but Justine returns and the camp comeback twist is in play! Michael K. has been dominating with power, and now has the nightmare power. He's definitely a big threat.
Week 2: Evicted: Douglas | Wow! This was a great and intriguing week. Leo becomes the new HOH! He nominates the 2 players in the medical field, Dr. Moreno and Douglas. Dr. Moreno's veto pick Gigi wins, and he is saved! This causes Leo to make a big move by backdooring Brett. This is where the strategy comes into play. Brett makes a 6-person alliance and secures 4 out of their 5 votes to stay. He also gets Bertha's vote, which sends Douglas out and keeps Brett in for a blindside. This was a huge move and this could really change the season! I'm super sad Douglas left so soon though.
Week 3: Evicted: Bertha | Michael is the new HOH, and puts up Alexa and Sonja. When players are picked, Brett activates his power. However, the same 3 houseguests are picked again! This is so funny and the odds of it happening are so low. This is definitely a memorable moment! Sonja saves herself by winning the veto! Michael K puts up Bertha, leaving the final 2 duo on the block. The house almost unanimously decides that Bertha should be evicted. After being eliminated on day 1, Justine returns to the game like nothing happened! I can't wait to see how she plays.
Week 4: Evicted: Leo | Alexa wins the HOH! Her HOH was not the best, as she had to nominate 5 people. She first tries to put up Sonja and Michael K, but Michael activates his power, forcing her to then nominate Gigi and Leo. Gigi picks Sonja to play, and Sonja wins the POV. Alexa puts up Brett. In a tie, she evicts Leo. This was not the best move, because the alliance now has the potential to take the full majority. Good move on Michael's part, he's been a big threat in this pre-jury phase.
Week 5: Evicted: Michael K | Sonja is able to clutch all of the power for the week! This allows her to be able to take a big threat, Michael, out. She puts Alexa up as a pawn and is able to lock the nominations and unanimously send him home. Michael K really had a big impact on the first part of the game. This leaves room for some people to step up and do the same.
Week 6: Evicted: Justine | Sonia wins the HOH, and misses on a move. She nominates the duo of Gigi and Dr. Moreno, and Gigi saves herself. This allows Sonia to potentially nominate someone big, but she nominates Justine and she goes home obviously. This season has such great potential and the fact that an alliance is running it right now annoys me. And now Justine, someone who wasn't a big threat at all, is the first in the jury.
Week 7: Evicted: Michael H. | Another outsider heads to the jury this week, as Brett becomes the new HOH. In the field trip twist, Karl stays safe while Gigi goes on the block. There was no way she would've gone home anyway, and Sonja ends up saving her. This leaves Michael to be the next evicted player. I hope there can be a power shift next week to switch up the season.
Week 8: Evicted: Sonia | Gigi takes all the power for the week, and gets Sonia evicted. This was a predictable week, as Sonia is probably the biggest threat out of the outsiders left. Gigi and Sonja are doing great with comps, but I'd like to see some new things happen. Hopefully, Jessa can win herself a comp since her power wasn't used.
Week 9: Evicted: Jessa | She was one of my favorites going into the season, so I'm really bummed she didn't pull through as an underdog. Brett wins HOH in another predictable scenario. Jessa wins the prankster and puts up her other outsider, Alexa. This is a terrible move. She could've at least tried to put someone in the alliance up. Brett, Gigi, and Sonja are steamrolling through the game right now.
Week 10: Evicted: Brett | Karl wins his first comp with the HOH, and goes after Brett instead of trying to get Alexa out. Sonja wins yet another veto and locks the nominations. The vote ties and Karl gets Brett out. This is definitely a big move for his game and sets himself up nicely for the double eviction.
Week 10 Double Eviction: Evicted: Dr. Moreno | Dr. Moreno is next out the door after Gigi wins the HOH. I was expecting another person in the alliance to go, but the fact that Gigi got Moreno out after being so close to him the whole game was crazy! Sonja wins the veto (again) and Dr. Moreno is blindsided in a 2-1 vote. Sonja has now won 7 vetoes, which is the record for this series! She's not one of my favorites on the cast, but these comp wins are crazy and I have to give her credit! Sonja and Gigi have won every POV this season except for one.
Week 11: Evicted: Mara | This really surprised me! I thought Mara and Karl were a tight duo. I think he really wanted Sonja to leave, but she won her 8th POV and got to the final 4. I'm sad that Mara is out because of her backstory, but all of the final 4 have worked hard to be there. Competitions will probably decide who gets to the end and wins.
Week 12: Evicted: Alexa | Sonja wins her 10th competition, and keeps her closest ally safe. Gigi then wins the veto, and make a fake alliance with Alexa before evicting her. I feel like that was unnecessary, but that's just who Gigi is. I like Karl the most out of this final 3, but Sonja really deserves to win. Alexa was a really cool personality to have on this season and I'm surprised she made it so far.
Final 3: Evicted: Karl | This is no surprise. I knew this final HOH was going to Sonja, and Karl having a fight with her just sealed his fate even more. Sonja also forms a random alliance with Karl before evicting him, which is really not necessary. They just love to manipulate. Sonjia 100% deserves to win this season. She has the most competitions wins out of any houseguest in BBHOT history, even though the game is not all about comps.
Finale:
Runner-Up: Sonja | I swear this happens every time someone should win over the other. The jury was very bitter and she only received 3 votes. Sonja won almost every veto this season along with Gigi, and I really think she should have won. Gigi did make more moves, though. Her comp win record will take a lot to be beaten! I wasn't expecting that to happen this season!
Winner: Gigi | Gigi was one of my least favorite on the cast. Seeing everyone's backstories compared to her's made me not like her as much and that she didn't deserve to win. She did play this game well, and she really used her manipulation skills to the best. Her and Sonja were one of the strongest duos to play and even though it may have been boring, watching them dominate the season was very cool as well.
Fan Favorite: Mara | Yay! She didn't have a big impact on the game, but her backstory was very wholesome and she really deserves this!
Possible for an all-star or returnee season: Sonja, Karl, Mara, Brett, Jessa, Justine, Alexa
Notable Stats!
Most Wins: Sonja, 11 wins (#1 record)
Most Times Nominated: Alexa, 6 nominations
Most Votes Against: Brett, 13 votes
Times Veto Was Used: 7 times
Final Thoughts: I really loved this cast! I was super excited to see them all play and was hoping someone deserving would win the money. The move that Brett made to save himself during Week 2 was amazing, but that alliance kind of ruined the season. I wanted to see power shifts and big moves, but it was repetitive. There were still some great moments though, like Brett using his power and getting the same 3 players, and Sonja breaking the comps record. It wasn't a bad season, but it could've gone better! I hope to see some of these players back under better scenarios.
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PAST SEASONS:
Season 1
Season 2
Season 3
Season 4
Season 5
Season 6
Season 7: All-Stars
Season 8
Season 9
Season 10: Newbies vs. Veterans
Season 11
Season 12: Couples
Season 13
Season 14
Season 15: Coaches
Season 16
Season 17
Season 18: Generations
Season 19
Season 20: Strength vs. Skill
Season 21: All-Stars 2
Season 22
Season 23
------------------------------------------------------------------------------------------------------------------------------------------------
Season 24 is coming! This will be an all-newbie season! Season 25 will not be all newbies ;)
Leave thoughts and suggestions down below!
~Brought to you by u/PJCGames~
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Which Director had the best run in the 90s?

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid's Return
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, Two Bits, After Dark, My Sweet, The Corruptor, and Fear.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.
submitted by Britneyfan456 to criterion [link] [comments]

Which Director had the best run in the 90s?

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid'sReturn
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, The Corruptor, Two Bits, After Dark, My Sweet, and Fear.
James Mangold: Heavy, Cop Land, and Girl, Interrupted.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.
submitted by Britneyfan456 to flicks [link] [comments]

What Happened to Mitrice Richardson?

What really happened to Mitrice Richardson the night she disappeared?
In the early morning hours of September 17th, 2009, a beautiful young woman named Mitrice Richardson was released into the night from police custody without a phone, or any way to get home. Her body was found almost a year later. The mysterious circumstances surrounding her death remain unsolved.
On the evening of September 16, 2009, The Los Angeles County Sheriff’s Department from the Malibu/Lost Hills Station received a call from the affluent, upscale restaurant of Geoffrey’s, with the employees of the establishment claiming a woman was acting erratically, bizarre, and was refusing to pay her bill.
Beginning otherwise as a typical Southern Los Angeles Wednesday afternoon, 24-year-old Mitrice Richardson graduate of Cal State Fullerton, who normally had dinner with her great grandmother on Wednesdays, decides to switch course. Feeling compelled to embrace the cool breeze of the ocean on her skin, she heads to Malibu and begins her 40-mile trek along the Pacific Coast highway.
As Mitrice ventures into the outskirts of Malibu, just as the sun begins to set, she is captivated by the luminescent beams of lights beating off the golden sign of Geoffrey’s and makes the decision to pull into the restaurant, a pivotal decision that would change the lives of many as they knew it.
Mitrice pulls into the parking lot of Geoffrey’s and is greeted by the Valet. He quickly lets her know it is valet parking only and rushes off to park another guest’s vehicle. When he returns he finds Mitrice no longer in her vehicle, but in his vehicle rummaging through his CDs and speaking in broken sentences. Startled and frazzled the Valet asks what Mitrice is doing in his vehicle and she responds “I’m here to avenge Michael Jackson's death”. The Valet removes Mitrice from his vehicle and ushers her in the direction of the restaurant.
The unusual behavior of Mitrice doesn’t end there. Mitrice orders a $65 steak and cocktail and notices a lively bunch enjoying their meal a few tables over, with a smile never leaving her face, she asks to join them. The group is intrigued by Mitrice’s abnormal behavior but welcomes her to their table. Mitrice goes on to talk about how she is from Mars, her mother was mother earth, and the ocean was calling her. Once the group settles their bill and exits the restaurant, Mitrice attempts to follow but is stopped by the manager as she has did not pay for her bill. Not appearing hostile or angry, the manager asks if there is anyone they can call to pay the bill for her after she claimed she didn't have any money.
At approximately 9:30 pm, 91-year-old Mildred Harris, Mitrice’s great-grandmother, receives a phone call from Geoffrey’s. She attempts to give her credit card information over the phone to settle the bill, but they could not accept it without a signature. With no way to pay her bill, the employees of Geoffrey’s contacted the Los Angeles County Sheriff’s Department about Mitrice.
60 miles away in Eastern Los Angeles, Mitrice’s mother, Latice, is made aware of the unusual situation occurring at that very moment. She calls Geoffrey’s directly and finds out Mitrice has just been taken into custody by the officers. They go on to tell her about the behavior Mitrice had displayed, and that Mitrice’s vehicle was about to towed to a location very close to the restaurant, but far from the Lost Hills Station where the police had taken Mitrice. Feeling helpless, and unsure what to do, Latice calls the Lost Hills station and confirms with the deputy a woman is en route to the station from Geoffrey’s. Unable to pick up her daughter from the station, Latice is worried about Mitrice’s well-being and doesn’t want her released in the middle of the night without a phone or vehicle. The Deputy assures Latice that she will be contacted once Mitrice arrives at the station, but that call never came.
As soon as Latice wakes up the following morning she calls the Lost Hills station hoping to figure out how to get Mitrice home. She is told that Mitrice was released 5 hours earlier at about 12:30 am. They claimed they had no reason to hold her because she had no criminal record and was not exhibiting signs of mental incapacitation, despite her unusual behavior. Mitrice was released into the dark gloomy night without any form of communication, transportation, or assistance from officers. According to Steven Whitmore of the Los Angeles County Sheriff’s Department, officers said, “You can stay here if you wish. You can stay in a cell, but you can stay here, but she declined that offer”.
Panic begins to set in as Latice becomes aware Mitrice has not spoken to anyone since being released from the station, and she realized the moment she had feared the most was here. Immediately sensing something was not right, Latice calls back the Sheriff’s Office and asks how long she would have to wait to file a missing person’s report. The Deputy, seeing Mitrice was released just hours ago, encourages her to wait 24 hours before reporting her missing. With nothing left to do but wait, Latice questions how Mitrice could have possibly been released without a mental evaluation?
At about 6:30 AM that Thursday morning, The Los Angeles Sheriff’s Department receives a call from a Monte Nido community resident, located about 7 miles from the station. The resident, a former news anchor, reported a young, strange woman was in his backyard. When asked if she was okay, she responded that she was just “resting.” Once he called the police, she was gone. It was later confirmed that young woman was Mitrice Richardson by cadaver dogs that were able to catch her scent in his backyard.
But how did Mitrice get 7 miles away without her vehicle?
Monte Nido is a vast landscape of mountains and terrain, a location that would be difficult to navigate for a non-local, especially in the dark hours of the night. According to Mitrice’s family members, Mitrice was known to be afraid of the dark.
On September 18th, Mitrice’s family members gather together to discuss Mitrice's bizarre behavior in the days leading up to her disappearance. They begin to see the warning signs that something with Mitrice was not right. Mitrice had been sending erratic text messages, that did not make sense, almost gibberish. The day before she disappeared she visited her aunt’s house and left business cards from her go-go dancing job scattered everywhere. The strangest occurrence being an unusual note left on Latices husband windshield with “black women scorned” written across it, a smiley face, and had been signed off with a kiss.
In the days before Mitrice disappeared, she was posting unusual things on Facebook, and Myspace. Posting at all hours of the night, investigators were unable to understand when she slept. A psychologist that works with the LAPD assessed Mitrice was exhibiting signs of a mental health condition, possibly bipolar disorder.
During the subsequent investigation, the family of Mitrice is made aware they found money and her wallet inside her car, with officers somehow overlooking it the night she was arrested.
Days pass with unanswered questions, repeated attempts to get Mitrice’s police report are overlooked. Mitrice’s family attempts to access police footage of Mitrice at the station that night, but their request is denied. LAPD cited “they need to follow proper protocol in order to release information to the family,” and they had no footage to even give to Mitrice’s family.
Feeling like their pleas to police were going unanswered. The family of Mitrice hired civil rights lawyer, Leo J. Terrell, who assembles a press conference gathered in front of the Lost Hills Station on Thursday, September 24th, 2009, demanding action of the Police Department. Terrell said at the press conference “If Mitrices name was Spears or Lohan, they would have never let her walkout by herself. They would have escorted her home.”
Months later, as the New year quickly rang in, tensions between Mitrice’s Family and the Los Angeles Police Department continue to grow, a meeting is called between the Sheriff and Captain of Lost Hills. Things quickly take a turn when it comes to light the Police Department did indeed have footage of Mitrice the night she was arrested. They claimed they misunderstood, thinking Mitrice’s family was asking for footage of Mitrice outside the station not a video of Mitrice in the station.
On January 9th, 2010 the Los Angeles County Sheriff’s Department organized one of the largest searches in the history of LAPD. An 18 square mile search in Malibu Canyon with over 300 trained volunteers participating in air and ground searches. Mitrice was still not found.
Just 3 weeks later, and almost 300 miles away in Las Vegas, Mitrice’s Father, Michael Richardson, alerts authorities that he believes he saw his daughter Mitrice in an area known for prostitution on the Las Vegas Strip. Michael called out to Mitrice but lost her in the crowd. Latice firmly believes that wasn’t her daughter and believes she never made it out of Malibu Canyon.
On June 26th, 2010, Latice and her lawyer file 6 lawsuits against the LA County Sheriff’s Department for negligence and wrongful death. Around the same time, there is another sighting of Mitrice, by a high school friend. At around 3 AM, in a Las Vegas casino, he claimed to have seen Mitrice. He called out to her, but the woman appeared nervous and ran off.
On August 9th, 2010 Malibu State Park Rangers are hiking along the area of Dark Canyon, a vastly remote area, just a few miles from where Mitrice was last seen, searching for any illegal marijuana growing in the area. This area is said to be a very difficult place to stumble upon and very hard to get through. Upon their quest, they discover the mummified naked remains of an African American curly haired woman. Ignoring the proper protocol, the woman was airlifted out of Dark Canyon. The woman was later confirmed to be Mitrice Richardson. A ranch known for producing pornography was adjacent to where Mitrice was found, but no connection has been determined.
Multiple residents in the area reported to have heard screams in the area several nights after Mitrice disappeared, but despite this, Mitrice’s death was deemed not to be a homicide, and no foul play occurred. The cause of death was ruled to be undetermined.
What happened to this beautiful, intellectual, talented woman? Why would police let her go in the middle of the night with no phone or vehicle? Why was she acting so strangely? How did Mitrice end up dead in that creek bed? Too many unanswered questions have consumed the Richardson Family. We need to find out what exactly happened to Mitrice Richardson.
More info:
https://www.murdersandcoffee.com/post/what-happened-to-mitrice-richardson
https://www.latimes.com/california/story/2019-09-17/mitrice-richardson-reward-malibu
https://www.nbclosangeles.com/news/local/sheriff-updates-mitrice-richardson-disappearance-decade-late1965858/
https://en.m.wikipedia.org/wiki/Death_of_Mitrice_Richardson
What do y’all think happened to Mitrice? Do you think she succumbed to the elements? Or something sinister occurred to her that night? Share your thoughts!
I also wanna add her clothes were found scattered around her body. It would be unusual for her to undress and try to maneuver through that creek bed.
submitted by jordancottle to TrueCrimeDiscussion [link] [comments]

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[All] Death was just a change to them

(Buckle up ...)
In P15, Richard held Mr C at gunpoint in front of the otherworldly convenience store.
Richard: "I recognized you back at the Farm. You're FBI."
Mr C: "How do you figure that?
Richard: "'Cause I seen your picture in your fancy FBI suit. Don't come any closer."
Mr C: "Where'd you see that picture?
Richard: "My mom had it."
Mr C: "Who's your mom?
Richard: "Audrey Horne."
Elsewhere in P5, it was Tammy who was looking at a large photograph of the young Agent Dale Cooper in his fancy FBI suit. Curiously, as the scene started, there was a brief shot of someone else holding the photograph first. The difference was highlighted in P7 when Albert unnecessarily gave Tammy another large photograph of Cooper, and we could see her real hands in the closeup that followed. That we shouldn't miss this appeared to be hinted at by Albert's folder in the background opening and closing inconsistently.
The mismatching hands could not be recognized for certain - as expected - but they seemed like Richard's hands, especially as the scene was placed right after Richard's introduction. Furthermore, Red gave a strange comment on Richard's hands in the episode that followed.
Red: "Have you ever studied your hand?"
The hands were wrong, yet the person was still at Tammy's desk, as we could see from the background items. This looked like a deliberate glitch to break the superficial consistency of the scene and make us question what was going on.
Let's think out loud. Richard had seen her mom Audrey Horne having a picture of Agent Cooper in his FBI suit. Then, Tammy was shown having a picture of Agent Cooper in his FBI suit, and for a moment her hands seemed to be Richard's hands.
Elsewhere in P13, during her brief existential crisis, Audrey doubted her identity and whereabouts.
Audrey: "I feel like I'm somewhere else. Have you ever had that feeling, Charlie?"
Charlie: "No."
Audrey: "Like I'm somewhere else and... and like I'm somebody else."
For a while now, I have taken a free-flying approach to these riddles and haven't shied away from making unrestrained associations between ideas if that's rewarded by the story moving forward. Behind its easily approachable front, Return seems to have gone all in experimenting with whatever storytelling innovations Lynch has conjured.
This is influenced by Lynch having recently said he needs to have everything work together for his own sake. We have a privilege to follow the flight of his mind if we really want but he doesn't indicate any corners were cut for our convenience or comfort.
Thus, if everything was meant to make some kind of sense and if it was Lynch imagining whatever worked for himself, then it's probably best to adjust ourselves on whichever level it seems that his ideas fit together, whatever consequences it then brings.
Accepting surreal and absurd connections as a part of Lynch's storytelling, we can find more of the same between Audrey and Tammy. For example, in P12, Audrey started suddenly talking about some papers that were never explained.
Audrey: "Well, then sign the papers I gave you."
Charlie: "Uh, I don't know, Audrey. Those papers ... there's something fishy about them."
Now what was that about? In P10, Tammy gave William Hastings a paper with six photographs on it.
Tammy: "Draw a circle around the photo of the man you call the Major. Sign and date it."
Audrey said it was her who had given some papers to sign. Earlier, we saw Tammy give a paper to sign, and that paper appeared to exist twice in two different storylines edited together based on numerous inconsistencies when Hastings signed it. Love it or hate it, telling a story like this sure is original.
Earlier, I already proposed that in this well-boiling soup of shifting identities also Tammy and Senorita Dido were the same person. Assuming Tammy was simultaneously yet another character - in yet another existence - makes feet a bit cold, but after going way further out there with Pete Martell, better just see where this twist takes us.
When we first met Senorita Dido in P8, she was enjoying some slow time together with the Fireman, both listening to a tune from an old gramophone. It looked like she was his companion. What was that implication there for?
So, while Senorita Dido seems to have been Tammy, then Tammy also seems to have been Audrey Horne. Thus, through Tammy, that would make Senorita Dido the same as Audrey who then was the Fireman's ultimate companion, at least in the order of character introductions.
If this surreal logic feels like spinning too high, just wait - it doesn't stop here yet. But as it goes higher, it also reveals the point in all this, at the height of the Fireman's towering station.
Pulling together earlier observations and what they might mean, I have proposed that the Fireman was the obscure, anonymous farmer that Andy questioned about his truck that apparently had been missing but now returned. Concurrently, this farmer appeared to be Pete Martell himself who also was the missing Billy, recently having his truck stolen but then returned, just like Pete in season 2 finale.
This wild chain of changing faces and identities looks similar to what was going on with Senorita Dido, Tammy and Audrey. Notably, also they never shared any screen time nor got mentioned in the same context.
And so, if Senorita Dido was Audrey and the Fireman was Billy, we'd end up having the mystery couple together in the Fireman's lounge, entirely changing their part in the story. Approached from two different directions, Audrey was found with her Billy in two different worlds.
In hindsight, Audrey hinted about that in P15 using season's trademark doublespeak:
Audrey: "You know, when Billy and I go places, he never speaks to me the way you do, Charlie."
While Charlie spoke normally, the way the Fireman spoke was backwards.
It is also revealing how these two other incarnations of Audrey - Senorita Dido and Tammy - were new faces introduced in season 3. The same applies to Pete's possible incarnations as both the nameless farmer and the Fireman, though the actor playing the latter also played the Giant in earlier seasons.
New names and new faces going back to older characters seems evident also elsewhere. Leo Johnson was back as Red. Donna was back as Renee. Laura was back as an anonymous blonde girl in the Roadhouse but also as three Las Vegas cocktail girls - Candie, Mandie and Sandie - that kept Mitchum Brothers' company. Similarly, Philip Gerard seems to have reappeared in the form of three white security guards working in the same casino.
It seems likely that more of season 3's large new cast will turn out to be reborn / reimagined original characters, having one or more fresh lives in different corners of Lynch's universe. And so, while the action seemed to take place outside Twin Peaks for much of the runtime, we could quote Mr C that it "never really left home". For this reason, it all continued to be Twin Peaks, whether in Buckhorn, Las Vegas or elsewhere.
This is also Lynch doing what he preaches and how he sees life, reincarnation being among his beliefs. His words on that from a 2014 interview could fit Return perfectly:
"It’s not so much a circle as like a spiral that comes around, the next loop a little bit higher than the one that precedes it.”
Like the Log Lady advised us in P15, death was just a change in Lynch's world. With all these changed faces of established characters, that appears to have been a very literal hint how the story comes about.
Though ramped up to absurd heights, cloaked in high-concept fantasy, layered and split between various characters in multiple worlds and told through surreal and self-referential means, Return might still reveal itself as an intimate family drama.
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JoJo's Bizarre Adventure OC Tournament #5: Round 1 Match 12 Alexis and Cybil Vs Admiral Pineapples and Rudolph

“届けて, 切なさには名前をつけようか ‘Snow halation!’”
The harpoon lodged itself into the Ocean Soul’s chest following a powerful toss from Pork Soda, the beast desperately trying to hit the tether to destroy it and release the harpoon, to no avail. The Ocean Soul had underestimated its opponents, who were currently singing some sort of song, perhaps a sort of war cry, meant to display their superior strength.
“想いが重なるまで待てずに, 悔しいけど好きって純情”
It had to do something! It released the Calamus Root in store within its mouth, ready to spit it out, before Sayonara Kodoku picked the Ocean Soul up, shut its mouth tight, and tossed it over to Pork Soda. With a thrust of its fingers, the porcine stand pierced the Ocean Soul’s eyes, blinding it.
Then, the two stands rushed at it, sending forwards a barrage of blows, breaking bones, claws, and disorientating it, before getting ready for a finisher. Pork Soda picked the Ocean Soul up by its tail and began spinning around, the rapid movement disorientating the fish and sending it closer and closer to its doom.
No, no! It couldn’t let this be! The Ocean Soul was a hunter, and even if its prey had gotten a leg up on it this time, it wasn’t going to give up! It could barely remain conscious under the pressure as the porcine stand spun it around, its already severe wounds getting exacerbated, but it had to do something!
Just one shot! Just one precise shot and it could use the opportunity to escape, to recover! The porcine stand was spinning it around by its tail, so the Ocean Soul could calculate the stand’s position! It just needed to regain its bearings, focus on getting a shot aimed, and it could use its spit to-
SLAM!
With a brutal impact, the Ocean Soul was slammed into a nearby rock. It felt itself sinking in the water as the two stands approached it, its imminent doom coming closer and closer with every movement they made.
It needed to escape, but it couldn’t bring itself to move. The two stands made their way towards it, floating above the ground as they loomed over the barely conscious beast.
Was this going to be it for the Ocean Soul?
“微熱の中 ためらってもダメだね, 飛び込む勇気に賛成 まもなく start!”
Like hell it was.
Gathering the little remaining energy it had, the Ocean Soul spat out the Calamus Root stored within its mouth, mixed with its saliva. Hitting the ground underneath the two stands, two long spikes quickly sprouted out of it and towards their bodies.
Though Sayonara Kodoku’s tough skin didn’t get pierced, the force of the growing spike sent it flying into the air, incapacitating it, if only for a moment. Meanwhile, Pork Soda wasn’t as lucky as it, the spike piercing through the left side of its body, tearing through its left leg and shoulder. The Ocean Soul couldn’t hear anything from underwater, but it was sure that its user was reeling in pain right about now.
Using the remainder of its energy, the Ocean Soul bolted away, desperately trying to remain conscious as it swam away from what it once considered its prey. It didn’t even look backwards, fearing that doing so would give its opponents the time they needed to finish it off for good. It didn’t even keep track of how far it swam, or for how long its opponents had chased it, or if they had done so at all. Its body was searing in pain, broken bones and wounds all over it.
Eventually, it couldn’t bring itself to swim any further, losing consciousness and sinking down into the ocean, not even the searing pain keeping it awake as it began to rest.
The Ocean Soul had lost, but this wasn’t the end of the beast. Though barely, it had managed to escape this encounter with its life.
The results are in for Match 10. The winner is…
‘Agnes’ Bayley and Prince Cosmo, with a score of 80 to the Ocean Soul’s 60!
Category Winner Point Totals Comments
Popularity Players 25-5 The word of the voterbase was clear: the vast majority felt that the Ocean Soul was handily defeated by the players.
Quality Players 23-22 Reasoning
JoJolity Ocean Soul 22-23 Reasoning
Conduct Tie 10-10
“AAAAGH! GODDAMIT, STUPID FUCKING FISH!!” Agnes screamed in pain while clutching his leg, body strewn onto the nearest island, carried by Sayonara Kodoku. “IT STABBED THROUGH MY GODDAMN LEG!! FROM THE FOOT, TO MY WAIST, TO MY FUCKING SHOULDER! AAARGH, DAMMIT, WHERE’S JENNY WHEN YOU NEED HER!!”
“You should be happy we got away with our lives. The Ocean Soul isn’t going to come finish us off any time soon after what we did to it.”
“OH, REAL RICH COMING FROM THE ONE WHO DIDN’T GET STABBED IN THE FUCKING LEG BY THAT MONSTER. DO YOU WANT ME TO STAB YOU AS WELL SO YOU CAN SEE HOW IT FEELS?!” Agnes started rummaging around his surroundings with his right hand, searching for a sharp object to use for his “demonstration”.
“Frankly, you deserve it. Don’t forget that you are the cause for this all. Were it not for your foolishness, Webb would still be alive, and this would not have happened to you.” Cosmo chided.
“PFFF- WHATEVER!” In between his heavy breathing and pained cries, Agnes let out an audible sigh. “Fffffuck this, I’m gonna check my phone to see if there’s any connection here so that we can get the hell out of this place ASAP!” Agnes picked up his phone and pulled it up, taking a look at it.
“That will not be necessary. There is no connection here anyways, and I am certain that a helicopter has been sent out to retrieve us, or at the very least ascertain what might have happened to-” “Shut up, I’m getting a message from Cairo. ‘Don’t worry, Agnes, we have sent your location over to Vitus, and help should arrive in about fifteen minutes.’” Agnes looked at his phone in confusion. “Vitus? Who’s that asshole?”
“Vitus is the man who sent the helicopters out. The one which you indirectly crashed. Nonetheless, let me see that - I have a hard time believing that your phone is capable of picking up a signal when we’re so far away from any cellular towers.”
“And why should I care about what you believe, huh? Here, take a look for yourself!” Agnes shoved the phone in front of Cosmo's face, the dog looking intently at it and seeing… nothing beyond a simple homescreen. “What is this supposed to be. This is your phone’s home screen, and though that horrendous chimera at its center is an affront to anything and everything I believe in, there is no notification here. Could it be that you are perhaps hallucinating from the pain?”
“Wh- you can’t see it?! Don’t fuck with me!” Looking at the dog’s deadpan expression, Agnes could tell that that wasn’t the case. He looked over at the phone, spotting it right there, as clear as day - a notification for an sms from Cairo themselves, containing what he read out loud! “Fuck you, I’m not hallucinating! If anything, you are!”
Cosmo was about to retort, when he spotted something over the distance - a sailboat. It was old and decrepit, seemingly having gone through significant damage and yet still remaining intact, somehow. It clearly didn’t belong to Vitus, and likely wasn’t Cairo’s either. On the boat, he saw a silhouette of a haggard man, but the distance meant that he couldn’t exactly tell exactly what he looked like.
“Someone is coming.”
It wouldn’t be much longer before Agnes and Cosmo were able to get back onland, learn what terrible things they’d missed, even if they still had a wait and a talk ahead of them. Left to nurse grievous wounds, this seaborne menace has seen this chapter of aggression momentarily closed, but further inland, the waters of a laundromat are being braved by a time traveler and a woman in chains.
Scenario:
Sound’s Garden Eastern Strip - A Golden Limousine
The evening was beginning to set in, the lights of the islands of the area beginning to flash on and dot the sky as two women rode through the city, looking out through the windows as they relaxed in luxury. Cybil Antoine was one to travel in style, and now, with a companion in tow, was no exception.
“A strip that absolutely comes alive at night… Makes me feel almost nostalgic for Vegas,” her redheaded travel companion mused as she looked out, “speakin’ of which… you ever play anything like that, Cyby? Cards, slots, so on. We could try Heartache Casino, maybe, if we have time sometime… I bet you’d just have to throw your name around to get up on its higher floors.”
“It’s Cybil,” the wealthy woman emphasized, with an exhaustion begotten by this having been far from the first time, “or Miss Antoine… Either way, I am not a ‘Cyby.’ Get it right next time, alright?”
“Right, yeah, I know you’ve told me… I’m just a nicknamer by heart. Cross my heart, though! It won’t happen again!” Alexis Williams seemed… As serious as she could get about something like that, as curiously carefree, even devil-may-care, as the performer could get.
“Commit it to memory, then. Despite how much a fool you can act, I’m sure you know how much I had to pull to get you onto this stage.”
“Believe me, I do appreciate it!” Alexis answered, focus now turned away from the topic of gambling and onto that. “Putting on a show at one of the biggest stages in Los Fortuna, bigger than anything I’ve done before… I know our group has had some bad luck lately, with Bucket causing that trouble down at the fish market, and how down on herself Leo has been since that dumb show she said she got roped into, but we’re still the freakin’ Judecca Highrollers, right? I want to show the world that, and from their box, I want to show the rest of our team that we’ve got no better option than to face it all with a grin.”
“How very like you,” Cybil answered, neutral in her tone, careful not to betray the affection in such a statement as she pondered their current status, where they would be playing.
Alexis wouldn’t be headlining, unfortunately, though admittedly, her act wasn’t the sort of thing that did that anyway. Rather, a certain piece of immensely beloved local talent, a rocking performer who went by TD/MD, would be having her play immediately before her at the Alexander Dickinson Amphitheater, just a drive over a rapidly approaching bridge away. Cybil had been a little annoyed that one of her statues had been overshadowed by a plane crashing near it, not to mention had a desire to spread further the local influence of their team, and so she had arranged with the heads of the entertainment industry of Los Fortuna to see to it that her personal favorite performer among the allies and associates she’d made was onstage at the best possible place for a person wanting to be noticed.
She curled her lips at a cell phone which found its way to its hand, then, narrowing her eyes at its screen. “No word back from your backing band… Where are they? How inconsiderate not to send word on this, especially at how that Mr. Sins recommended them so glowingly.”
“I’m sure they’ll show,” Alexis answered, “and if not… We can make do, can’t we?”
“Of course,” Cybil answered, only to have her eye finally drawn back out the window by the sight of a vehicle which had pulled into the lane directly next to theirs as their limousine crossed the bridge.
Another golden limousine was directly next to them now, this one almost pointedly bigger, longer, more decked out in jewelry, and it seemed to be headed exactly the same way. Cybil, rather than confused or alarmed at the coincidence, simply thought aloud, “that would probably be Mr. Sins… Speak of the devil.”
“Amazing how quickly his casino recovered from nearly burning down…” Alexis mused aloud. “I heard that one of the people who trashed it sent him to the hospital, too.”
“An overreaction I’m certain, from what I know about the man. Absolutely terrified of a little pain, a little elbow grease… I’m not one to gossip, but I can’t help but wonder how a man like him even managed to become so prominent, so consistently successful.”
“Right,” Alexis answered, smirking and putting her finger up to her lips, “I won’t spread that around, then. I know how to schmooze with that type if the need arises.”
Los Fortuna Canals - The SS Sledge Sister
Admiral Pineapples was more comfortable on his own boat, but as far as the fleet of the Masters of Funky Action went, there was no real reason to send out more than one boat for this right now.
“Man, I can’t believe nobody else is ridin’ with me,” his companion, Rudolf Pavlova, said after downing an entire bottle of water in a single gulp, on the tail end of an hourlong keytar solo. “The rest of the Masters better at least make it to the Alexander! It’d really bum me out harder than when Wrenn shot me down if none a’them made it!”
Sorry, but I’m really more the headlining type! Playing second-fiddle to a man in a speedo opening for some local star sounds fun and all, but, I’d totally just overshadow them, I bet! So I should really probably stay out of it! That sentence, clear in its passive-aggressive scathingness, had put Wrenn Aflight’s declining of this gig pretty succinctly. As the man more or less everybody on the team could tolerate, listen to, and generally have a good time with, Admiral had been tasked with asking the other star performer of the team to join Rudolf on the gig he’d accepted opening up for locally beloved rock star and all-around idol TD/MD.
Not wanting to break Rudolf’s heart, he more or less told him the short version, ‘he couldn’t make it,’ and then volunteered his own services for the younger man. “You won’t be out there with none of your allies, though, Nureyev! For I, Admiral Pineapples, will aid you in coordinating every moment of your work! This will be one of the worthiest usages of my tactical mind in a long time, I’m sure!”
“I hope you’ve gotten those hour-long solos out of your system now, Nureyev,” Pineapples warned with an amused, lax tone, “you’re only going to have thirty minutes onstage before the headliner has to get ready, and there’ll be trouble if you bleed into that.”
“I know, I know,” Rudolf answered, casually, as he slipped into an open-chested bathrobe mainly meant to function as the legal requirement of public decency until it was time to perform, “I’m not one to step on anyone’s toes, let alone the star of the show. Live and let live, yeah?”
“I’m curious, though, and you never told me…” The Admiral asked, cracking open a beverage of his own and taking a sip, “how did you manage to get such a part as this in the first place?”
“Oh, that’s simple!” Rudolf said, the thought to answer having simply not occurred to him.
A few weeks ago - A beach in the Waterfront District.
“Alright! Thank you, Los Fortuna! I’m here all day, and all night, and all tomorrow too, baby! Party never stops!” Rudolf had just finished the latest of his performances to a small crowd of beachgoers, shredding through the end of his one-man keytar rendition of 2112 and transitioning into a truly epic medley of the extended Family Guy, American Dad, and Cleveland Show OPs.
As the crowd dispersed, a corporate suit-looking type of guy, bronze-skinned with neatly-groomed hair, remained, eyeing his keytar curiously and smiling artificially. “That was an excellent show, Mr… Pavlova, I think it was? You have such an undeniable energy about you that I can see when I lay eyes upon you… You’ve star material.”
“Am I being poached?” Rudolf asked, tilting his head, “‘cuz I assure you, I am a free agent! Not about to be scooped up by some label and forced to chill out the party churnin’ out music I don’t feel in my soul.”
“Nothing so abrupt, no… I’m a Manager, representing TD/MD. You can call me Thutmose. Anyway, she has a concert approaching rapidly, and we’re struggling and scrambling to find local, new talent and performers to open for her. We’ve managed to secure a lot of artists already, but the most important spot… Playing right before her… That, still, we have a particular need for, and I think you would serve it perfectly.”
“So I accepted!” In the present day, Rudolf finished, “why not, yeah? I can spread the party to tens of thousands at one of the biggest venues in town!”
“Scouted on the street, hm… That’s awfully lucky.” Something about this struck Admiral as odd, but he supposed it was all the more reason it was good he was backing his friend and ally up. He had a strong hunch there was more to it than appeared.
Rudolf’s party yacht would disembark soon, ported on the central-most island of the places which made up Sound’s Garden, and the party would make their way forward from there.
Sound’s Garden West Side - Outside the Alexander Dickinson Amphitheater
At the same time, a self-important first step was taken out of a pair of golden limousines, one a heel clacking first out of it and a short, stocky woman in pinstripe emerging, the other dress shoes leading up to a tall, lean man in a gold and yellow tux, grinning and running a hand through his slicked-back hair.
Cybil Antoine hadn’t had the “pleasure” of a personal conversation with Tigran Sins before, but had happened to overhear some of him during her meeting with that Thutmose man, and then and there, she had known everything about him, and knew that she had already had the displeasure of knowing dozens of men like him.
Still, though, one needed to be cordial in times like this, so as Alexis came out behind her, and a very strongly built-looking, mean-looking man with brown hair and a nice vest, attached to the lapel of which was a Heartache Casino brooch (a bouncer? A bodyguard?) stood by Tigran waiting to see what he wanted or what he did, she approached the man who dared to try and be more golden than her Stand. “Mr. Sins, I believe… I believe we’ve crossed paths, briefly, but we didn’t really have a chance to speak.”
The man tensed a bit, only to relax slightly again when he saw that Cybil intended only to speak. “Cybil Antoine, right? I’ve heard you’ve been making a hell of a lot of waves around town lately, so I must say I’m excited to meet you too.” He looked back past her, towards Alexis standing and stretching outside of her team’s limo. “Would that be your star you’ve got going on? Certainly she’s got charm.”
“Hi, right in front of you,” Alexis answered, teasingly passive-aggressively waving, “yeah, I’m going up before TD/MD.”
“She’s a very important star around here, you know… So you’d better put on a show that leaves them wanting for more of the best.” Tigran’s attendant spoke, then, sounding dead serious as he looked them over. “A lot of people have come here just for this, just for her sake… It is completely imperative you keep that in mind.”
Tigran simply nodded, concurring, “couldn’t have said it better myself, Fox.”
Shortly after that, the pairs went their separate ways, shifting through VIP areas of the area of the main structure of the amphitheater, series of comfortably shielded stadium halls that it was.
“Still no sign of the band… Still no word from them either. I’m cross now.”
Alexis, then, stopped in her trail, looking at a schedule which had been printed out and emblazoned upon a green room wall. “Uh, Cybil, you’re gonna wanna take a look at this.”
“Hm?” Cybil raised an eyebrow, turning to face what her partner was pointing at, and then glared again. “Who the hell is Nureyev, and why are they listed at the same time as you?”
“There’s gotta be some kinda mixup or somethin’, man… I know about this ‘Alexis Williams’ it talks about, and hear she’s a Vegas Performer, damn fine one at that who can really strut her stuff. But we ain’t in Vegas at all, so what gives?” Rudolf himself was gesturing at a printout version of much the same piece of programming, he and Admiral Pineapples having wandered much the same series of halls.
“Hrm…” Admiral, now, took a look at the sheet himself, combing over the names before Rudolf on the list and speaking names aloud. “‘Arancini,’ ‘Tenacious-er E,’ ‘Guy and the Fieris’ Heavy Metal Barbershop Quarter,’ all as scheduled… What the hell? Yeah. We’re the only acts double-booked like this, and you say you don’t know this woman personally?”
“Not in the slightest,” Rudolf said, “never laid personal eyes upon her! So maybe there’s a typo, yeah… I know! We could track down Thutmose! But, uh… Where the hell’s Thutmose right now?”
A distorted voice shout-whispered, “I heard that he was visiting TD/MD’s green room.”
“Huh? Oh, thanks!” Rudolf accepted that advice uncritically, beginning to make his way, but Pineapples looked, at least, in the direction it came from, seeing then flashes of a short-looking person in a maroon turban, face bandaged but mouth section bulging with something hidden underneath, and a pair of aviator goggles, as well as a tunic, trousers, and many bulky scarves adorned in the forms of climbing stick figures.
Looking at the man, Pineapples couldn’t help but feel suspicious, but hell, there was a lot shady going on here. “Yes, thank you, Mister… Who am I thanking?”
“No,” the figure answered dismissively, “think little of it… I’m just another interested party watching the show. If there’s confusion, then, I want to see it resolved fast! If you’ll excuse me, though, I need to make my way to my box…”
“Strange man…” Pineapples shook his head, not wanting to leave Rudolf alone to deal with this strange situation. He knew from hearsay and rumor that there were some truly dangerous things lurking in the bowels of Sound’s Garden, and Rudolf, more heart than head, was bound to be barreling into it.
Sound’s Garden - The largest and nicest green room in the halls of the Alexander Dickinson Amphitheater.
Metra Doria sat before a makeup chair as assistants fussed and fussed with her hair, her face, her clothes, occasionally being met with polite thanks, compliments, or idle chit-chat, representing a sort of familiarity the team had had with the pale, short-dark-haired girl with a single blue streak through her front left locks. She stared at her own dressed-up eyes in the mirror, one silver, one blue and at once black-striped through the iris. As she sat here, initially clad pretty casually and low-key, she was Metra, but as the outfit she had selected was put together, she would become TD/MD.
She was being cordial before now, but all of the small talk had ended as soon as her manager came into the scene, knocking, being invited to come in, and then doing so.
“How’s the show going, Thutmose? I wish I could see Guy and the Fieris do their thing, but… Makeup, I swear.”
“There’s… People insisting upon speaking, Metra. They’re performers, the ones before you, and they seem annoyed. I tried to shoo them away and tell them to work it out, but that only incensed the old-timers with them, and now they want to speak to you. I tried telling them it was a waste of your time, but-”
“This close to going on?” Metra narrowed her eyes at the reflected form of her manager. Always, it was one thing after another with this guy. Though most of the time, one might assume there was something not worth it going on here, she knew Thutmose well enough to know there might be problems. She sighed, shutting her eyes now. “It had better be important… Let ‘em in.”
And like that, a quartet of two twenty-somethings, a middle-aged woman, and an old man barreled in through the door at once, all talking over one another and expressing confusion with the other’s very existence and presence. It was making the half-prepared girl more uncomfortable than sitting in a chair for awhile just to get ready for a show often did, so she raised her voice, calmly but authoritatively, literally seeming to drown out their babbling in the process. “Quiet down, alright?! One at a time.”
There was a little more whispering among the four, then, and it was the pinstripe-suited woman who stepped forward among them to speak the crowd’s mind. “TD/MD, I presume… This ‘Thutmose’ man, he has made a grave mistake in the scheduling. My associate Alexis here, and this half-nude man carrying a keytar around, they have not met before today, and they certainly did not intend to collaborate before you. Your manager has refused to listen to reason about this, so we are taking the matter straight past him to you… Resolve it at once, and we can be on our way.”
“What?” Metra, facing them all, blinked, shaking her head and glaring at Thutmose. “Again? How does this keep happening? You overbook acts right before me, and it’s such a disaster I’ve started to need to allot extra time to cleanup guys after those sets… It was bad enough before, but it’s seriously getting out of hand, man. I can’t keep dealing with you if you treat everyone else you deal with like this. You’re done working with me. We’re through.”
“B-but… But Metra..!” Thutmose was flabbergasted, looking almost terrified at the prospect. “Please, be reasonable..! I need this job, understand? I’ve got gambling debts, and-”
“Whoa whoa whoa,” the keytarist (Rudolf, or Nureyev, according to the program) interjected then, “let’s not ruin a man’s life over me and Lexy here, yeah? I looked into the history of this place, the Alexander Dickinson… Named after a big dead deal Philanthropist, so basically a dude from the 90's who gave his all to culture in this city, funded all kinds’a stuff! Would a man like that want a man to be fired in his own memorial stadium?”
The logic seemed to confuse nearly everyone there, not least of all Metra, whose response, after a moment, was, “Huh? You… Are you saying it doesn’t bother you?”
“He’s saying that!” Thutmose pleaded. “I am certain he’s saying that!”
“I don’t mind, either…” The redheaded Alexis said next, nodding and looking around at nothing in particular. “Yeah, I think we can work with that… The band he set us up with bailed on us anyway, right? So… Music might help, and it’s not like the things we do step on each other’s toes, yeah? So whatever, I’m sure we’ll still leave a bigger impression.”
Cybil, then, pursed her lips. “If it doesn’t make a difference to you, then, and we’re all on the same page… But still, this is so very inconvenient.”
“Agreed…” Pineapples looked to Thutmose. “Be more responsible in the future, aye? I think even if you keep your job right now, you’re gonna be on thin ice for now. And give up on gambling, if it’s sunken you this far.”
Metra nodded. “Agreed. I can’t guarantee I won’t start looking for a new manager, but… You’ve been good to me, at least. Clean up your act.” Then, she looked over the quartet. “I’m seriously sorry about this… You say you had backup, but they’re not showing up now? I, uh… I don’t know what happened to whoever those were, or why they fell through, but I have something I can do to help both of your shows exist at once: six of the best stagehands I've got.”
At that, the star snapped her fingers, and from the shadowy corners of the room emerged two trios, three men in a pose one well-versed on incidents in the early 20th century Roman Colosseum might compare to Awakening One’s Masters appearing before the Masters of Funky Action, three women in turn also sliding in before the Judecca Highrollers in perfect sync, stepping in with the coordination one might associate with, as a weird example, teenage mobsters jazzed about a dude being sent to the ninth circle of hell.
All six were muscular, clad in black sleeveless shirts, leather gloves, pants, boots, and bandannas over their heads, and all around, they gave off auras of immense reliability.
“Harry, Mark, and John, and Thorn, Dusk, and Luna… I kid you not, these guys can basically do anything and everything you ask of them. If they didn’t much prefer supporting other people to being in the limelight themselves, they would be as big as I am. Treat them well, they’ll learn fast, and they’ll be invaluable to making your bits work. But, uh… I’d hurry it up. Guy and the Fieris probably only have a couple more encores in them, and then you’ll have fifteen to set up. I wish you all luck..!”
Metra Doria had been a bit of a miracle for the grateful performers and put-off older supporters, who had in turn both begun to explain their intended strategies and how those might change to their crew members, who understood alarmingly fast.
“Man…” Rudolf whistled in relief, chuckling. “What a scare that was… But you, Lexy? You’re alright, actually.”
“Thanks,” Alexis answered in turn, still trying to figure this guy out, “you don’t seem bad yourself… I almost kinda feel bad that we’re gonna totally eclipse you out there.”
“Y’think so, huh?” Rudolf answered with a grin, pointing forward with a friendly competitiveness. “Well, the party don’t get drowned out by a damn thing! I’m gonna get all these good people pumped as hell, and they’ll be cheerin’ for me even when that Metra chick goes on!”
“Ooh, I’m starting to feel a bit competitive…” Alexis answered, good-naturedly chuckling and folding her arms. “Wanna see who gets the crowd more pumped? Loser, uh… Buys the winner overpriced concert t-shirts. These things need stakes, right? Heh…”
At the somewhat tongue-in-cheek suggestion, Rudolf nodded. “Sure, yeah! That, and the pride of bein’ one of the best in the city! May the best team win!”
OPEN THE GAME!
Location: The Alexander Dickinson Amphitheater, one of the biggest outdoor venues in the entirety of the Metropolitan area, in the buildup to TD/MD’s headlining act, wherein both of your teams have had a performer set to open for her. The place is packed at a capacity of tens of thousands of people.
The stage is a competently designed semicircle which is roughly 30 meters across for length and maximum width, with plenty of room all over and the various necessary fixtures upheld off the ground. It is raised up about 2 meters off the ground. Its back half is partially covered by the overhanging roof of the backstage area a dozen meters above.
The backstage area spreads out about 10 meters from both sides and the back of the stage, being somewhat indoorsy and absolutely full of things one could expect an excellent stage production to have, including, of course, sturdy rafters which lead up to the ceiling area overtop the stage. Both sides have had time to arrange for some extra things to be brought in.
Goal: With a leadup of fifteen minutes before acts, and a half an hour where both of your performers are onstage at once, you have a show to put on, and that is not getting ruined by this overbooking. So, with Rudolf and Alexis up on stage, and Pineapples and Cybil each operating their abilities and managing a three-person stage crew, outperform your opponents!
Given the vastly different skill-sets of the competitors, the goal is to execute on your vision better than your opponent executes on theirs. You will be judged and voted on the following criteria, in decreasing priority:
  • Feasibility - Whether your performance is actually within the bounds of what your Stand and Stats would imply.
  • Skill Use - A close second in relevance; how well you integrate your User Skills and Stats into your performance. While your Skills will help in completing this objective, they do not provide an automatic advantage by merely existing and must be woven into your strats, as per usual. Even the best of artists can have abysmal live performances.
  • Stand Use - Similar to the above, and similarly important. How cool, creative, and well-integrated is your Stand use. Put another way, wow the judges, voters, and viewers at home! This is more or less just the same as before.
  • Environment Use - How well you use and integrate the auditorium - its features, its backstage, its stage, and the hearts and passions of its occupants - into your performance.
  • Efficiency - How much quality footage you obtain and how well you use your time. This does not mean that setup for more complex performances is automatically penalized, but do try to minimize ‘deadtime’ and maximize the amount you perform.
Additional Information: There is a huge simp for TD/MD in the audience of the match, and he is connected enough that he will have both of you successfully and canonically killed if you ruin the show before the headliner can go on; therefore, murdering your opponents or audience members (“the ol’ Abraham Lincoln Tech” as they say in the biz) on an audience member is a loss condition. Not at all a moral thing for the record.
Stage Crew members for the respective teams (Harry, Mark, and John on the MFAs, Thorn, Dusk, and Luna on the Highrollers, if you care about their names) have 4s in strength, agility, endurance, Stagehand, and Backup; pretty much, anything their associated team asks them to do, they’ll be able to do, at minimum, competently. Though they won’t, like, murder for you. Generally you can use them for moving props on/off stage, extra bodies or on-stage back up performers, speaker and soundboard control, and/or on-stage camera crew as well as managing any other stage controls. Pretty much everything save for pyronetics and lighting is in their purview.
There are also dedicated lighting guys, totally neutral in your squabbles, who are going to do an entirely too good job adjusting their focus and making things work exactly as is needed so attention is on the stars of the show. They will also be coordinated with a third party camera crew that will be streaming the live feed onto screens for the audience. These feeds can be replaced or split screened with your own crew’s footage, but otherwise they will generally be in control of what is shown on-screen.
Players can be assumed to already have well-rehearsed their plans of action, the in-universe basis for the modified plans of the match, and have knowledge about every aspect of the stage, even if parts of their initial plan obviously need to be modified to account for new challengers also occupying stage space. If something performance related isn’t insanely, “years of training to do competently required” level hard, but would still require some practice ahead of time, they have had it to, at absolute max, somewhere between a 2 and a 3. Players, don’t overly-game this, though; the ‘stars’ of your performances should be the sheeted unique abilities of you, your skills, and your Stands.
All stands can be seen on camera and on the live feed for the audience's viewing pleasure.
Team Combatant JoJolity
Judecca Highrollers Alexis Williams “This one is for the guy who keeps yelling from the Balcony, and it’s called ‘We Hate You, Please Die.’” Gymnastics is a sport of rhythm and pace, this performance should be no different for keeping your momentum. Make as seamless transitions as you can between the acts of your performance!
Judecca Highrollers Cybil Antoine “Prepare to have your minds obliterated by… The boys! And Crash!” You have a whole crew of people working for you here, no need to do any heavy lifting by yourself. This is their job after all, better put them to work since that’s what they are here for. Make the most use out of your stage hands in your performance!
Masters of Funky Action Rudolf "Nureyev" Pavlova “What is with this band? They’ve… changed. Have you noticed they don’t have instruments? Where’s all this amazing noise coming from?” Keeping the audience’s attention for a full 30 minutes should be a piece of cake for the world’s greatest dancer, you can keep the party rocking even between your different acts. Make as seamless transitions as you can between the acts of your performance!
Masters of Funky Action Admiral Pineapples “You and your fireballs and your demon hipster chicks / you’re talking the talk and it’s pretty slick / You think you’re so great, but you’re missing the point / You gotta have friendship and courage and whatever!” You’re all in this show together, you and your crew of stage hand. Everybody should be contributing here, no man left behind. Make the most use out of your stage hands in your performance!
Link to the Official Player Spreadsheet
Link to Match Schedule
As always, if you would like to interact with the tournament community and be among the first to get updates for the tournament, please feel free to PM a member of our Judge staff for an invite to our Official Discord Server!
submitted by Dungeon_Dice to StardustCrusaders [link] [comments]

Leovegas will not pay out

So I signed up on Leovegas and made a deposit last week. I used Trustly. My account got verified when making the deposit, because Trustly uses online banking and gets my info through the bank.
Bet 100e, got a 100e free bet, bet that and won.
Asked livechat if it was available to withdraw and they confirmed it. They told me I could only use Trustly because that's how I made the deposit. I went to withdraw it and Trustly was no longer available for deposit or withdrawal.
So I asked about it and was told to email support, and I did. I tried withdrawing through Brite but my bank does not support it so it's impossible. I made another minimum deposit through Paytrail which worked but was unable to withdraw that either.
I talked to some live chat agents and while they were helpful at first eventually no one could help and they told me to wait for an email.
I then got a response from support 5 days later - they told me to use Brite which I'd originally told them was impossible.
I went on live chat again, and talked to a rep thru chat and email for about 4 hours trying to resolve this. They told me I could use my Mastercard to deposit a minimum amount and then withdraw everything. Then they told me Mastercard wasn't available after all and not to deposit, they'd have to verify my account again and I could withdraw to my bank account....
So then I sent them my drivers licence, bank statement and proof of address. They rejected my bank statement because it doesn't have the bank's logo. It's an all text statement I get every month from the bank. I've used that same statement to KYC on 4-5 casinos without problems.
So I sent a screenshot of my online banking, got approved. Then I was asked to send a receipt of my deposit, which I did, twice. It's still pending.
They told me this wasn't enough because the bank statement doesn'¨t have a graphical logo and they didn't accept the bank's physical address as it was on the bank statement. So they asked me to get a proof of account from the bank, which will cost me 15 euros and I will have to physically go get it from the original bank branch I opened my account in about 20 years ago, which is in another city.
I don't know how many hours I've spent on this matter, I've sent them 6 different documents regarding my bank account & address and made two verified deposits using Trustly and Paytrail, both of which use my online banking to verify my identity.
It's a lot of work to withdraw 295 euros. Leovegas will happily take my money, I could make another deposit instantly right now and I could make bets with the balance I have on there. But I cannot withdraw any of it.
submitted by ville_p to sportsbook [link] [comments]

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submitted by freespins1 to u/freespins1 [link] [comments]

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Casinoet kan skilte med casino, live casino og en sportsbook. De har spill fra de beste casinoleverandørene i bransjen, og oppdaterer kontinuerlig betalingsmetoder – også for norske spillere.
Nettcasinoet er basert på middelhavsøya, Malta, mens morselskapet har base i Sverige hvor de dessuten også er børsnoterte.
Når det kommer til valg av design på nettsidene så er de fine og rene. Fargemessig er det valgt hvitt, lysegrått samt en diskret oransje farge. Menyvalgene er få og intuitive. Hovedvalgene fører spillerne til en av de tre hovedseksjonene, casino, live casino og sportsbook, hvor man igjen får nye valgalternativer. Det er derfor lett å orientere seg på sidene og man kommer raskt dit man ønsker.
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Kort om Leo Vegas

Lisens: Malta Bonus: Opp til 6000 kr på dine fire første innskudd + 100 free spins Antall casinospill: 1000+ Mobilt casino: Ja Live dealer casino: Ja Sportsbook: Ja Åpningstider support: Døgnet rundt

Bonuser og fordeler hos Leo Vegas Norge

Hos Leo Vegas Norge får alle nye gjester tilbud om et frivillig velkomsttilbud i en av de tre seksjonene. Man bestemmer selv om man vil ha dette i Sportsbooken, Live Casinoet eller i casinoseksjonen. Nye gjester kan velge mellom disse tre velkomsttilbudene:
  • Casinoseksjonen byr på bonuser opptil 6000 kroner + 100 free spins
  • Sportsseksjonen tilbyr opptil 3000 kr i bonus
  • Live Casinoet opptil 4000 kr i bonus
I casinoseksjonen deles velkomstpakken ut slik:
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  • En bonus på 100 prosent opptil 1500 kroner + 25 gratisspinn på 2. innskudd
  • En bonus på 100 prosent opptil 1500 kroner + 25 gratisspinn på 3. innskudd
  • En bonus på 100 prosent opptil 1500 kroner + 25 frispinn på 4. innskudd
Til sammen får du altså 6000 kroner i tillegg til 100 freespins.
For å få et av de tre velkomsttilbudene må visse krav oppfylles. I casinoseksjonen må hvert av de fire første innskuddene være på minst 100 kroner. Alle innskuddsbonusene pluss frispinnene kommer med et omsetningskrav på 20 ganger. Innskudd gjort med Skrill eller Neteller gir ikke bonus. Pengene overføres direkte til spillekontoen, og man kan begynne å spille med bonusen med en gang.
I Live Casinoet er omsetningskravet på 40 ganger for både bonusen og gratispengene. Det første innskuddet må være på minst 100 kroner.
I Sportsbooken må gratispengene omsettes 4 ganger til minst 1.80 i odds. Gratisspillene tildeles om det spilles for minst 100 kroner til minimum 1,8 i odds første gangen man spiller i sportsseksjonen.
Festen er ikke over hos Leo Vegas Norge etter velkomsttilbudet. Nettcasinoet byr på både turneringer og kampanjer som kan gi både free spins, bonuser, pengepremier, reiser og andre flotte premier. For en full oversikt over hva som er av muligheter må man bare stikke innom på besøk med jevne mellomrom.
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Utover muligheten til å sikre seg gratisspinn og gratispenger i forbindelse med velkomsttilbudet byr Leo Vegas Norge på mange andre sjanser til dette i forbindelse med kampanjer og turneringer. Hva man kan få og hvor mye vil variere fra kampanje til kampanje. Man må rett og slett følge med og se om det er noe som frister.
På hvert av de fire neste innskuddene deles det også ut 25 gratisspinn, til sammen 100 gratisspinn. Dette betyr nye muligheter for å spinne i vei på en av de utvalgte automatene. Også for disse frisspinnene er det Mega Fortune Dreams, superpopulære Starburst, den typisk norske favoritten Joker Pro, Dazzle Me og Swipe and Roll. For å aktivere de 50 gratisspinnene som man får på hvert av innskuddene må man spille for minst 50 kroner.
Selv om det ikke deles ut gratisspinn i Live Casinoet og Sportsbooken i forbindelse med registrering så gir gratispengene de samme mulighetene. Disse er på henholdsvis 100 og 300 kroner. I og med at man får disse når man registrerer seg gir også de fine muligheter til å bli kjent i den utvalgte seksjonen uten å risikere egne penger.
Hos Leo Vegas Norge er det slik at kontanter og bonuspenger holdes adskilt. Det innebærer at så lenge man har egne penger på kontoen, spiller man for disse. Etter at disse er oppbrukt slik at man ikke har mer å spille for, begynner man å omsette av bonuspengene. Det betyr også at det opprinnelige innskuddet samt gevinster vunnet med spill av disse pengene kan tas ut uten å tenke på omsetningskravene.

Spillutvalg hos Leo Vegas Norge Casino

Hos Leo Vegas Norge er spillmulighetene mange. Det gjelder i alle de tre casinoseksjonene. Det er derfor et nettcasino som har noe for alle. I casinoseksjonen er det et stort utvalg av casinospill. Det tilbys nærmere 1200 spill. I tillegg er porteføljen variert. Her er det mange spill i kategorier som spilleautomater, jackpot-automater, skrapelodd samt kort- og bordspill. Hos Leo Vegas Norge er skrapelodd også prioritert som et eget valg i menyen.
For å kunne tilby det store og varierte utvalget av casinospill har Leo Vegas Norge valgt å samarbeide med svært mange utviklere og leverandører. Dette er anerkjente navn som Thunderkick, Authentic Gaming, Ezugi, Blueprint, Quickfire, ELK Studios, NetEnt, Evolution, Edict, Extreme Live Gaming, Quickspin, Felt Games, GameVy, Genesis, Genii, IGT, iSoftBet, Lightning Box, Nektan, NextGen, Microgaming, Play’n GO, PlayTech, Pragmatic Play, Push Gaming, Realistic Games, Skillzgaming, Yggdrasil, 2 by 2 Gaming og Big Time Gaming.
Et bredt samarbeid er et smart og strategisk valg. Det sikrer at casinoet hele tiden kan tilby spillerne mange nye spill. Det sikrer også at det blir god variasjon i porteføljen av spill. Dermed skulle selv den mest kresne casinospiller finne et spill eller to som faller i smak. Om ikke finner man det neppe et annet sted heller.
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Tilbudet av spilleautomater er enormt hos Leo Vegas Norge. Det er nesten 1100 forskjellige spill i denne kategorien. Det inkluderer massevis av videoautomater samt jackpotter og klassiske automater. At utvalget er stort er jo ikke overraskende tatt i betraktning samarbeidet med mange tilbydere. Samtidig ser det jo heller ikke ut til at casinospillere kan få nok av slots. Med mange spill å velge mellom vil man slite voldsomt for å ikke finne noe som faller i smak.
Hos Leo Vegas Norge finner man spilleautomater med forskjellig utseende. Fra de klassiske som mange kjenner igjen fra arkader og kiosker til helt moderne automater med mange farger og flott utseende. Automater med tematikk fra film, musikk, norrøn mytologi og dyrenes verden.
Med mange automater er det også stor forskjell på hvordan de er oppbygd. Fra klassiske automater med få hjul og gevinstlinjer til nye moderne slots med flere hjul, rader og enormt mange gevinstlinjer. Samt muligheter for ekstra spinn og bonusspill.
Casinoseksjonen byr på mange kjente travere fra de største leverandørene. Her finner man folkekjære spill som Starburst, Book of Dead, Wild Toro og Gonzo’s Quest.

Jackpot slots – vinn stort på over 70 jackpotspill

Når det kommer til jakt på store gevinster er Leo Vegas Norge med over 70 jackpot-automater et godt valg. Det gir mange muligheter til å vinne en livsendrende gevinst.
I casinoet kjenner man raskt igjen populære jackpot-automater som Mega Fortune, Mega Fortune Dreams, Mega Moolah og Mega Moolah ISIS. Samt populære norske jokerautomater som Mega Joker, Joker Millions og Empire Fortune. Automater som har gitt både store og megastore gevinster.
Det spesielle med jackpot-automatene er at de kan gi astronomiske gevinster. Forutsetningen er at ingen vinner jackpotten på en stund. Automater med progressive jackpotter er bygd slik at hver gang noen spiller på den, legges en gitt andel til jackpotten. Det gjelder alle som spiller på den konkrete automaten. Det er dermed ikke begrenset til hvert enkelt nettcasino. Slikt blir det raskt penger av. Går det tid mellom hver gang noen vinner jackpotten, kan beløpet bli stort. Og det vokser kontinuerlig helt til noen vinner jackpotten.
Jackpot-automatene skiller seg ikke fra andre spilleautomater med unntak av pengene som legges til side. Tematikk og design er likt og man spiller på samme måte.
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Spill blackjack hos Leo Vegas Norge Casino

Setter man pris på det populære bordspillet blackjack er det mye å glede seg over hos Leo Vegas. Casinoseksjonen byr på 22 forskjellige varianter. Det betyr mange muligheter til å slå dealeren. Og til å oppnå 21. For det er det det stort sett handler om. Å få en lucky 21. Reglene for spillet er enkle. Derfor er det populært når man vil prøve lykken på noe annet enn spilleautomater.
Blant blackjack-spillene hos Leo Vegas finner man standard blackjack, Lucky Lucky Blackjack, Suit ‘Em Up Blackjack, Lucky Ladies Blackjack, Double Xposure og Perfect Pairs Blackjack. Videre spill som Buster Blackjack, American Blackjack, 21+3 Blackjack og 6 in 1 Blackjack. Spill som er enkle å forstå selv om noen har en liten vri i forhold til standardreglene. De krever ikke nødvendigvis den tykkeste lommeboken heller.
Er man ikke opptatt av lommeboken så har casinoet flere blackjack-spill som passer godt for storspillere. Single Deck Blackjack Pro High Limit, Blackjack Professional, Blackjack Pro High Limit og Blackjack Professional VIP er spill som er tilpasset spillere som gjerne satser litt når de befinner seg ved blackjack-bordet.

Roulette

Et annet populært bordspill er roulette. Hos Leo Vegas Norge er det elleve varianter av dette spillet. Det er mange regler i roulette så det er ingen fordel å ankomme bordet uten å ha satt seg inn i disse. Det finnes mange strategier for spillingen også, og det er mange som benytter en av disse når de spiller. Uansett valg av strategi må man likevel ha hellet med seg siden det er helt tilfeldig hvor kulen ligger når hjulet slutter å spinne.
Blant roulette-spillene som Leo Vegas Norge tilbyr finner man standard roulette samt flere varianter av både europeisk og fransk roulette. Amerikansk roulette tilbys også.
Den beste strategien for å øke sjansen for gevinst når man spiller roulette er å holde seg unna den amerikanske varianten, og gå for de franske eller europeiske. Der er huset fordel mindre siden de kun har en null mens de amerikanske bordene har to nuller.
For storspillere eller såkalte high rollers finnes spill som Roulelette VIP og French Roulette VIP. Dette er utgaver av spillet som virkelig lar spillerne satse mye per runde om de ønsker det.
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Live Casino

For å kjenne på den ekte casinofølelsen uten å være i et fysisk casino, er Live Casinoet til Leo Vegas Norge stedet. Det er enormt. Der er utvalget av kort- og bordspill stort. Derfor er det ingen grunn til å dra til Monte Carlo eller Las Vegas. Kommer man ikke i god casinostemning i Live Casionet til Leo Vegas er det ikke deres feil. Der er det en omfattende meny med mange menyvalg alt etter hva man er ute etter. I Live Casinoet spiller man mot imøtekommende, smilende og velkledde dealere. Mange sjanser for chatting med medspillere får man også.
Leo Vegas Norge har mange spill som er felles med andre casinoer, men også eksklusive spill som man kun finner der. I casinoets Chambre Séparée er det ti eksklusive spill med roulette og blackjack. Ellers bys på rikelige sjanser for gevinster i både baccarat, poker, blackjack, roulette og på lykkehjulet Dream Catcher. Hvor mye man spiller for per runde er opp til en selv. Spennvidden er fra 1 krone til 200 000 kroner.
Spillene i Live Casinoet leveres av spillutviklerne NetEnt, Evolution Gaming og Extreme Live Gaming. Det betyr brukervennlige bord, flott grafikk og upåklagelig livestream og lyd. Dette er også utviklere som har spill for alle typer spillere. Dermed spiller det ingen rolle om man er litt forsiktig med hvor mye man spiller, eller om man ikke har særlig fokus på det. Det blir uansett en flott casinoopplevelse selv om man sitter i godstolen hjemme.
Vil man prøve noe utover alle live-bordene fra de tre nevnte tilbyderne, får man det hos Leo Vegas Norge. Man kan nemlig knytte seg opp til bordene ved flere fysiske landbaserte casinoer. Eksempler er Dragonara på Malta og St. Vincent i Italia. Dermed befinner man seg plutselig på en øy i Middelhavet eller nord i Italia uten å være det.

Slik får du live casino bonus hos Leo Vegas Norge Casino

Hos Leo Vegas er det slik at man kan motta en bonus i Live Casinoet i forbindelse med at man blir ny spiller. Når man registrerer seg kan man få 100 kroner gratis til benyttelse i Live Casinoet. Det er ikke nødvendig å gjøre et innskudd, det holder med å åpne en konto. Det er en fin måte å bli litt bedre kjent i Live Casinoet uten at man risikerer egne penger.
Frister det med mer kan man velge å ta imot velkomsttilbudet i denne seksjonen. For det første innskuddet på minst 100 kroner vil man da få dette i Live Casinoet:
  • To bonuser på 100 prosent opptil 2000 kroner
Både gratispengene og bonusen kommer med et omsetningskrav på 40 ganger før eventuelle gevinster kan tas ut. Dette høres muligens høyt ut for erfarne casinospillere, men det som skiller Leo Vegas fra andre casino er at når du spiller i dette casinoet vil du først spille med ditt eget innskudd, før du spiller med bonuspenger. Så om du vinner en gevinst mens du spiller med dine egne penger, er alle gevinster dine.
Ønsker man flere bonuser i Live Casinoet må man følge med og benytte anledningen i forbindelse med diverse kampanjer som kan gi dette.

Odds og betting hos Leo Vegas Norge

Når det kommer til sport er Sportsbooken hos Leo Vegas uslåelig. Der er det mye for de som elsker sportsbetting. Det betyr mange muligheter for spill på både odds og live odds. Det første betyr spill til odds som er satt før idrettsbegivenheten starter. Det andre gir enda mer engasjement siden det er odds man kan sette når en sportsbegivenhet pågår.
De aller fleste idrettene er på plass i sportsseksjonen. Det betyr alt fra store idretter som fotball, vintersport, hest, tennis og motorsport til mindre idretter som dart, snooker og sjakk. Leo Vegas har alle de store turneringene, mesterskapene og ligaene. I tillegg så byr Sportsbooken på resultatoversikt og live streaming.
Det kan også spilles på noe annet enn sport. Bookmakere gir jo muligheter til spill på så mangt. Leo Vegas Norge tilbyr blant annet politikk hvor man kan vedde på vinnere av nasjonale valg og presidentvalg. Du kan for eksempel sette odds på kommunevalget i Norge 2019, eller om the blir No Deal Brexit. Andre alternativer er valutakurser, TV-show, musikkonkuranser og prisutdelinger. Om du anser deg selv som en TV-ekspert, hva med å sette odds på hvilken TV-serie som går av med den gjeve prisen for beste dramaserie hos Emmy Awards 2019.
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Oddsbonus

Nye spillere som er mest opptatt av sportsbetting kan velge å ta velkomsttilbudet i Sportsbooken. Faktisk får man 100 % opptil 3000 kr. Denne bonusen må omsettes 4 ganger til minst 1.80 i odds.
Frister det med mer etter at man har spilt på sport risikofritt, gjør man et innskudd og spiller for egne penger. Da tildeles man velkomsttilbudet i sportsseksjonen hos Leo Vegas Norge. Det betyr at man mottar 2 gratisspill. For å kvalifisere for disse to gratisspillene er betingelsen at det spilles for minst 100 kroner til minst 1.8 i odds den første gangen man spiller for egne penger i oddsseksjonen.

Se kampene med live streaming

Ønsker man å følge med live etter at man har spilt på et idrettarrangement, er sportsseksjonen til Leo Vegas Norge er godt sted. Der kan man bli værende i Sportsbooken og se på avgjørelsen. Der kan man se mange live sendinger eller live streaming. Enten det er en fotballkamp, tennismatch eller en kamp fra VM i ishockey tilbyr Leo Vegas dette til sportsinteresserte gjester.
Enkelt å se er det også. Man finner idrettsarrangementet under Live streaming i oddsseksjonens meny. Deretter er det bare å trykke på play-knappen. Er man ikke innlogget må man deretter gjøre det. Så er det bare å nyte sendingen.

Spill hos Leo Vegas fra mobil og nettbrett

Når det kommer til løsninger for mobile enheter har Leo Vegas Norge aldri sovet i timen, men fulgt med på den teknologiske utviklingen. Der i gården har nettsider med responsivt design aldri vært et fremmedord. Helt siden starten i 2012 har det vært fokus på å gi gjestene det beste innenfor mobilcasino. Rett og slett å være nummer 1 på mobilspilling. Dette ble blant annet anerkjent med tildelingen av Mobile Operator of the Year under EGR Nordic Awards 2016.
Casinoets innovative løsninger gir håndholdt underholdning som er uanstrengt uansett hvilken enhet man benytter. Dette skyldes banebrytende fordeler som elektrisk tempo, intuitiv kontroll og det flotte utvalget som tilbys av casinospill. Dermed er det duket for mye moro uansett hvor man befinner seg i verden. Det eneste man behøver er god nettdekning.
Spill via mobile enheter er enkelt uansett hvilken nettleser og operativsystem man benytter. Det er ikke nødvendig med nedlasting av programvare. Om man ønsker kan man laste ned Leo Vegas sin app for Android og IOS. Med casinoets prisbelønte Best Native App ved EGR Marketing and Innovation Awards 2017 får man en verdensledende spillopplevelse rett i håndflaten uansett hvilken avdeling man befinner seg i. Opplevelsen blir intuitiv, innovativ og øyeblikkelig.
Det betyr lynraske hastigheter og fine opplevelser på mer enn 1000 spilleautomater takket være samarbeidet med alle partnerne. Det betyr alt fra traveren Starburst til de heteste nyhetene. Innenfor sportsbetting betyr det en lynrask Sportsbook som er effektiv, engasjerende og lett å navigere på. Og så kommer man til den ekte opplevelsen i Live Casinoet. Det betyr live streaming fra luksuriøse og eksklusive steder rett i hånden. Håndholdt Live Casino i HD som man sjelden har opplevd tidligere. På mobilen eller en annen touchskjerm får man et bredt spekter av live bordspill hvor man opplever forskjellen fra hva de fleste andre tilbyr.
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Innskudd og uttak hos Leo Vegas

Når det kommer til finansielle transaksjoner er det mange som kjenner på en viss usikkert. Spesielt om man skal betale til en ny aktør. Kommer pengene inn på riktig konto? Og ikke minst får man tatt ut pengene igjen? Det er jo ikke rart at man kjenner på denne uroen. Noe nytt skaper alltid en viss form for usikkerhet. Hos Leo Vegas Norge kan man nyte spillingen og slappe helt av. Der er det ikke noe tull. Casinoet tar sikkerheten til kundene sine på ramme alvor. Alle betalinger skjer med moderne og sikker SSL-kryptering. Dermed kommer ikke innskudd og uttak på avveie.
Før man kan ta ut penger må man verifisere kontoen med godkjent legitimasjon. Dette er for å sikre at pengene utbetales til riktig person. Samt at spillingen ikke er en del av kriminell aktivitet som hvitvasking av penger.
Når man først er verifisert vil alle senere uttak av gevinster gå mye raskere unna. Hvor raskt man får pengene kommer an på hvilken betalingsmetode som benyttes ved uttak. Casinoet prøver uansett å ekspedere alle anmodninger om utbetalinger så raskt som mulig. Bruker man elektroniske lommebøker er pengene tilgjengelig nesten med en gang. Må utbetalingen foretas via bankoverføring kan det ta inntil 5 dager.
For innskudd er det ingen krav til minstebeløp hos Leo Vegas. Imidlertid kan det være at kortutstederen krever et gebyr, og da kan dette bli uforholdsmessig stort om man bare setter inn en hundrelapp.
Når det kommer til uttak er det minste man kan ta ut hos Leo Vegas 200 kroner. I løpet av 30 dager kan man foreta inntil 3 gebyrfrie uttak. Gjør man flere uttak innenfor dette tidsvinduet påløper det et gebyr på 30 kroner per uttak. De som har nådd nivå 30 i VIP-programmet kan foreta så mange uttak de bare ønsker. De vil uansett være gratis.

Oversikt over betalingsmetoder

Leo Vegas Norge tilbyr de mest vanlige betalingsmetodene. I utgangspunktet benyttes samme løsning ved uttak som ved innskudd. Er ikke dette teknisk mulig blir uttaket som oftest ordnet med bankoverføring. Hos Leo Vegas kan det velges blant disse metodene:
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  • Mastercard
  • PaysafeCard
  • Neteller
  • Skrill
  • Skrill Rapid Transfer
  • Bankoverføring
  • Trustly
  • MuchBetter
  • ecoPayz
Husk at det varierer hvilke metoder som er tilgjengelige for norske spillere – da den siste tidens restriktive politikk fra den norske stat har gjort det vanskelig for norske spillere å ta ut sine lovlige gevinster som de har vunnet på casino. Leo Vegas jobber kontinuerlig for å finne nye og gode betalingsmuligeter for akkurat norske spillere.
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Kundeservice

De aller fleste gangene man gjester Leo Vegas forløper nok besøket uten problemer av noe slag. Det er jo slik det skal være, man er jo der for å hygge seg. Dog kan det være at det er noe man lurer på. Da er Leo Vegas sin FAQ et greit sted å begynne. Der har casinoet samlet de mest vanlige problemstillingene. FAQ-en er omfattende så man finner mest sannsynlig svar på det meste man lurer på.
Finner man ikke svaret der eller om det skulle oppstå et akutt problem, er det godt med teamet på kundeservice. Det består av dyktige medarbeidere som gjør alt de kan for å hjelpe. På kundesupport er det alltid folk tilstede. Det betyr at man får hjelp og assistanse døgnet rundt. Enten det er påske, 17. mai eller jul. Teamet hjelper til slik at man kan fortsette med det man ønsket, nemlig underholdende spilling.
Folkene på support kan kontaktes via e-post, Live Chat eller telefon. Det raskeste er telefon og chat. På e-post tilstrebes det å svare innen 24 timer.
Fra klokken 8 om morgenen og helt frem til klokken 02 er det hjelp å få på norsk. Resten av døgnet er kundestøtten på svensk og engelsk.

Forsvarlig spilling med LeoSafePlay

Hos Leo Vegas ønsker man at gjestene skal kose seg, spille og ha det hyggelig hver gang man er på besøk. Rett og slett at spillingen ikke skal ta overhånd og at man ikke er i casinoet for å bli rik. Fokuset med ansvarlig spilling er en viktig del av identiteten til Leo Vegas Norge. Derfor har de etablert LeoSafePlay. Målet med dette er å gi nyttig og praktisk informasjon om identifisering og håndtering av spilleavhengighet. Samt hindre spill blant mindreårige. LeoSafePlay gjenspeiler viljen og arbeidet som gjøres for å ta ansvar for spillerne og bransjen i sin helhet. Verktøy er rett og slett en nyttig ressurs for alle som ønsker informasjon om hvordan man unngår spilleavhengighet og spill blant mindreårige.

Stolt sponsor av Brentford Football Club, Leicester Tigers og Norwich

Hos Leo Vegas er de opptatt av å gi tilbake. Dette ser man blant annet gjennom sponsing av idrettslag. Nettcasinoet er stolt hovedsponsor av flere kjente idrettsklubber. Dette er Brentford Football Club og Leicester Tigers. I tillegg kommer fotballklubben Norwich som kanskje er best kjent blant nordmenn. Den er på nivå to i England og har også nordmenn på laget.
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Spenstig VIP-program

Det må også nevnes at Leo Vegas Norge har et eget kundeprogram. I lojalitetsprogrammet er det mye for de mest dedikerte gjestene. Og som vanlig er det slik at desto høyere man kommer opp i hierarkiet i VIP-programmet desto mer kan man forvente av goder, fordeler, personlig oppfølging og andre gode tilbud.

Høy sikkerhet med Maltesisk lisens

Nettcasinoet henter spillisensen på Malta hos Malta Gaming Authority. Det er holdt for å være kanskje verdens strengeste reguleringsmyndighet. Med en lisens utstedt på Malta gir det spillerne god trygghet for at casinoet kontrolleres og overvåkes av en spillmyndighet som tar dette med rettferdig spill og transparens på alvor. Samtidig er casinoet også underlagt EU’s strenge regelverk. Det gir også sikkerhet for at pengetransaksjoner, brukerrettigheter samt personlig informasjon er ivaretatt på beste vis.

Leo Vegas Norge Casino konklusjon

Hos Leo Vegas får man egentlig alt. Det er et flott nettcasino som tilbyr gjestene mye. Enten det er sport, casino eller livespill. Casinoet har vunnet mange utmerkelser siden det ble lansert. Ikke minst er de mobile løsningene brukervennlige og innovative. Casinoet passer for alle typer spillere. Er man en highroller finnes det nok av tilbud. Om man er litt mer forsiktig med pengene finnes det enda mer å velge blant.
I casinoseksjonen er det et stort og variert spillutvalg i mange kategorier. Her finner man haugevis av spilleautomater og jackpotter. Utvalget er også stort når det kommer til kort- og bordspill som poker, baccarat, blackjack og roulette. I tillegg fokuseres det ekstra på skrapelodd.
De som elsker sportsbetting får i aller høyeste grad sitt. Der kan det spilles på både odds og live odds til gode betingelser på de fleste idretter. Noen utenomsportslige veddemål er det også mulig å ta. I tillegg har Sportsbooken resultatoversikt samt mange muligheter for live streaming av idrettsbegivenheter.
Man behøver ikke reise til Las Vegas for å kjenne på den ekte casinofølelsen. Det holder med Live Casinoet til Leo Vegas. Der kan det spilles på enormt mange spill. Der finner man lykkehjulet Dream Catcher og klassikere som poker, blackjack, roulette og baccarat. Og i Chambre Séparée finner man eksklusive spill som ingen andre har.
Et stort pluss er velkomsttilbudene i hver seksjon. Man avgjør selv hvor man eventuelt ønsker å ta imot dette. Dermed velger man velkomstbonus ut fra spilleinteressen. I tillegg får man en belønning bare for å registrere seg. Enten i form av gratispenger eller gratisspinn.
Positivt er det også med mange kampanjer, turneringer og VIP-program. Det kan gi flere flotte belønninger. Mange betalingsmetoder samt raske innskudd og uttak med sikker SSL-teknologi er også bra. Det samme gjelder kundeservice døgnet rundt hver eneste dag.
Hvis det er en ting vi skal trekke for, er det omsetningskravet på bonusen i dere live casino. 70 ganger er for høyt. Kravet på den ordinære bonusen, 35 ganger, er imidlertid helt innenfor og nærmest en slags bransjestandard.
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